Shloka 79
The Sin of Breaking Households: Citrā’s Past Karma and the Remedy of Hari’s Name and Meditation
सदानंदो विरक्तात्मा एकरूपो निराश्रयः । निर्जरो निर्ममो न्यायी सगुणो निर्ममोमलः
sadānaṃdo viraktātmā ekarūpo nirāśrayaḥ | nirjaro nirmamo nyāyī saguṇo nirmamomalaḥ
พระองค์ทรงเป็นสุขนิรันดร์ มีจิตวางเฉยจากความยึดติด เป็นหนึ่งเดียวไม่แปรเปลี่ยน และไม่พึ่งพาสิ่งใด อมตะ ไร้ความยึดถือ ทรงธรรมยุติธรรม ทรงประกอบด้วยคุณอันเป็นมงคล และบริสุทธิ์ไร้มลทิน
Unspecified (verse is a descriptive eulogy; surrounding dialogue context needed to identify speaker reliably)
Concept: The supreme reality is ever-blissful, unattached, deathless, righteous, and stainless; contemplation of these attributes stabilizes vairāgya and devotion.
Application: Daily dhyāna: reflect on one attribute (ānanda, nirmamatā, nyāya) and imitate it—reduce possessiveness, act fairly, keep conduct clean.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"A serene, icon-like Vishnu sits in yogic stillness upon a lotus, his expression detached yet compassionate, surrounded by a halo of pure light. Around him, faint symbolic inscriptions of virtues—ānanda, nyāya, nirmamatā—circle like a mandala, while worldly temptations appear as dim, dissolving shadows at the edges.","primary_figures":["Vishnu/Narayana in meditative posture","personified virtues as subtle glyphs/mandala forms"],"setting":"Lotus lake that merges into a starry void; minimalistic sacred space emphasizing purity and stillness.","lighting_mood":"divine radiance","color_palette":["pearl white","sapphire blue","pale gold","lotus pink","ash gray"],"tanjore_prompt":"Tanjore painting style: meditative Vishnu on a lotus throne, heavy gold leaf halo and virtue-mandala inscriptions, rich crimson-green textile accents, gem-studded crown and ornaments, subdued outer border with fading shadow-forms of desire, symmetrical devotional iconography.","pahari_prompt":"Pahari miniature style: tranquil lotus lake with distant misty hills, Vishnu seated calmly with a soft aureole, delicate calligraphic virtue words in the air, cool blues and pinks, refined facial features, lyrical minimalism.","kerala_mural_prompt":"Kerala mural style: frontal Vishnu with bold outlines, large expressive eyes, radiant circular halo, stylized lotus base, virtue symbols arranged geometrically, natural pigment reds/yellows/greens balanced with blue body tone, temple-wall compositional symmetry.","pichwai_prompt":"Pichwai cloth painting style: central lotus throne with Vishnu, surrounding floral border interwoven with Sanskrit virtue motifs, deep indigo background with gold highlights, lotuses and subtle peacocks at corners, ornate Nathdwara-style pattern density."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhairavi","pace":"slow-meditative","voice_tone":"serene","sound_elements":["tanpura drone","soft bell at cadence","stillness","distant conch","gentle water lapping"]}
Sandhi Resolution Notes: सदानंदो = सदा-आनन्दः (अव्ययीभाव); विरक्तात्मा = विरक्त-आत्मा; एकरूपो = एक-रूपः; निराश्रयः = निर्-आश्रयः; निर्जरो = निर्-जरः; निर्ममोमलः = निर्मम-अमलः (संधि)
FAQs
The verse lists classical traits used for the Supreme (independent, deathless, stainless) and also for the liberated ideal (detached, without possessiveness). Without the surrounding narrative, it can be read as a description of the Supreme Being or of a perfected devotee/sage reflecting divine qualities.
“Ekarūpa” emphasizes unchanging essence, while “saguṇa” indicates the presence of auspicious attributes (like justice, purity, compassion). The verse frames qualities as expressions of a stable, single nature rather than changes caused by limitation.
It points to relinquishing ‘mine-ness’—reducing attachment and egoic ownership—supporting righteous conduct (nyāyī) and inner purity (nirmala), which are presented as marks of spiritual maturity.