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Shloka 11

Brahmin Conduct, Purificatory Baths, and the Garuḍa–Nectar Episode

Illustrative Narrative

मंत्रव्रतविहीनश्च वेदविद्यागुणैरपि । यज्ञदानादिभिर्मुक्तो ब्राह्मणश्चाधमाधमः

maṃtravratavihīnaśca vedavidyāguṇairapi | yajñadānādibhirmukto brāhmaṇaścādhamādhamaḥ

แม้จะมีความรู้และคุณวุฒิแห่งพระเวท แต่พราหมณ์ผู้ปราศจากมนตร์และวรตะอันศักดิ์สิทธิ์ และขาดยัญญะ ทาน และกิจอันควรทั้งหลาย ย่อมเป็นผู้ต่ำสุดในหมู่ผู้ต่ำสุด

ma43tra-vrata-vih2bna25devoid of mantras and vows
ma43tra-vrata-vih2bna25:
Karta ( )
TypeAdjective
Rootma43tra + vrata + vih2bna (pr0tipadika)
FormPu43li45ga (Masculine), Pratham0 vibhakti (Nominative/1st), Ekavacana (Singular); tatpuru63a: 'devoid of mantras and vows'
caand
ca:
Sambandha ( )
TypeIndeclinable
Rootca (avyaya)
FormAvyaya, samuccaya (conjunction): 'and'
veda-vidy0-gu47ai25by Veda, learning, and virtues
veda-vidy0-gu47ai25:
Kara47a ( )
TypeNoun
Rootveda + vidy0 + gu47a (pr0tipadika)
FormPu43li45ga (Masculine), T5t2by0 vibhakti (Instrumental/3rd), Bahuvacana (Plural); dvandva: 'Veda, learning, and virtues' (as a set)
apieven/also
api:
Sambandha ( )
TypeIndeclinable
Rootapi (avyaya)
FormAvyaya, sambh0van0/samuccaya particle: 'even/also'
yajf1a-d0na-0dibhi25by sacrifices, gifts, etc.
yajf1a-d0na-0dibhi25:
Kara47a ( )
TypeNoun
Rootyajf1a + d0na + 0di (pr0tipadika)
FormNap6b43saka (Neuter; 0di-anta), T5t2by0 vibhakti (Instrumental/3rd), Bahuvacana (Plural); dvandva of 'sacrifice' and 'gift' with 0di ('etc.')
mukta25freed (from)/devoid (of)
mukta25:
Karta ( )
TypeAdjective
Rootmuc (dh0tu) + kta (k5bdanta)
FormKta-pratyaya PPP, Pu43li45ga (Masculine), Pratham0 vibhakti (Nominative/1st), Ekavacana (Singular); here: 'freed (from)/released (from)'
br0hma47a25a br0hma47a
br0hma47a25:
Karta ( )
TypeNoun
Rootbr0hma47a (pr0tipadika)
FormPu43li45ga (Masculine), Pratham0 vibhakti (Nominative/1st), Ekavacana (Singular)
caand
ca:
Sambandha ( )
TypeIndeclinable
Rootca (avyaya)
FormAvyaya, samuccaya (conjunction): 'and'
adhama-adhama25the lowest of the low
adhama-adhama25:
Karta ( )
TypeAdjective
Rootadhama + adhama (pr0tipadika)
FormPu43li45ga (Masculine), Pratham0 vibhakti (Nominative/1st), Ekavacana (Singular); karmadh0raya/intensifying repetition: 'lowest of the low'

Unspecified (context-dependent within Adhyaya 47; verse presents a general doctrinal statement)

Concept: Birth or learning alone does not sanctify; mantra, vrata-discipline, yajña, and dāna integrated with conduct are required for true brāhmaṇa-hood.

Application: Treat spiritual identity as practice-based: keep daily japa, observe periodic vows, give charity, and align livelihood with integrity rather than relying on credentials.

Primary Rasa: raudra

Secondary Rasa: karuna

Visual Art Cues: {"scene_description":"A solemn āśrama courtyard at dawn: a learned brāhmaṇa sits amid palm-leaf manuscripts, yet the sacred fire is cold and the dāna-vessel is empty. A sage points toward the unlit agnihotra, while a faint Viṣṇu-lotus emblem glows in the background, suggesting that knowledge without discipline is spiritually barren.","primary_figures":["brāhmaṇa scholar","forest sage (ṛṣi)","symbolic presence of Viṣṇu (lotus/śaṅkha-cakra aura)"],"setting":"forest hermitage with yajña-śālā, unlit fire altar, manuscripts, kusa grass, water pot","lighting_mood":"golden dawn","color_palette":["saffron ochre","ash gray","palm-leaf tan","deep indigo","golden light"],"tanjore_prompt":"Tanjore painting style: a stern ṛṣi in the foreground gestures toward an unlit agnihotra altar beside a brāhmaṇa holding palm-leaf manuscripts; subtle Viṣṇu symbols (śaṅkha-cakra) in a radiant aureole above; gold leaf embellishment on ornaments and halo, rich vermilion and emerald accents, temple-like framing, gem-studded borders.","pahari_prompt":"Pahari miniature style: a quiet Himalayan āśrama scene with delicate brushwork—cool morning mist, a brāhmaṇa scholar seated with manuscripts, a sage admonishing gently; small unlit fire altar and empty dāna bowl; lyrical trees and distant hills, refined faces, restrained palette with soft blues and ochres.","kerala_mural_prompt":"Kerala mural style: bold black outlines and natural pigments—two figures (ṛṣi and brāhmaṇa) near a stylized yajña-vedi; expressive eyes, red-yellow-green palette; a symbolic Viṣṇu aura with śaṅkha-cakra motifs above, temple-wall aesthetic with ornamental borders.","pichwai_prompt":"Pichwai cloth painting style: devotional moral tableau with lotus borders and subtle Viṣṇu presence—central unlit altar framed by intricate floral patterns; peacocks at the edges, deep blue background with gold highlights; the message of dharma conveyed through symbolic objects (empty dāna vessel, silent conch)."}

Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["temple bells (distant)","crackling fire (fading to silence)","morning birds","conch shell (soft, concluding)"]}

Sandhi Resolution Notes: ma43travratavih2bna5bca 3d ma43tra-vrata-vih2bna25 + ca; vedavidy0gu47airapi 3d veda-vidy0-gu47ai25 + api; yajf1ad0n0dibhir 3d yajf1a-d0na-0dibhi25; br0hma47a5bc0dham0dhama25 3d br0hma47a25 + ca + adhama-adhama25

B
Brāhmaṇa

FAQs

Yes. It criticizes mere learning (veda-vidyā) when not accompanied by lived dharma—mantra-discipline, vows, sacrifice, charity, and related duties.

Status or knowledge without practice is hollow; religious identity is validated by disciplined observance and beneficent action (yajña, dāna, etc.).

It reflects a common Purāṇic theme: inner and outer conduct (vows, worship, giving) must accompany scriptural knowledge for one’s life to be considered truly dhārmic.