The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
पंचावृत्त्या नरा नार्यो नृपा देवाश्च जंतवः । भजंत्येनं साधकं च देव्यामाहितचेतसः ॥ १६९ ॥
paṃcāvṛttyā narā nāryo nṛpā devāśca jaṃtavaḥ | bhajaṃtyenaṃ sādhakaṃ ca devyāmāhitacetasaḥ || 169 ||
เมื่อสวดซ้ำห้าครั้ง ชายหญิง กษัตริย์ เทวดา และสรรพสัตว์ย่อมบูชาพระองค์ และผู้ปฏิบัติเองก็มีจิตตั้งมั่นในพระเทวี ได้รับการบูชาด้วยภักติ
Narada (in dialogue tradition with Sanatkumara lineage; verse presents an instructional statement within the teaching flow)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It emphasizes that disciplined, structured repetition (fivefold recitation) makes worship universally effective—accessible to all classes of beings—while requiring inner concentration, especially a mind firmly established in the chosen divine focus (here, the Goddess).
Bhakti is shown as both outer practice (repetition/rite performed in set counts) and inner absorption (āhita-cetasaḥ). The verse links successful worship to steady devotional attention, not merely to status (men, women, kings, gods alike).
A procedural rule of mantra-practice is implied: āvṛtti (repetition count) as a technical discipline of recitation, aligning with Vedanga-style precision in ritual/mantra performance (how many times and with what mental focus).