The Exposition of the Krishna Mantra (Kṛṣṇa-mantra-prakāśa): Nyāsa, Dhyāna, Worship, Yantra, and Prayoga
द्विषट्ह्यष्टदशकलाव्याप्तानि च तथा मतः । भूताष्टां गाक्षिपदगैर्वर्णैः प्रग्विन्न्यसेद्धृदि ॥ १७ ॥
dviṣaṭhyaṣṭadaśakalāvyāptāni ca tathā mataḥ | bhūtāṣṭāṃ gākṣipadagairvarṇaiḥ pragvinnyaseddhṛdi || 17 ||
สิ่งเหล่านี้ก็ถือว่าแผ่ซ่านอยู่ในกะลา ๑๘ ประการด้วย และให้วางอัษฏภูตะไว้ในหทัย โดยจัดเรียงพยางค์เริ่มด้วย ‘คะ’ พร้อมพยางค์ที่ระบุด้วยหมวด ‘อักษิ’ และ ‘ปทะ’ ตามลำดับที่ถูกต้องดังเดิม॥๑๗॥
Sanatkumara (teaching Narada in a technical Vedanga/nyasa context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
It presents a disciplined inner-ritual (nyāsa) where elemental principles are mentally installed in the heart using ordered syllabic patterns, linking inner purification with Vedic phonetic precision.
While primarily technical, it supports bhakti by prescribing an internal consecration of the body-mind (especially the heart) so mantra-japa and Vishnu-oriented worship can be performed with steadiness and sanctity.
It highlights Śikṣā/Vedāṅga-based phonetic ordering of varṇas (syllables) and the ritual method of nyāsa—placing mantra/elemental correspondences in specific inner locations.