Shloka 100
Rudra’s Removal of Brahmahatyā; Kapālamocana and Avimukta Māhātmya; Origins of Nara and Karṇa
link to Arjuna/Karna query
गच्छामः शरणं शंभुं निस्तेजसोऽस्य तेजसा । देवा ऊचुः । नमस्तेसर्वसत्वेश महेश्वर नमोनमः
gacchāmaḥ śaraṇaṃ śaṃbhuṃ nistejaso'sya tejasā | devā ūcuḥ | namastesarvasatveśa maheśvara namonamaḥ
พวกเราถูกเดชรัศมีของพระองค์ครอบงำจนสิ้นรัศมีของตน ขอไปพึ่งพระศัมภูเป็นที่พึ่งเถิด เทพทั้งหลายกล่าวว่า “ขอนอบน้อมแด่พระองค์ ผู้เป็นเจ้าแห่งสรรพสัตว์ โอ้มหาอิศวร ขอนอบน้อมแล้วนอบน้อมอีกครั้ง”
Devas (the gods)
Concept: Śaraṇāgati (taking refuge) begins with humility—recognizing one’s limitations and offering repeated namaskāra.
Application: When overwhelmed, reduce ego, repeat a simple salutation-prayer, and seek guidance rather than forcing control.
Primary Rasa: karuna
Secondary Rasa: shanta
Type: celestial_realm
Visual Art Cues: {"scene_description":"The devas, their halos faint, move as a procession through swirling clouds toward a luminous, austere presence of Śambhu. They fold their hands in synchronized reverence, the words ‘namas te’ almost visible as golden breath in the air.","primary_figures":["Śambhu (Śiva)","Indra","Agni","Varuṇa","Vāyu","Sūrya","deva-gaṇa"],"setting":"Cloud-path leading to a serene, ash-white mountain-like sanctum or a subtle liṅga-shrine in the celestial realm","lighting_mood":"moonlit with inner divine glow","color_palette":["moonstone white","smoky grey","lapis blue","soft saffron","silver"],"tanjore_prompt":"Tanjore painting style: Śambhu enthroned beside a stylized liṅga, devas approaching with folded hands; lavish gold leaf halos and ornaments, deep crimson and emerald garments, pearl-like cloud motifs, traditional iconography with tripuṇḍra, matted locks, and crescent moon, gem-studded borders.","pahari_prompt":"Pahari miniature style: a gentle cloud procession of devas toward Śiva on a pale Kailāsa-like ridge; cool blues and greys, delicate linework, refined faces, minimalistic sacred landscape with a crescent moon and drifting mist.","kerala_mural_prompt":"Kerala mural style: Śiva with bold outlines, large expressive eyes, crescent moon and jaṭā; devas in orderly rows offering namaskāra; earthy pigments, red/yellow/green dominance with restrained shading, temple-wall compositional symmetry.","pichwai_prompt":"Pichwai cloth painting style: central Śambhu figure framed by lotus and floral borders; devas arranged in symmetrical arcs offering salutations; deep indigo background with gold highlights, stylized clouds and peacocks as auspicious fillers, intricate textile-like patterning."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhairavi","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["soft damaru pulse (subtle)","temple bells","conch shell at intervals","wind over high peaks","chant-like unison response"]}
Sandhi Resolution Notes: निस्तेजसोऽस्य = निस्तेजसः + अस्य; नमस्ते = नमः + ते; नमस्तेसर्वसत्वेश = नमः + ते + सर्वसत्त्वेश; नमोनमः = नमः + नमः (o-sandhi).
FAQs
The Devas (gods) praise Śambhu—Śiva—addressing him as Sarvasattveśa (Lord of all beings) and Maheśvara (the Great Lord).
It emphasizes śaraṇāgati (taking refuge): when overwhelmed by a superior divine power, the proper response is humility and surrender through reverential praise.
The line conveys that the Devas feel eclipsed by another’s radiance and potency; recognizing their limitation, they seek protection and guidance from Śiva.