Shloka 96
Slaying of Andhaka; Hymn to the Sun; Glory of Brahmins; Gayatri Nyasa and Pranayama
पूजयित्वा द्विजान्देवाः स्वर्गं भुंजंति चाक्षयं । धरामवंति राजानो लोकावित्तं सुखं शिवं
pūjayitvā dvijāndevāḥ svargaṃ bhuṃjaṃti cākṣayaṃ | dharāmavaṃti rājāno lokāvittaṃ sukhaṃ śivaṃ
เมื่อบูชาพราหมณ์ผู้เกิดสองครั้งแล้ว เหล่าเทพย่อมเสวยสวรรค์อันไม่เสื่อมสูญ; ส่วนพระราชาทั้งหลายทรงพิทักษ์แผ่นดิน ได้ลาภโลกีย์ ความสุข และสวัสดีมงคลอันเป็นศิวะ
Unspecified (narratorial/teaching voice within Sṛṣṭikhaṇḍa context; exact dialogue speaker not stated in the provided excerpt).
Concept: Honoring brāhmaṇas (dvija-pūjā) yields akṣaya merit: gods secure imperishable heaven; kings gain prosperity and auspicious welfare by protecting the earth.
Application: Support ethical teachers and institutions; practice respectful giving; if in leadership, prioritize protection, fairness, and welfare—prosperity follows dharmic stewardship.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: celestial_realm
Visual Art Cues: {"scene_description":"A ceremonial honoring of dvijas unfolds: kings and householders offer water, cloth, and food to serene brāhmaṇas, while above, devas in a luminous svarga court receive the reflected merit as an imperishable radiance. The earth below is shown protected—fields irrigated, borders secure, people at peace—linking worship to welfare.","primary_figures":["brāhmaṇas (dvijas)","kings (rājānaḥ)","devas in svarga"],"setting":"Split-scene composition: lower earthly court with gifts and protection imagery; upper celestial terrace with devas enjoying akṣaya svarga.","lighting_mood":"divine radiance","color_palette":["celestial gold","pearl white","royal crimson","turquoise blue","verdant green"],"tanjore_prompt":"Tanjore painting style: two-tier tableau—below, a crowned king offers arghya and cloth to seated brāhmaṇas; above, devas in a gold-leaf svarga pavilion with jeweled pillars; heavy gold embellishment, rich reds/greens, gem-studded crowns, ornate borders with lotus and conch motifs; clear iconographic hierarchy and devotional grandeur.","pahari_prompt":"Pahari miniature style: lyrical two-register painting—earthly courtyard with delicate textiles and offerings; upper register with airy clouds and devas; cool blues and greens, fine brushwork on faces and garments, gentle naturalism, distant river and fields symbolizing protected earth.","kerala_mural_prompt":"Kerala mural style: bold outlines and flat pigments; king in profile offering to dvijas; upper band shows devas with stylized ornaments; dominant red-ochre background with yellow highlights; temple-wall narrative clarity and rhythmic ornamentation.","pichwai_prompt":"Pichwai cloth painting style: ornate border of lotuses, conches, and tulasi sprigs; central scene of dvija-pūjā with symmetrical seating; upper cloud band with devas; deep indigo ground with gold highlights, intricate floral fill patterns, devotional textile aesthetic."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Desh","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["temple bells","conch shell","murmured mantras","soft crowd hush","distant birds"]}
Sandhi Resolution Notes: द्विजान्देवाः → द्विजान् + देवाः; चाक्षयम् → च + अक्षयम्; धरामवंति → धराम् + अवन्ति; लोकावित्तं treated as लोक + अवित्तम् (reading uncertain in given text).
FAQs
It links social-religious duty to results: honoring the twice-born brings imperishable heavenly reward, and righteous kingship is defined by protecting the earth, which yields prosperity, happiness, and auspicious well-being.
“Dvija” literally means “twice-born” and commonly refers to the initiated varṇas; in Purāṇic moral teaching it often especially points to brāhmaṇas as recipients of honor and ritual respect.
For society: maintain reverence toward learned and disciplined religious communities; for rulers: true kingship is protection and stewardship of the land and people, which is portrayed as the foundation of stable prosperity and auspiciousness.