Pūjādi-kathana — Gaṅgā Vratas, Tenfold Worship, Stotra, and Mokṣa on the Riverbank
गंगायाः प्रतिमां कृत्वा वक्ष्यमाणस्वरूपिणीम् । पद्मस्वस्तिकचिह्नस्य संस्थितस्य तथोपरि ॥ ४७ ॥
gaṃgāyāḥ pratimāṃ kṛtvā vakṣyamāṇasvarūpiṇīm | padmasvastikacihnasya saṃsthitasya tathopari || 47 ||
เมื่อสร้างรูปเคารพของพระแม่คงคาตามลักษณะที่จะกล่าวต่อไปแล้ว พึงประดิษฐานไว้เหนือเครื่องหมายดอกบัวและสวัสดิกะที่จัดตั้งไว้
Sage Narada (teaching ritual procedure in Uttara-Bhaga)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It frames Gaṅgā-worship as a structured sacred installation (pratiṣṭhā/vidhi), where the icon is placed upon auspicious symbols (padma and svastika), emphasizing purity, auspiciousness, and the tirtha’s sanctifying power.
Bhakti here is expressed through reverent, rule-guided worship—creating and positioning Gaṅgā’s image as prescribed—showing devotion as attentive service (sevā) and honoring divine presence through ritual order.
Ritual application and sacred iconography (aligned with Kalpa/ritual procedure) are highlighted—how symbols like the lotus and svastika are used as auspicious supports in formal worship settings.