Devapūjā-krama: Ārghya-saṃskāra, Maṇḍala–Nyāsa, Mudrā-pradarśana, Āvaraṇa-arcana, Homa, Japa, and Kṣamāpaṇa
इति पुष्पांजलिं दत्वा ततः संहारमुद्रया । निधाय देवं सांगं च स्वीयदृत्सरसीरुहे ॥ ११९ ॥
iti puṣpāṃjaliṃ datvā tataḥ saṃhāramudrayā | nidhāya devaṃ sāṃgaṃ ca svīyadṛtsarasīruhe || 119 ||
ครั้นถวายพวงดอกไม้ด้วยสองมือแล้ว ต่อด้วยมุทรา ‘สังหาระ’ พึงอัญเชิญพระผู้เป็นเจ้าพร้อมทั้งอวัยวะและบริวารทั้งปวงไปประดิษฐานในดอกบัวแห่งสระหัวใจของตน
Narada (teaching ritual procedure within the Vedanga-oriented section)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches the proper conclusion of worship: after external offering, the practitioner withdraws the ritual into inner contemplation by placing the Deity in the heart-lotus, turning pūjā into steady remembrance.
Bhakti here is not only outward offering (flowers) but also inward retention—keeping the Lord present in the heart after the rite ends, so devotion continues beyond the ritual space.
It highlights ritual-technical practice: the use of a specific mudrā (saṃhāra) and the procedural step of concluding worship through internal installation (manasika-nidhāna), a key element of disciplined pūjā-vidhi.