The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
जपहोमार्चनध्यानयंत्रतर्पणरूपिणी । सिद्धसारस्वता मृत्युंजया च त्रिपुरा तथा ॥ १६१ ॥
japahomārcanadhyānayaṃtratarpaṇarūpiṇī | siddhasārasvatā mṛtyuṃjayā ca tripurā tathā || 161 ||
นางปรากฏเป็นรูปแห่งชปะ (สวดซ้ำ), โหมะ (บูชาไฟ), อรจนะ (บูชาพิธี), ธยานะ (สมาธิ), ยันตระ และตัรปณะ (หลั่งทิพย์บูชา). อีกทั้งเป็นที่รู้จักนาม ‘สิทธ-สารัสวตี’, ‘มฤตยูญชยา’ และ ‘ตรีปุรา’
Sanatkumara (teaching Narada in a technical-ritual context)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It identifies the Devī (mantra-śakti) not as separate from practice, but as the very embodiment of core sādhana—japa, homa, arcana, dhyāna, yantra, and tarpaṇa—showing that realization is approached through disciplined ritual and contemplative methods.
Bhakti here is expressed as structured upāsanā: repeated remembrance (japa), reverent offerings (homa, tarpaṇa), loving worship (arcana), and inner absorption (dhyāna), all focused through sacred supports like the yantra—devotion made continuous in both outer rite and inner mind.
It highlights applied ritual science—proper performance of homa, tarpaṇa, and arcana (kalpa-prayoga), and the disciplined use of mantra with supports like yantra in upāsanā—showing the technical side of worship emphasized in Book 1.3.