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Narada Purana — Purva Bhaga, Shloka 44

The Description of the Skanda Purāṇa’s Anukramaṇī

Index/Summary

स्वर्गद्वारं चंद्रहरिधर्महर्युपवर्णनम् । स्वर्णवृष्टेरुपाख्यानं तिलोदासरयूयुतिः ॥ ४४ ॥

svargadvāraṃ caṃdraharidharmaharyupavarṇanam | svarṇavṛṣṭerupākhyānaṃ tilodāsarayūyutiḥ || 44 ||

ในนั้นมีเรื่อง “สวรรค์ทวาร”, คำพรรณนาถึงจันทรหริและธรรมมหริ, นิทานว่าด้วยฝนทองคำ, และตอนของทิโลดาพร้อมแม่น้ำสรยู

स्वर्ग-द्वारम्‘Gate to Heaven’ (topic/section)
स्वर्ग-द्वारम्:
कर्म/विषय (Object/topic)
TypeNoun
Rootस्वर्ग (प्रातिपदिक) + द्वार (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; तत्पुरुष-समासः: स्वर्गस्य द्वारम् (gate to heaven)
चन्द्र-हरि-धर्म-हरि-उपवर्णनम्description of Candra, Hari, Dharma, and Hari
चन्द्र-हरि-धर्म-हरि-उपवर्णनम्:
कर्म/विषय (Object/topic)
TypeNoun
Rootचन्द्र (प्रातिपदिक) + हरि (प्रातिपदिक) + धर्म (प्रातिपदिक) + हरि (प्रातिपदिक) + उपवर्णन (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; द्वन्द्व-समासः (Dvandva) in the first members: चन्द्र-हरि-धर्म-हरयः (Candra, Hari, Dharma, Hari) + तत्पुरुष with उपवर्णनम्: तेषाम् उपवर्णनम् (description of them)
स्वर्ण-वृष्टेःof the rain of gold
स्वर्ण-वृष्टेः:
षष्ठी-सम्बन्ध (Genitive relation)
TypeNoun
Rootस्वर्ण (प्रातिपदिक) + वृष्टि (प्रातिपदिक)
Formस्त्रीलिङ्ग, षष्ठी (Genitive/6th), एकवचन; तत्पुरुष-समासः: स्वर्णस्य वृष्टिः (rain of gold)
उपाख्यानम्episode, narrative
उपाख्यानम्:
कर्म/विषय (Object/topic)
TypeNoun
Rootउपाख्यान (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन
तिलोदा-सरयू-युतिःthe association of Tilodā with the Sarayū
तिलोदा-सरयू-युतिः:
कर्ता/विषय (Subject/topic listing item)
TypeNoun
Rootतिलोदा (प्रातिपदिक) + सरयू (प्रातिपदिक) + युति (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति (Nominative/1st), एकवचन; तत्पुरुष-समासः: तिलोदायाः सरय्वा युतिः/संयोगः (union/association of Tilodā with Sarayū)

Suta (Anukramanika-style summary of contents)

Vrata: none

Primary Rasa: adbhuta

Secondary Rasa: bhakti

S
Svargadvāra
C
Candrahari
D
Dharmahari
S
Sarayū
T
Tilodā

FAQs

This verse functions as an anukramaṇikā (table-of-contents) marker, indicating that the chapter preserves multiple dharmic narratives—episodes (upākhyānas) and sacred-place/themes (like Svargadvāra and Sarayū)—meant to guide the reader toward merit (puṇya) and right conduct (dharma).

By highlighting Candrahari and Dharmahari—names that imply Hari (Viṣṇu) connected with lunar/royal and dharmic contexts—the verse signals that devotion to Hari is framed through exemplary stories and descriptions that inspire śraddhā, remembrance, and dharma-aligned worship.

No specific Vedāṅga (like Vyākaraṇa, Jyotiṣa, or Kalpa) is directly taught in this shloka; it is a catalog line pointing to narratives and descriptions, which are typically used in Purāṇas to contextualize ritual merit, tīrtha importance, and dharma instruction.