Mantra-Māhātmya and Sādhana of Kārtavīryārjuna
Nyāsa, Yantra, Homa, and Dīpa-Vrata
पाशो मायांकुशं पद्मावर्मास्त्रे कार्तवीपदम् । रेफोवा द्यासनोऽनन्तो वह्निजौ कर्णसंस्थितौ ॥ ८ ॥
pāśo māyāṃkuśaṃ padmāvarmāstre kārtavīpadam | rephovā dyāsano'nanto vahnijau karṇasaṃsthitau || 8 ||
ในพิธีนยาสะ/กวจะนี้ พึงวางบาศ มายาอังกุศ ปัทมะ วรมะ และอัสตระ พร้อมทั้งคำว่า ‘การ์ตวี’ ไว้ให้ถูกตำแหน่ง; อักษร ‘ร’ (เรผะ) หรือพยางค์ ‘วา’, คำว่า ‘ทยาสนะ’, ‘อนันตะ’ และพยางค์คู่แห่งอัคนี พึงสถิต ณ หูทั้งสอง॥ ๘ ॥
Sanatkumara (teaching Narada the technical procedure)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It encodes a protective and meditative ‘mapping’ of specific mantra-terms and syllables onto the body (especially the ears), treating sound (akṣara) as a sacred technology that seals the senses and stabilizes awareness during ritual and contemplation.
Though technical, it supports bhakti by prescribing a disciplined mantra-protection (kavaca/nyāsa) that safeguards the devotee’s senses and concentration, making sustained remembrance and worship possible without distraction.
It highlights mantra-vidyā grounded in akṣara-prayoga (precise use of syllables) and nyāsa (ritual placement), aligning with Vedanga-style technical discipline—especially phonetic precision (śikṣā) and formulaic application in ritual practice.