Shloka 5
Yayāti’s Proclamation: Spreading the Nectar of the Divine Name
All-Vaiṣṇava Gift
सर्वत्र पश्यंत्वसुरारिमेकं शुष्केषु चार्द्रेष्वपि स्थावरेषु । अभ्रेषु भूमौ सचराचरेषु स्वीयेषु कायेष्वपि जीवरूपम्
sarvatra paśyaṃtvasurārimekaṃ śuṣkeṣu cārdreṣvapi sthāvareṣu | abhreṣu bhūmau sacarācareṣu svīyeṣu kāyeṣvapi jīvarūpam
ขอให้เขาทั้งหลายเห็นพระองค์ผู้เดียว ผู้เป็นศัตรูแห่งอสูร (วิษณุ) อยู่ทุกแห่ง—ทั้งในสิ่งแห้งและสิ่งชื้น แม้ในหมู่สรรพสิ่งอันนิ่ง; ในเมฆและบนแผ่นดิน ในสรรพสัตว์ทั้งเคลื่อนและไม่เคลื่อน และแม้ในกายตนเองเป็นรูปแห่งชีวิต
Unspecified in provided excerpt (context needed from Adhyaya 73 framing dialogue).
Concept: Train vision to behold Viṣṇu everywhere—as the one life within all forms—so the world itself becomes an altar of remembrance.
Application: Practice ‘seeing God’ in daily encounters: pause before reacting, remember the same life in self/other; cultivate non-harm, gratitude, and steady japa while walking, working, or traveling.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"A vast cosmic panorama where Viṣṇu’s subtle presence is perceived in every layer of existence: dry desert sands, rain-soaked forests, still mountains, moving creatures, and swirling monsoon clouds. In the foreground, a contemplative devotee touches the heart, realizing the same luminous life within their own body as within the world.","primary_figures":["Viṣṇu (as subtle all-pervading presence)","a Vaiṣṇava devotee/seer","symbolic beings (birds, deer, trees, mountains)"],"setting":"A composite sacred landscape blending earth and sky—desert edge, river-fed grove, mountain silhouette, and cloud-filled heavens in one continuous horizon.","lighting_mood":"divine radiance","color_palette":["sapphire blue","monsoon gray","lotus pink","leaf green","golden ochre"],"tanjore_prompt":"Tanjore painting style: Viṣṇu as an all-pervading presence suggested by a central radiant aura with faint conch-and-disc motifs repeating across clouds, mountains, trees, and animals; a devotee in añjali at the lower edge; heavy gold leaf halo-work, rich crimson and emerald garments, gem-studded ornaments, ornate floral borders, traditional South Indian iconographic detailing.","pahari_prompt":"Pahari miniature style: a lyrical Himalayan-like landscape where clouds, rocky ridges, and forest glades subtly form the outline of Viṣṇu; delicate brushwork, cool blues and soft greens, refined faces, tiny animals and birds, a lone devotee seated in meditation near a small shrine, poetic naturalism and airy perspective.","kerala_mural_prompt":"Kerala mural style: bold black outlines and flat natural pigments; a large serene Viṣṇu aura behind layered bands of earth and sky—dry land, wet land, immovable trees, moving creatures—each band containing repeating sacred symbols; characteristic large eyes, red-yellow-green palette, temple-wall composition with rhythmic ornamentation.","pichwai_prompt":"Pichwai cloth painting style: a central blue field suggesting Viṣṇu’s omnipresence, surrounded by concentric lotus and cloud motifs; animals, trees, and mountains arranged symmetrically as offerings; intricate floral borders, deep indigo and gold, conch-disc patterns like repeating stamps across the scene, devotional atmosphere akin to Nathdwara textiles."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"serene","sound_elements":["silence","soft temple bells","distant conch shell","wind through trees"]}
Sandhi Resolution Notes: पश्यन्तु + असुरारिम् → पश्यन्त्वसुरारिम्; च + आर्द्रेषु → चार्द्रेषु; आर्द्रेषु + अपि → आर्द्रेष्वपि; कायेषु + अपि → कायेष्वपि
FAQs
It teaches the all-pervading presence of Viṣṇu—He is to be perceived in every condition (dry/moist), in all beings (moving/immovable), in nature (clouds/earth), and within one’s own body as life itself.
“Asurāri” means “enemy of the asuras (demons)” and is a common epithet of Viṣṇu, highlighting His role as protector of cosmic order (dharma).
By urging constant perception of Viṣṇu everywhere, it supports continuous remembrance (smaraṇa) and devotional seeing (darśana) in daily life, not limited to temple or ritual settings.