Shloka 69
The Glory of Dhātrī (Āmalakī) and Tulasī: Ekādaśī Observance and Protection from Preta States
कथं तेषां फलानां च शक्ता वै भक्षणेधुना । द्विजा ऊचुः । अस्माकं वचनेनात्र धात्रीणां भक्षणं शिवम्
kathaṃ teṣāṃ phalānāṃ ca śaktā vai bhakṣaṇedhunā | dvijā ūcuḥ | asmākaṃ vacanenātra dhātrīṇāṃ bhakṣaṇaṃ śivam
“แล้วพวกท่านยังจะสามารถกินผลเหล่านั้นได้อย่างไรในบัดนี้?” เหล่าทวิชกล่าวว่า “ด้วยวาจาของพวกเรา ณ ที่นี้ การกินผลธาตรี (อามลกี) ย่อมเป็นศิวมงคล”
Dvijāḥ (Brahmins), in dialogue
Concept: The auspiciousness of an act can be activated through dharmic authority and right intention; sacred speech can consecrate even what seems impossible for the afflicted.
Application: Seek legitimate guidance and make clear saṅkalpa before spiritual disciplines; words spoken with integrity can reframe and empower difficult reforms.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: forest
Visual Art Cues: {"scene_description":"Brāhmaṇas hold a bowl of freshly gathered āmalakī fruits, their right hands raised in blessing as if sealing a vow with sacred speech. The pretas, previously recoiling, now lean forward cautiously, the air around the fruits shimmering as the brāhmaṇas’ words render the act ‘śivam’—auspicious and safe.","primary_figures":["brāhmaṇas (dvijāḥ)","pretas","dhātrī (āmalakī) fruits as focal object"],"setting":"Hermitage veranda with ritual vessels, kusa mats, and a sacred tree in the background","lighting_mood":"temple lamp-lit","color_palette":["warm amber","pale green","bronze","cream white","deep maroon"],"tanjore_prompt":"Tanjore painting style: close-focus consecration scene—brāhmaṇas with gold leaf halos blessing a golden bowl of āmalakī fruits; pretas in softened tones receiving the offering; ornate lamp stands, rich maroon backdrop, heavy gold embossing on vessels and fruit highlights, jewel-like detailing.","pahari_prompt":"Pahari miniature style: intimate moment of blessing; delicate hands and gestures; fruits painted with fine stippling; pretas’ faces show cautious hope; soft lamplight, cool shadows, refined naturalism in the hermitage setting.","kerala_mural_prompt":"Kerala mural style: stylized brāhmaṇas in blessing posture, bold outlines; central bowl of fruits emphasized with rhythmic patterns; pretas shown as subdued figures turning toward light; warm red-yellow field with green accents and decorative borders.","pichwai_prompt":"Pichwai cloth painting style: central offering bowl framed by lotus motifs; brāhmaṇas arranged symmetrically; floral borders and hanging garlands; deep blue or maroon ground with gold linework, intricate ornamentation around the consecrated fruits."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhupali","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["soft bell","mantra-like cadence","gentle hand cymbals","leaf rustle","steady silence"]}
Sandhi Resolution Notes: भक्षणेधुना is read as भक्षणे + धुना (intended अधुना 'now'); no other major sandhi.
FAQs
It presents the idea that an act (here, eating dhātrī/āmalakī fruit) becomes “śiva”—auspicious—when performed under proper sanction or blessing, voiced by the dvijas.
Dhātrī is traditionally regarded as purifying and beneficial; the verse reinforces its auspicious status, especially when consumed in a ritually approved context.
Actions should be guided by dharma and appropriate counsel; the verse implies that intention and proper authorization/blessing can determine whether an act is considered spiritually wholesome.