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Shloka 14

Adhyaya 2The Lineage of Garuda and the Birth of the Wise Birds: Kanka and Kandhara

पानासक्तमतिं तत्र तं ददर्श निशाचरम् ।

आताम्रवक्त्रनयनं हेमपर्यङ्कमाश्रितम् ॥

pānāsaktamatiṃ tatra taṃ dadarśa niśācaram |

ātāmravaktranayanaṃ hemaparyaṅkamāśritam ||

ณ ที่นั้น เขาได้เห็นสรรพชีวิตผู้ท่องราตรี ผู้มีจิตติดอยู่กับการดื่มสุรา; ใบหน้าและดวงตาแดงดุจทองแดง และนอนเอนกายบนแท่นบรรทมทองคำ।

पानdrinking, liquor
पान:
Sambandha (सम्बन्ध/qualifier)
TypeNoun
Rootपान (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया एकवचन (stem in compound; neuter)
आसक्तattached, addicted
आसक्त:
Visheshana (विशेषण)
TypeAdjective
Rootआ√सञ्ज् (धातु) + क्त (कृदन्त)
Formक्त-प्रत्ययान्त कृदन्त (past passive participle), पुंलिङ्ग, द्वितीया एकवचन (agreeing with मति/मतिं in compound)
मतिम्mind, disposition
मतिम्:
Karma (कर्म)
TypeNoun
Rootमति (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया विभक्ति, एकवचन
तत्रthere
तत्र:
Adhikarana (अधिकरण)
TypeIndeclinable
Rootतत्र (अव्यय)
Formअव्यय, देशवाचक क्रियाविशेषण (locative adverb)
तम्him
तम्:
Karma (कर्म)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया विभक्ति, एकवचन (pronoun)
ददर्शsaw
ददर्श:
Kriya (क्रिया)
TypeVerb
Root√दृश् (धातु)
Formलिट् (परोक्षभूत/Perfect), परस्मैपद, प्रथमपुरुष, एकवचन
निशाचरम्a night-roamer (demon)
निशाचरम्:
Karma (कर्म)
TypeNoun
Rootनिशा + चर (प्रातिपदिक)
Formषष्ठी-तत्पुरुष (निशायां चरः), पुंलिङ्ग, द्वितीया विभक्ति, एकवचन
towards/fully (intensifier)
:
Upasarga (उपसर्ग)
TypeIndeclinable
Rootआ (उपसर्ग)
Formउपसर्ग (prefix) in compound
ताम्रcoppery, reddish
ताम्र:
Visheshana (विशेषण)
TypeAdjective
Rootताम्र (प्रातिपदिक)
Formविशेषण-प्रातिपदिक (in compound), neuter stem
वक्त्रface, mouth
वक्त्र:
Sambandha (सम्बन्ध)
TypeNoun
Rootवक्त्र (प्रातिपदिक)
Formनपुंसकलिङ्ग (in compound)
नयनम्eye
नयनम्:
Sambandha (सम्बन्ध)
TypeNoun
Rootनयन (प्रातिपदिक)
Formनपुंसकलिङ्ग (in compound)
आताम्रवक्त्रनयनम्whose face and eyes were copper-red
आताम्रवक्त्रनयनम्:
Visheshana (विशेषण)
TypeAdjective
Rootआ-ताम्र-वक्त्र-नयन (प्रातिपदिक; components: आ + ताम्र + वक्त्र + नयन)
Formबहुव्रीहि (यस्य वक्त्रं नयनं च आताम्रम्), पुंलिङ्ग, द्वितीया विभक्ति, एकवचन (qualifying निशाचरम्)
हेमgold
हेम:
Sambandha (सम्बन्ध)
TypeNoun
Rootहेम (प्रातिपदिक)
Formनपुंसकलिङ्ग (in compound)
पर्यङ्कम्couch, bed
पर्यङ्कम्:
Karma (कर्म)
TypeNoun
Rootपर्यङ्क (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया विभक्ति, एकवचन
हेमपर्यङ्कम्a golden couch
हेमपर्यङ्कम्:
Karma (कर्म)
TypeNoun
Rootहेम-पर्यङ्क (प्रातिपदिक; components: हेम + पर्यङ्क)
Formषष्ठी-तत्पुरुष (हेमस्य पर्यङ्कः / golden couch), पुंलिङ्ग, द्वितीया विभक्ति, एकवचन
आश्रितम्having resorted to, seated on
आश्रितम्:
Visheshana (विशेषण)
TypeAdjective
Rootआ√श्रि (धातु) + क्त (कृदन्त)
Formक्त-प्रत्ययान्त कृदन्त (past passive participle), पुंलिङ्ग, द्वितीया विभक्ति, एकवचन (qualifying निशाचरम्)
Narrative voice (third-person description within the Purāṇic frame); specific interlocutors not explicit in this single verse

{ "primaryRasa": "bibhatsa", "secondaryRasa": "raudra", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

Frame narrativeDepiction of tamasic excess (intoxication)Characterization of a niśācara

FAQs

The verse functions as moral characterization: addiction to drink (pānāsakti) and the reddened eyes/face signal a tamasic, undisciplined state. In Purāṇic ethics, such sensory enslavement is a common marker of decline in discernment (viveka) and a precursor to harmful conduct.

Primarily an element of Vaṃśānucarita / narrative episode rather than the cosmological cores (Sarga, Pratisarga, Manvantara). It supports the Purāṇa’s storytelling frame by introducing or describing a character encountered in the unfolding account.

Symbolically, the ‘night-roamer’ (niśācara) evokes the mind moving in darkness (avidyā). The golden couch suggests outward splendor masking inner disorder—luxury without sattva. The copper-red eyes/face can be read as the heat of passion and intoxication clouding inner vision.