Shloka 55
Adhyāya 123 — Droṇa’s Pedagogy: Arjuna’s Preeminence, Ekalavya’s Self-Training, and the Bhāsa-Lakṣya Trial
भीमसेनोग्रसेनौ च ऊर्णायुरनघस्तथा । गोपतिर्धतराष्ट्रश्न सूर्यवर्चास्तथाष्टम:,भीमसेन तथा उग्रसेन, ऊर्णायु और अनघ, गोपति एवं धृतराष्ट्र, सूर्यवर्चा तथा आठवें युगप, तृणप, कार्ष्णि, नन्दि एवं चित्ररथ, तेरहवें शालिशिरा और चौदहवें पर्जन्य, पंद्रहवें कलि और सोलहवें नारद, ऋत्वा और बृहत्त्वा, बृहक एवं महामना कराल, ब्रह्मचारी तथा विख्यात गुणवान् सुवर्ण, विश्वावसु एवं भुमन्यु, सुचन्द्र और शरु तथा गीतमाधुर्यसे सम्पन्न सुविख्यात हाहा और हूहू--राजन्! ये सब देवगन्धर्व वहाँ पधारे थे
vaiśampāyana uvāca |
bhīmasenograsenau ca ūrṇāyuranaghas tathā |
gopatir dhṛtarāṣṭraś ca sūryavarcās tathāṣṭamaḥ |
yugapaḥ tṛṇapaḥ kārṣṇir nandiś citrarathas tathā |
trayodaśaḥ śāliśirāś caturdaśaḥ parjanyaḥ |
pañcadaśaḥ kaliś caiva ṣoḍaśo nāradaḥ |
ṛtvā ca bṛhattvā ca bṛhako mahāmanāḥ |
karālo brahmacārī ca vikhyāto guṇavān suvarṇaḥ |
viśvāvasuś ca bhūmanyuḥ sucandraḥ śaruś ca |
gītamādhuryasaṃpannau suvikhyātau hāhā hūhū |
rājan ete sarve devagandharvāḥ tatra samāgatāḥ ||
ภีมเสนและอุครเสน อูรณายุและอนฆะผู้ปราศจากมลทิน โคปติและธฤตราษฏระ และสุริยวรรจาเป็นองค์ที่แปด—เหล่าคันธรรพ์ทิพย์เหล่านี้ล้วนมาถึง ณ ที่นั้น
वैशम्पायन उवाच
Educational Q&A
The verse primarily functions as a catalogue: it highlights the grandeur and order of the celestial world by naming many Gandharvas. Implicitly, it underscores that significant events in the epic draw witnesses from multiple realms, and that refined arts (especially music) are honored as divine accomplishments.
Vaiśampāyana is describing an assembly where numerous Devagandharvas arrive. The verse lists their names in sequence, including famed musicians like Hāhā and Hūhū, indicating a large, prestigious gathering at the scene being narrated.