Padma Purana — Bhumi Khanda, Shloka 4
Narada Consoles King Āyu: Prophecy of the Son’s Return and Future Sovereignty
येनाप्यपहृतस्तेऽद्य बालो देवगुणोपमः । आत्मगेहे महाराज कालो नीतो न संशयः
yenāpyapahṛtaste'dya bālo devaguṇopamaḥ | ātmagehe mahārāja kālo nīto na saṃśayaḥ
ข้าแต่มหาราช เด็กน้อยผู้มีคุณดุจเทพนั้น วันนี้แท้จริงมีผู้หนึ่งพาไปแล้ว; มิเป็นที่สงสัยว่าเขาถูกกักไว้ชั่วกาลหนึ่งในเรือนของผู้นั้นเอง
Unspecified (a narrator/minister-like informant addressing the king within the chapter’s dialogue)
Concept: Even when the virtuous suffer sudden loss, events unfold within time (kāla) and will be brought to resolution; discernment is required before reaction.
Application: In crisis, gather reliable information and act with steadiness; avoid rash retaliation until facts are clear.
Primary Rasa: karuna
Secondary Rasa: bhayanaka
Type: city
Visual Art Cues: {"scene_description":"A shadowed corridor scene contrasts with the bright court: the godlike boy is shown safe yet confined within a guarded inner chamber of the abductor’s house. Back in the palace, a messenger leans close to the king, delivering the grave news with certainty.","primary_figures":["Āyurāja","messenger/informant","abducted boy","guards/abductor silhouette"],"setting":"split-scene: palace sabhā on one side, dim private house interior on the other","lighting_mood":"forest dappled","color_palette":["smoky charcoal","bronze","muted maroon","pale gold","deep teal"],"tanjore_prompt":"Tanjore painting style: dual-panel narrative—left: king receiving news, right: child in guarded chamber—gold leaf used sparingly to highlight the child’s divine-like aura, heavy ornamental borders, dramatic contrast between bright court and dark interior.","pahari_prompt":"Pahari miniature style: cinematic split composition with delicate interior architecture, latticed windows casting patterned shadows, the child’s calm face, messenger’s anxious posture, restrained palette with fine detailing.","kerala_mural_prompt":"Kerala mural style: strong outlines and narrative registers, child depicted with auspicious marks, guards stylized, king and messenger in a lower band, warm pigments with darkened interior tones.","pichwai_prompt":"Pichwai cloth painting style: narrative framed by floral borders, symbolic lotus motifs around the child to indicate divine protection, darker indigo background for the confinement scene, ornamental symmetry despite tension."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["low drum pulse","distant conch","whispered court murmurs","door creak"]}
Sandhi Resolution Notes: येनापि = येन + अपि; अपहृतस्तेऽद्य = अपहृतः + ते + अद्य; देवगुणोपमः = देव + गुण + उपमः (compound); no other major external sandhi.
FAQs
It conveys certainty: the king is told that his divinely gifted boy has been abducted and that time has already passed with the child being held in a private house.
It indicates the child is perceived as exceptionally virtuous or extraordinary—possessing qualities likened to those of the devas (gods).
It underscores urgency and accountability: delay has already occurred, so decisive action is implied rather than doubt or indecision.