Shloka 10
Adhyaya 61 — The Second Manvantara Begins: The Brahmin’s Swift Journey and Varuthini’s Temptation on Himavat
वनानि नद्यः शैलांश्च पुण्याण्यायतनानि च ।
स ततो विस्मयाविष्टः प्राह तं द्विजसत्तमम् ॥
vanāni nadyaḥ śailāṁś ca puṇyāny āyatanāni ca |
sa tato vismayāviṣṭaḥ prāha taṁ dvija-sattamam ||
เขาพรรณนาถึงป่าไม้ แม่น้ำ ภูเขา และสำนักศักดิ์สิทธิ์ทั้งหลาย ครั้นผู้ฟังเต็มไปด้วยความพิศวง จึงกล่าวกับพราหมณ์ผู้ประเสริฐนั้น
{ "primaryRasa": "adbhuta", "secondaryRasa": "bhakti", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
FAQs
The Purāṇic imagination ties dharma to place: sacred sites and natural features become prompts for reverence and inquiry rather than mere sightseeing.
Not pancalakṣaṇa proper; it is narrative with a tīrtha/geography sub-strand.
Forests, rivers, and mountains can symbolize inner terrains—discipline (vana), flow of consciousness (nadī), and steadfastness (śaila)—with ‘āyatana’ as the locus where the divine is recognized.