कृत्वैवं कवचं पश्चादात्मानं चिंतयेत्ततः । अहं नारायणो देवः शंखचक्रगदाधरः ॥ ५१ ॥
kṛtvaivaṃ kavacaṃ paścādātmānaṃ ciṃtayettataḥ | ahaṃ nārāyaṇo devaḥ śaṃkhacakragadādharaḥ || 51 ||
ครั้นประกอบคาวจะ (เกราะคุ้มครอง) ดังนี้แล้ว พึงภาวนาตนว่า “ข้าพเจ้าเป็นพระนารายณ์ผู้เป็นเทพ ผู้ทรงสังข์ จักร และคทา”॥๕๑॥
Narada (teaching in a dialogic instruction style, traditionally to the Sanatkumara tradition)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It teaches that after completing the kavaca (protective rite), the practitioner should internalize divine identity through dhyāna—contemplating Nārāyaṇa’s presence as the indwelling Self, symbolized by the conch, discus, and mace.
Bhakti here is not only external ritual protection but intimate remembrance: the devotee meditates on Nārāyaṇa’s form and nearness, cultivating single-pointed devotion and surrender through continuous contemplation.
The verse points to prayoga (ritual procedure) followed by dhyāna (meditative application): a practical sequencing used in mantra-śāstra and ritual manuals—performing the kavaca first, then stabilizing the mind through contemplation.