Previous Verse
Next Verse

Shloka 6

Adhyaya 64Kalavati (Vibhavari) Offers Herself and the Padmini Vidya to Svarocisha

तस्य पुंस्कोकिलालापरमणीयॆ मधौ पुरा । आजगामाप्सराभ्यासं प्रख्याता पुंजिकास्तना ॥

tasya puṃs-kokilālāpa-ramaṇīye madhau purā | ājagāma apsarābhyāsaṃ prakhyātā puñjikāstanā ||

กาลก่อน ในฤดูวสันต์อันรื่นรมย์ด้วยเสียงขันของนกกาเหว่าตัวผู้ อัปสราผู้เลื่องชื่อ ปุญชิกาสถานา ได้เข้าไปใกล้ท่าน

तस्यof him
तस्य:
सम्बन्ध (Sambandha/Genitive)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी-विभक्ति (Genitive), एकवचन
पुंस्कोकिलालापरमणीयेin the spring that is delightful with the song of male cuckoos
पुंस्कोकिलालापरमणीये:
अधिकरण (Adhikaraṇa/Locative)
TypeAdjective
Rootपुंस् + कोकिल + आलाप + रमणीय (प्रातिपदिक)
Formसमास (बहुपद-तत्पुरुषभाव): पुंस्कोकिलस्य आलापः (male cuckoo’s song) तेन रमणीयः; नपुंसकलिङ्ग, सप्तमी-विभक्ति (Locative), एकवचन; विशेषणम् (of ‘मधौ’)
मधौin spring
मधौ:
अधिकरण (Adhikaraṇa/Locative)
TypeNoun
Rootमधु (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी-विभक्ति (Locative), एकवचन; ऋतुवाचक (season-name)
पुराformerly/once
पुरा:
कालाधिकरण (Temporal circumstance)
TypeIndeclinable
Rootपुरा (अव्यय)
Formअव्यय; कालवाचक (formerly/once)
आजगामcame
आजगाम:
क्रिया (Kriyā/Verb)
TypeVerb
Rootगम् (धातु)
Formलिट्-लकार (Perfect), प्रथमपुरुष (3rd person), एकवचन, परस्मैपद; उपसर्ग ‘आ-’
अप्सराअभ्यासम्to the vicinity of the apsarases
अप्सराअभ्यासम्:
कर्म (Karma/Object; goal of motion)
TypeNoun
Rootअप्सरस् (प्रातिपदिक) + अभ्यास (प्रातिपदिक)
Formतत्पुरुष-समास: अप्सराणाम् अभ्यासः (vicinity/approach); पुंलिङ्ग, द्वितीया-विभक्ति (Accusative), एकवचन
प्रख्याताrenowned
प्रख्याता:
विशेषण (Qualifier)
TypeAdjective
Rootप्र + ख्या (धातु) + क्त (कृत्)
Formक्त-प्रत्ययान्त कृदन्त (past passive participle used adjectivally); स्त्रीलिङ्ग, प्रथमा, एकवचन; विशेषणम् (of ‘पुंजिकास्तना’)
पुंजिकास्तनाPuñjikāstanā (an apsaras)
पुंजिकास्तना:
कर्ता (Karta/Subject)
TypeNoun
Rootपुंजिका + स्तना (प्रातिपदिक)
Formकर्मधारय-समास/नामसमास: पुंजिका-स्तना (proper name); स्त्रीलिङ्ग, प्रथमा, एकवचन
Second maiden speaking

{ "primaryRasa": "shringara", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

Kāma (desire)Temptation of asceticsNarrative causality

FAQs

Seasonal imagery (spring and birdsong) is used to depict how external conditions can inflame latent impulses; dharma is tested not only by intention but by environment and association.

Vamśānucarita in narrative mode: the circumstances of conception/turning-point events in a lineage story.

Spring symbolizes rajas (stirring activity) and the awakening of desire; the apsaras functions as the ‘instrumental cause’ (nimitta) by which stored impressions (saṃskāras) manifest.