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Narada Purana — Purva Bhaga, Shloka 161

The Account of the Lalitā Hymn, the Protective Armor

Kavaca), and the Thousand Names (Sahasranāma

जपहोमार्चनध्यानयंत्रतर्पणरूपिणी । सिद्धसारस्वता मृत्युंजया च त्रिपुरा तथा ॥ १६१ ॥

japahomārcanadhyānayaṃtratarpaṇarūpiṇī | siddhasārasvatā mṛtyuṃjayā ca tripurā tathā || 161 ||

นางปรากฏเป็นรูปแห่งชปะ (สวดซ้ำ), โหมะ (บูชาไฟ), อรจนะ (บูชาพิธี), ธยานะ (สมาธิ), ยันตระ และตัรปณะ (หลั่งทิพย์บูชา). อีกทั้งเป็นที่รู้จักนาม ‘สิทธ-สารัสวตี’, ‘มฤตยูญชยา’ และ ‘ตรีปุรา’

जप-होम-अर्चन-ध्यान-यन्त्र-तर्पण-रूपिणीhaving the forms of japa, homa, worship, meditation, yantra and tarpaṇa
जप-होम-अर्चन-ध्यान-यन्त्र-तर्पण-रूपिणी:
कर्तृ/विशेष्य-विशेषणभाव
TypeAdjective
Rootजप + होम + अर्चन + ध्यान + यन्त्र + तर्पण + रूपिन् (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; समासः—समाहार/द्वन्द्व-प्रधान (copulative listing) with ‘रूपिणी’ (possessing forms): ‘having the forms of japa, homa, worship, meditation, yantra, and tarpaṇa’
सिद्ध-सारस्वताSiddha-Sārasvatī (the perfected Sarasvatī)
सिद्ध-सारस्वता:
कर्तृ/विशेष्य
TypeNoun
Rootसिद्ध + सारस्वत (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; कर्मधारयः: ‘the perfected Sārasvatī’ (epithet)
मृत्युञ्जयाMṛtyuñjayā (conqueror of death)
मृत्युञ्जया:
कर्तृ/विशेष्य
TypeNoun
Rootमृत्यु + जया (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; तत्पुरुषः: ‘victory over death’ / ‘she who conquers death’ (epithet)
and
:
समुच्चय
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक-अव्यय
त्रिपुराTripurā
त्रिपुरा:
कर्तृ/विशेष्य
TypeNoun
Rootत्रिपुरा (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; नाम (epithet/proper name)
तथाlikewise; also
तथा:
क्रियाविशेषण/समुच्चय
TypeIndeclinable
Rootतथा (अव्यय)
Formअव्यय; समुच्चय/प्रकारार्थ

Sanatkumara (teaching Narada in a technical-ritual context)

Vrata: none

Primary Rasa: bhakti

Secondary Rasa: adbhuta

S
Sarasvati
M
Mrtyunjaya
T
Tripura

FAQs

It identifies the Devī (mantra-śakti) not as separate from practice, but as the very embodiment of core sādhana—japa, homa, arcana, dhyāna, yantra, and tarpaṇa—showing that realization is approached through disciplined ritual and contemplative methods.

Bhakti here is expressed as structured upāsanā: repeated remembrance (japa), reverent offerings (homa, tarpaṇa), loving worship (arcana), and inner absorption (dhyāna), all focused through sacred supports like the yantra—devotion made continuous in both outer rite and inner mind.

It highlights applied ritual science—proper performance of homa, tarpaṇa, and arcana (kalpa-prayoga), and the disciplined use of mantra with supports like yantra in upāsanā—showing the technical side of worship emphasized in Book 1.3.