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Shloka 143

Pitṛmātṛtīrtha Greatness & the Discourse on Embodiment: Karma, Birth, Impurity, and Dispassion

न नरः शोचयेज्जन्म न विरज्यति तेन वै । अत्याहारान्महद्दुःखमल्पाहारात्तदंतरम्

na naraḥ śocayejjanma na virajyati tena vai | atyāhārānmahadduḥkhamalpāhārāttadaṃtaram

มนุษย์ไม่ควรคร่ำครวญต่อการเกิดของตน และไม่ควรสิ้นศรัทธาเพราะเหตุนั้น ความทุกข์ใหญ่เกิดจากการกินมากเกินไป; ส่วนการกินน้อย ความทุกข์นั้นย่อมเบากว่า

nanot
na:
Sambandha (Discourse particle/सम्बन्ध)
TypeIndeclinable
Rootna (अव्यय)
Formनिषेधार्थक-अव्यय (negative particle)
naraḥa man
naraḥ:
Karta (Subject/कर्ता)
TypeNoun
Rootnara (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), एकवचन
śocayetshould lament
śocayet:
Kriya (Predicate/क्रिया)
TypeVerb
Rootśuc (धातु)
Formविधिलिङ् (Optative), परस्मैपद, प्रथमपुरुष, एकवचन
janmabirth
janma:
Karma (Object/कर्म)
TypeNoun
Rootjanman (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
nanot
na:
Sambandha (Discourse particle/सम्बन्ध)
TypeIndeclinable
Rootna (अव्यय)
Formनिषेधार्थक-अव्यय (negative particle)
virajyatibecomes dispassionate / is detached
virajyati:
Kriya (Predicate/क्रिया)
TypeVerb
Rootvi√rañj / vi√raj (धातु)
Formलट् (Present), आत्मनेपद, प्रथमपुरुष, एकवचन
tenaby that
tena:
Karana (Instrument/करण)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formपुं/नपुंसकलिङ्ग, तृतीया (3rd/Instrumental), एकवचन
vaiindeed
vai:
Sambandha (Discourse particle/सम्बन्ध)
TypeIndeclinable
Rootvai (अव्यय)
Formनिपात (emphatic particle)
atyāhārātfrom overeating
atyāhārāt:
Apadana (Source/Cause/अपादान)
TypeNoun
Rootati-āhāra (प्रातिपदिक)
Formपुंलिङ्ग, पञ्चमी (5th/Ablative), एकवचन; समासः—उपपद-तत्पुरुष (ati + āhāra = excessive eating)
mahatgreat
mahat:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootmahat (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा (1st/Nominative), एकवचन; विशेषणम् (qualifying duḥkham)
duḥkhamsuffering
duḥkham:
Karta (Subject/कर्ता)
TypeNoun
Rootduḥkha (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा (1st/Nominative), एकवचन
alpāhārātfrom scant eating
alpāhārāt:
Apadana (Source/Cause/अपादान)
TypeNoun
Rootalpa-āhāra (प्रातिपदिक)
Formपुंलिङ्ग, पञ्चमी (5th/Ablative), एकवचन; समासः—कर्मधारय/तत्पुरुष-प्रायः (alpa + āhāra = little eating)
tadthat
tad:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Roottad (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा (1st/Nominative), एकवचन; विशेषणम् (qualifying antaram)
antaramthe opposite / the difference (i.e., less)
antaram:
Karta (Subject/कर्ता)
TypeNoun
Rootantara (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा (1st/Nominative), एकवचन

Unspecified (didactic narration within Bhūmi-khaṇḍa context)

Concept: Do not collapse into lamentation or premature renunciation; cultivate measured living—especially moderation in food—to reduce suffering.

Application: Adopt mindful eating: avoid overeating; keep a light, sattvic diet; treat food as prasada and maintain discipline suitable for japa and worship.

Primary Rasa: shanta

Secondary Rasa: karuna

Visual Art Cues: {"scene_description":"Inside a simple hermitage dining space, a teacher-sage gestures toward two bowls: one overflowing with rich food and one modestly filled with simple grains and fruits. A student listens attentively, while in the background a small Vishnu altar with a lamp suggests that moderation is part of devotional discipline, not mere austerity.","primary_figures":["teaching rishi","listening disciple","small Vishnu altar (symbolic)"],"setting":"ashram interior with leaf-mats, clay pots, and a small shrine niche","lighting_mood":"temple lamp-lit","color_palette":["warm ochre","clay brown","leaf green","lamp-gold","soft white"],"tanjore_prompt":"Tanjore painting style: a rishi instructing a disciple beside two offering plates (one excessive, one moderate), a small Vishnu shrine with gold leaf arch and deep red backdrop; ornate borders, gold leaf highlights on the lamp flame and haloed shrine, traditional South Indian iconographic detailing.","pahari_prompt":"Pahari miniature style: intimate ashram scene with delicate lines, the guru’s calm hand gesture, two bowls as visual metaphor, a tiny shrine with a flickering lamp; cool yet warm-balanced palette, refined expressions, minimal architecture and lyrical quietness.","kerala_mural_prompt":"Kerala mural style: bold outlines, simplified interior, the guru and disciple in stylized postures, two bowls clearly contrasted, Vishnu shrine in the corner with characteristic mural eyes and bright pigments; symmetrical composition and didactic clarity.","pichwai_prompt":"Pichwai cloth painting style: a devotional domestic scene framed by floral borders, offerings arranged like a bhoga display—one excessive, one restrained—before a small Vishnu/ Krishna icon; lotus motifs and intricate vines, deep blue background with gold accents emphasizing discipline as devotion."}

Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["soft temple bell","crackling oil lamp","gentle tanpura","distant birds"]}

Sandhi Resolution Notes: śocayet + janma → śocayejjanma; atyāhārāt + mahat → atyāhārānmahat; alpa-āhārāt + tad → alpāhārāttad.

FAQs

It teaches moderation in diet: overeating produces great suffering, while a lighter or moderate intake reduces suffering.

No. It says one should not lament being born, nor adopt dispassion merely on that basis; instead, it points to self-control as a meaningful practice.

Atyāhāra (overindulgence in food) is portrayed as a direct cause of distress, implying that restraint and balance support wellbeing and dharmic living.