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Shloka 12

Adhyaya 90The Slaying of Shumbha and the Reabsorption of the Goddesses into Ambika

ततः खड्गमुपादाय शतचन्द्रं च भानुमत् ।

अभ्यधावत्तदा देवीṃ दैत्यानामधिपेś्वरः ॥

tataḥ khaḍgam upādāya śatacandraṃ ca bhānumat / abhyadhāvat tadā devīṃ daityānām adhipeśvaraḥ

แล้วราชาแห่งไทตยะถือดาบและโล่ส่องประกายซึ่งมีเครื่องหมายพระจันทร์ร้อยดวง พุ่งเข้าหาพระเทวีอย่างองอาจ।

ततःthen
ततः:
Adhikarana (अधिकरण)
TypeIndeclinable
Rootततः (अव्यय)
Formअव्यय; अनन्तरार्थ (then)
खड्गम्sword
खड्गम्:
Karma (कर्म)
TypeNoun
Rootखड्ग (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया विभक्ति, एकवचन
उपादायhaving taken up
उपादाय:
Purvakala-kriya (पूर्वकालक्रिया)
TypeVerb
Rootउप-आ-√दा (धातु)
Formक्त्वान्त अव्यय (gerund/absolutive) — having taken up
शतचन्द्रम्hundred-moon(-like), very radiant
शतचन्द्रम्:
Visheshana (विशेषण)
TypeAdjective
Rootशत-चन्द्र (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया विभक्ति, एकवचन; द्विगुसमास (शतं चन्द्राः यस्मिन्/यथा) — ‘hundred-moon(-like)’ qualifying भानुमत्
and
:
Sambandha (सम्बन्ध/समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक अव्यय
भानुमत्radiant, shining
भानुमत्:
Visheshana (विशेषण)
TypeAdjective
Rootभानुमत् (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया विभक्ति, एकवचन; मतुप्-प्रत्ययान्त विशेषण — ‘luminous’ (qualifying implied weapon/appearance)
अभ्यधावत्rushed towards, charged
अभ्यधावत्:
Kriya (क्रिया)
TypeVerb
Rootअभि-√धाव् (धातु)
Formलङ् (अनद्यतनभूत/Imperfect), प्रथमपुरुष, एकवचन, परस्मैपद; उपसर्ग: अभि-
तदाat that time
तदा:
Adhikarana (अधिकरण)
TypeIndeclinable
Rootतदा (अव्यय)
Formकालवाचक अव्यय (temporal adverb)
देवीम्the Goddess
देवीम्:
Karma (कर्म)
TypeNoun
Rootदेवी (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया विभक्ति, एकवचन
दैत्यानाम्of the demons
दैत्यानाम्:
Sambandha (सम्बन्ध/षष्ठी)
TypeNoun
Rootदैत्य (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी विभक्ति, बहुवचन
अधिपेश्वरःthe overlord (chief)
अधिपेश्वरः:
Karta (कर्ता)
TypeNoun
Rootअधिप-ईश्वर (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा विभक्ति, एकवचन; कर्मधारय (अधिपः एव ईश्वरः) — ‘overlord’
Narrative within the Devi Mahatmyam
Devī (Caṇḍikā)
Devī as the battlefield sovereign opposed by the daitya-king
ShaktismHeroic combat imageryAsuric pride

FAQs

Adornment and display (the glittering shield) cannot substitute for inner alignment with dharma; pride rushes forward, but lacks ultimate grounding.

Carita: a dramatic episode within the Purana’s sacred narrative corpus, used to instruct through exemplification.

The ‘hundred moons’ can suggest fragmented reflections of light—multiplicity that dazzles—contrasted with Devī as the single source of illumination and power.