Shloka 81

ये तु ध्यानं समासाद्य मुक्तात्मानः समाहिताः । संनियम्येंद्रियग्रामं जपंति शतरुद्रियम् ॥ ८१ ॥

ye tu dhyānaṃ samāsādya muktātmānaḥ samāhitāḥ | saṃniyamyeṃdriyagrāmaṃ japaṃti śatarudriyam || 81 ||

ส่วนผู้ที่เข้าถึงสมาธิ มีจิตหลุดพ้นและตั้งมั่น—สำรวมหมู่อินทรีย์ทั้งปวง—ย่อมสวด ‘ศตรุทรียะ’ เป็นญปะ (การภาวนา)

येthose who
ये:
Karta (कर्ता/Subject)
TypeNoun
Rootयद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा विभक्ति, बहुवचन; nominative plural
तुbut/indeed
तु:
Sambandha (सम्बन्ध/particle)
TypeIndeclinable
Rootतु (अव्यय)
Formनिपात (contrastive particle)
ध्यानम्meditation
ध्यानम्:
Karma (कर्म)
TypeNoun
Rootध्यान (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया विभक्ति, एकवचन; accusative singular
समासाद्यhaving attained
समासाद्य:
Purvakala (पूर्वकाल/absolutive)
TypeVerb
Rootसम्-आ-√सद् (धातु)
Formक्त्वान्त (absolutive/gerund), ‘having attained/approached’
मुक्त-आत्मानःthose whose selves are liberated
मुक्त-आत्मानः:
Karta (कर्ता/Subject-apposition)
TypeNoun
Rootमुक्त (कृदन्त-प्रातिपदिक; √मुच्) + आत्मन् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा विभक्ति, बहुवचन; nominative plural; बहुव्रीहि—‘मुक्तः आत्मा येषाम्’
समाहिताःcomposed, concentrated
समाहिताः:
Karta (कर्ता/Predicative)
TypeAdjective
Rootसमाहित (कृदन्त-प्रातिपदिक; सम्-आ-√धा)
Formक्त-प्रत्ययान्त (past passive participle), पुंलिङ्ग, प्रथमा, बहुवचन; ‘collected/concentrated’
संनियम्यhaving restrained
संनियम्य:
Purvakala (पूर्वकाल/absolutive)
TypeVerb
Rootसम्-नि-√यम् (धातु)
Formक्त्वान्त (absolutive/gerund), ‘having restrained’
इन्द्रिय-ग्रामम्the group of senses
इन्द्रिय-ग्रामम्:
Karma (कर्म)
TypeNoun
Rootइन्द्रिय (प्रातिपदिक) + ग्राम (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया विभक्ति, एकवचन; accusative singular; षष्ठी-तत्पुरुष—‘इन्द्रियाणां ग्रामः’
जपन्तिthey recite
जपन्ति:
Kriya (क्रिया)
TypeVerb
Rootजप् (धातु)
Formलट्-लकार (Present), प्रथमपुरुष, बहुवचन; parasmaipada
शत-रुद्रियम्the Śatarudriya (hymn)
शत-रुद्रियम्:
Karma (कर्म)
TypeNoun
Rootशत (प्रातिपदिक) + रुद्रिय (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया विभक्ति, एकवचन; accusative singular; तत्पुरुष—‘शतं रुद्रियम्’ (name of a hymn/section)

Narada (in dialogue tradition with Sanatkumara lineage; verse presented as Narada Purana narration)

Vrata: none

Primary Rasa: shanta

Secondary Rasa: bhakti

R
Rudra

FAQs

It links liberation-oriented inner discipline (dhyāna, samādhi-like composure, and sense-restraint) with sacred sound practice, presenting Śatarudrīya-japa as effective when performed by a concentrated and unattached mind.

Bhakti here is expressed as focused upāsanā—devotional repetition of a revered Vedic hymn to Rudra—supported by mental steadiness and self-control, implying that devotion matures through disciplined contemplation rather than mere outward recitation.

It emphasizes mantra-prayoga in practice—japa of a Vedic hymn—where correct recitation and disciplined application align with Śikṣā (phonetics) and the broader ritual-science approach to mantra, even though the verse foregrounds meditation and indriya-nigraha.