Adhyaya 51 — Yaksha Injunctions: Graha-Children and Female Spirits Causing Domestic and Ritual Disruptions
विद्वेषिणी तु या कन्या भृकुटीकुटिलानना ।
तस्या द्वौ तनयौ पुंसामपकारप्रकाशकौ ॥
vidveṣiṇī tu yā kanyā bhṛkuṭīkuṭilānanā /
tasyā dvau tanayau puṃsām apakāraprakāśakau
บัดนี้ มีหญิงสาวนามว่า วิดเวษิณี ผู้มีใบหน้าบิดเบี้ยวด้วยคิ้วขมวด นางมีบุตรชายสองคน ผู้เปิดเผยโทษภัยอันเกิดแก่บุรุษ
{ "primaryRasa": "shanta", "secondaryRasa": "raudra", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Hatred is portrayed as 'productive'—it generates agents that disclose and magnify human faults and injuries, indicating that malice does not stay internal but externalizes into social damage.
Ancillary moral-etiological narration (not a vaṃśa list or manvantara chronicle).
The 'frowning, twisted face' is an icon of inner distortion: when citta is warped by dveṣa, perception itself becomes crooked and projects harm outward.