Adhyaya 2 — The Lineage of Garuda and the Birth of the Wise Birds: Kanka and Kandhara
पानासक्तमतिं तत्र तं ददर्श निशाचरम् ।
आताम्रवक्त्रनयनं हेमपर्यङ्कमाश्रितम् ॥
pānāsaktamatiṃ tatra taṃ dadarśa niśācaram |
ātāmravaktranayanaṃ hemaparyaṅkamāśritam ||
ณ ที่นั้น เขาได้เห็นสรรพชีวิตผู้ท่องราตรี ผู้มีจิตติดอยู่กับการดื่มสุรา; ใบหน้าและดวงตาแดงดุจทองแดง และนอนเอนกายบนแท่นบรรทมทองคำ।
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The verse functions as moral characterization: addiction to drink (pānāsakti) and the reddened eyes/face signal a tamasic, undisciplined state. In Purāṇic ethics, such sensory enslavement is a common marker of decline in discernment (viveka) and a precursor to harmful conduct.
Primarily an element of Vaṃśānucarita / narrative episode rather than the cosmological cores (Sarga, Pratisarga, Manvantara). It supports the Purāṇa’s storytelling frame by introducing or describing a character encountered in the unfolding account.
Symbolically, the ‘night-roamer’ (niśācara) evokes the mind moving in darkness (avidyā). The golden couch suggests outward splendor masking inner disorder—luxury without sattva. The copper-red eyes/face can be read as the heat of passion and intoxication clouding inner vision.