Bhuvaneśī (Nidrā-Śakti) Mantra-vidhi, Nyāsa–Āvaraṇa Worship, Padma-homa Prayogas, and the Opening of Śrī-Mahālakṣmī Upāsanā
आश्लिष्टकांतामरुणां पुष्टिमर्चेद्दिगंबराम् । कर्णिकायां निधी पूज्यौ षट्कोणस्याथ पार्श्वयोः ॥ ३५ ॥
āśliṣṭakāṃtāmaruṇāṃ puṣṭimarceddigaṃbarām | karṇikāyāṃ nidhī pūjyau ṣaṭkoṇasyātha pārśvayoḥ || 35 ||
พึงบูชา ‘ปุษฏิ’ ผู้มีสีแดงเรื่อ เป็นทิคัมพร (เปลือยดุจอากาศ) และโอบกอดคู่รัก ด้วยพิธีอันศักดิ์สิทธิ์ ณ กรรณิกาให้บูชานิธิทั้งสอง แล้วจึงประดิษฐานไว้ ณ สองด้านของรูปหกเหลี่ยม
Narada (instructing within a technical/ritual-vidhi context, traditionally framed in dialogue with Sanatkumara and the sages)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It teaches precise deity-placement (āvaraṇa-nyāsa style) in a ritual diagram: Puṣṭi embodies nourishment and increase, while the two Nidhis signify auspicious, protected wealth—together indicating prosperity governed by sacred order rather than mere acquisition.
Bhakti here is expressed as disciplined worship (arcana) with correct form, location, and intention—honoring divine prosperity as a consecrated gift by installing Puṣṭi and the Nidhis in their prescribed places within the ṣaṭkoṇa mandala.
It highlights ritual-technical knowledge: mandala geometry (ṣaṭkoṇa), spatial placement terms like karṇikā and pārśva, and procedural worship (pūjā-vidhi), aligning with the Purana’s Book 1.3 focus on technical sciences and applied ritual method.