Shloka 37
Puṣkara Sacrifice: Gāyatrī’s Marriage, Sāvitrī’s Wrath, Rudra’s Test, and the Tīrtha-Māhātmya
कपर्दिना च ते उक्ता भुक्त्वा यास्यामि भो द्विजाः । एवमुक्त्वा निषण्णः स कपालं न्यस्य चाग्रतः
kapardinā ca te uktā bhuktvā yāsyāmi bho dvijāḥ | evamuktvā niṣaṇṇaḥ sa kapālaṃ nyasya cāgrataḥ
กปัรทีจึงกล่าวแก่พวกเขาว่า: “โอ้ทวิชทั้งหลาย เราจักไปหลังจากฉันแล้ว” ครั้นกล่าวดังนี้ เขาก็นั่งลงและวางบาตรกะโหลกไว้เบื้องหน้า
Narrative voice (context suggests a dialogue involving Kapardin/Śiva and dvijas, but the immediate speaker in this verse is not explicitly named beyond reported speech).
Concept: Outer purity rules without inner discernment become hypocrisy; the divine may appear in unsettling forms to test sincerity.
Application: Do not judge sanctity by appearance; cultivate inner reverence and ethical steadiness even when confronted with unfamiliar forms.
Primary Rasa: adbhuta
Secondary Rasa: hasya
Visual Art Cues: {"scene_description":"Kapardī sits with unshakable composure on a kuśa mat, placing a skull-bowl carefully before him as the sages watch with mixed discomfort and curiosity. The yajña fire burns behind, its smoke curling around the kapāla as if the cosmos itself is pausing to witness a lesson about purity and pride.","primary_figures":["Kapardī (Śiva as Kapālin)","dvija sages"],"setting":"yajña-śālā with vedi altar, ritual vessels, and a liminal aura where ascetic and sacrificial symbols overlap","lighting_mood":"divine radiance","color_palette":["ivory","charcoal black","saffron gold","blood red","midnight blue"],"tanjore_prompt":"Tanjore painting style: Kapardī seated frontally with kapāla placed before him, sages in a semicircle reacting, gold leaf radiance around the fire and subtle halo around Kapardī, rich reds/greens, ornate borders, embossed gold highlighting the skull-bowl and ritual implements.","pahari_prompt":"Pahari miniature style: quiet dramatic moment—Kapardī’s calm face, delicate rendering of the skull-bowl, sages with nuanced expressions, cool blues with warm firelight, fine smoke lines, minimalistic yet emotionally charged composition.","kerala_mural_prompt":"Kerala mural style: bold outlines, Kapardī with matted locks and strong gaze, kapāla stylized, sages with expressive eyes, rhythmic flame motifs, red/yellow/green palette with black accents emphasizing the skull-bowl’s starkness.","pichwai_prompt":"Pichwai cloth painting style: narrative tableau with ornate floral borders, central seated ascetic figure, symmetrical sage grouping, deep indigo ground with gold highlights, lotus motifs subtly framing the kapāla scene to connect to Padma Purāṇa’s devotional aesthetic."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Durga","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["hushed whispers","fire crackle","wind through pavilion","single bell strike"]}
Sandhi Resolution Notes: ते उक्ताः = ते + उक्ताः; एवमुक्त्वा = एवम् + उक्त्वा; चाग्रतः = च + अग्रतः
FAQs
Kapardin is an epithet of Śiva, meaning “the one with matted hair,” commonly used in Purāṇic and Vedic-style diction.
The kapāla is a well-known ascetic emblem in Śaiva traditions, often associated with renunciation and transgressive imagery used in Purāṇic storytelling to convey detachment and austerity.
On its own, the verse highlights restraint and ritual propriety—eating before departure—and underscores ascetic symbolism (the skull-bowl), pointing to themes of renunciation and disciplined conduct.