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Narada Purana — Purva Bhaga, Shloka 53

Devapūjā-krama: Ārghya-saṃskāra, Maṇḍala–Nyāsa, Mudrā-pradarśana, Āvaraṇa-arcana, Homa, Japa, and Kṣamāpaṇa

गन्धपुष्पादिकैरीश मनुनां चाभिषिंचेत् ॥ ५३ ॥

gandhapuṣpādikairīśa manunāṃ cābhiṣiṃcet || 53 ||

ข้าแต่พระอีศะ ควรกระทำอภิเษกสรงสนานแก่เหล่ามนูด้วยเครื่องหอม ดอกไม้ และสิ่งอื่นๆ เช่นนั้นด้วย

गन्ध-पुष्प-आदिकैःwith perfumes, flowers, etc.
गन्ध-पुष्प-आदिकैः:
Karana (करण/instrument)
TypeNoun
Rootगन्ध (प्रातिपदिक) + पुष्प (प्रातिपदिक) + आदिक (प्रातिपदिक)
FormMasculine/Neuter (आदिक-शब्दः), Instrumental (3rd), Plural (बहुवचन); समासः तत्पुरुषः (गन्धपुष्पादयः)
ईशO Lord
ईश:
Sambodhana (सम्बोधन)
TypeNoun
Rootईश (प्रातिपदिक)
FormMasculine, Vocative (8th), Singular
मनुनाम्of the Manus
मनुनाम्:
Sambandha (सम्बन्ध/genitive)
TypeNoun
Rootमनु (प्रातिपदिक)
FormMasculine, Genitive (6th/षष्ठी), Plural
and
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
FormConjunction (समुच्चयार्थक)
अभिषिञ्चेत्should anoint/sprinkle
अभिषिञ्चेत्:
Kriya (क्रिया)
TypeVerb
Rootअभि+√सिच् (धातु)
Formविधिलिङ् (Optative/Potential), परस्मैपद, प्रथमपुरुष (3rd person), एकवचन

Narada (teaching in a prescriptive, ritual-instruction mode within the dialogue tradition)

Vrata: none

Primary Rasa: shanta

Secondary Rasa: bhakti

I
Isha (Lord)

FAQs

It emphasizes sanctifying sacred figures through respectful offerings—fragrance and flowers—so that ritual purity and devotion (bhakti expressed as upacāra) become the means of honoring cosmic order (dharma).

Bhakti is shown as reverent service through tangible upacāras—offering gandha and puṣpa and performing abhiṣeka—where devotion is enacted as careful worship rather than only as sentiment.

It highlights ritual procedure (prayoga): the use of specific upacāras like gandha-puṣpa and the act of abhiṣeka as a formal consecration step within worship practice.