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Narada Purana — Purva Bhaga, Shloka 113

The Explanation of Sandhyā and Related Daily Observances

Saṅdhyā-ādi Nitya-karma-Vidhi

सर्वेशो नागरीयुक्तः सोमेशः खेचरीयुतः । मर्यादया लाङ्गलीशो दारुकेशेन रूपिणी ॥ ११३ ॥

sarveśo nāgarīyuktaḥ someśaḥ khecarīyutaḥ | maryādayā lāṅgalīśo dārukeśena rūpiṇī || 113 ||

“สรรเวศะ” ร่วมกับ “นาครี”; “โสมेशะ” ร่วมกับ “เขจรี”. ด้วยหลัก “มรฺยาทา” คือระเบียบอันควร ท่านจึงเป็น “ลางคะลีศะ”; และโดย “ดารุเกศะ” จึงชี้ถึง “รูปิณี” ผู้ทรงรูป

सर्वेशःSarveśa (Lord of all)
सर्वेशः:
कर्ता (Subject/कर्ता)
TypeNoun
Rootसर्व-ईश (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; सर्वस्य ईशः (षष्ठी-तत्पुरुष)
नागरीयुक्तःjoined with Nāgarī
नागरीयुक्तः:
विशेषण (Qualifier/विशेषण)
TypeAdjective
Rootनागरी + युक्त (प्रातिपदिक; कृदन्त)
Formपुंलिङ्ग, प्रथमा, एकवचन; युक्त (क्त, √युज्); नागर्या सह युक्तः (तृतीया-तत्पुरुष)
सोमेशःSomeśa (Lord of Soma)
सोमेशः:
कर्ता (Subject/कर्ता)
TypeNoun
Rootसोम-ईश (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; सोमस्य ईशः (षष्ठी-तत्पुरुष)
खेचरीयुतःendowed with Khecarī
खेचरीयुतः:
विशेषण (Qualifier/विशेषण)
TypeAdjective
Rootखेचरी + युत (प्रातिपदिक; कृदन्त)
Formपुंलिङ्ग, प्रथमा, एकवचन; युत (क्त, √यु/युज्); खेचर्या सह युतः (तृतीया-तत्पुरुष)
मर्यादयाwith Maryādā (boundary/order)
मर्यादया:
करण (Instrument/करण)
TypeNoun
Rootमर्यादा (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया, एकवचन
लाङ्गलीशःLāṅgalīśa (Lord of Lāṅgalī)
लाङ्गलीशः:
कर्ता (Subject/कर्ता)
TypeNoun
Rootलाङ्गली-ईश (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; लाङ्गल्याः ईशः (षष्ठी-तत्पुरुष)
दारुकेशेनwith Dārukeśa
दारुकेशेन:
करण (Instrument/करण)
TypeNoun
Rootदारुक-ईश (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया, एकवचन; दारुकस्य ईशः (षष्ठी-तत्पुरुष)
रूपिणीRūpiṇī (the Formed/Beautiful one)
रूपिणी:
कर्ता (Subject/कर्ता)
TypeNoun
Rootरूपिणी (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन

Sanatkumara (teaching Narada in a technical, mantra/nyasa-style enumeration)

Vrata: none

Primary Rasa: shanta

Secondary Rasa: adbhuta

S
Sarveśa
S
Someśa
N
Nāgarī
K
Khecarī
L
Lāṅgalīśa
D
Dārukeśa
R
Rūpiṇī

FAQs

It presents a technical mapping of divine epithets with associated śaktis/names, indicating that worship is performed according to maryādā—proper convention and disciplined ritual order—so the deity is approached through specific, authorized name-forms.

Bhakti here is expressed as precise, name-based remembrance and invocation: the devotee honors the Lord through particular epithets and associated powers (śaktis), showing devotion that is both heartfelt and correctly structured.

It reflects Vedanga-style technicality—especially disciplined mantra usage and ritual convention (maryādā)—where correct name-association and ordered recitation function like a procedural rule-set for worship.