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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 53

Chapter 92 — प्रतिष्ठाविधिकथनम्

Narration of the Consecration / Installation Procedure

तत्त्वतत्त्वाधिपान् मूर्तीर्मूर्तीशांश् च घृतादिभिः ततो ब्रह्मांशशुद्ध्यर्थं मूलाङ्गं ब्रह्मभिः क्रमात्

tattvatattvādhipān mūrtīrmūrtīśāṃś ca ghṛtādibhiḥ tato brahmāṃśaśuddhyarthaṃ mūlāṅgaṃ brahmabhiḥ kramāt

พึงเจิมบูชาเทพผู้เป็นประธานแห่งตัตตวะ คือรูปทิพย์และส่วนแห่งรูปนั้น ด้วยเนยใสและสิ่งอื่น ๆ ตามพิธีกรรม แล้วเพื่อความบริสุทธิ์แห่งส่วนพรหมะ จึงทำสังสการแก่ “มูลางคะ” ตามลำดับด้วยมนต์/เทพแห่งพรหมะ

तत्त्वतत्त्वाधिपान्lords/presiders of the principles
तत्त्वतत्त्वाधिपान्:
Karma (कर्म)
TypeNoun
Rootतत्त्व-तत्त्व-अधिप (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति (Accusative/कर्म), बहुवचन; समासः षष्ठी-तत्पुरुषः—‘तत्त्वानां तत्त्वानां अधिपाः’
मूर्तीःforms/manifest images
मूर्तीः:
Karma (कर्म)
TypeNoun
Rootमूर्ति (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया-विभक्ति (Accusative), बहुवचन
मूर्तीशान्lords of the forms
मूर्तीशान्:
Karma (कर्म)
TypeNoun
Rootमूर्ति-ईश (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति (Accusative), बहुवचन; समासः षष्ठी-तत्पुरुषः—‘मूर्तीनाम् ईशाः’
and
:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
घृतादिभिःwith ghee and the like
घृतादिभिः:
Karana (करण)
TypeNoun
Rootघृत-आदि (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया-विभक्ति (Instrumental/करण), बहुवचन; समासः तत्पुरुषः—‘घृतं च आदयः च’ (ādi-sense)
ततःthen/thereafter
ततः:
Adhikarana (अधिकरण)
TypeIndeclinable
Rootततः (अव्यय)
Formअव्यय, क्रम/अनन्तरार्थक (then/thereafter)
ब्रह्मांशशुद्ध्यर्थम्for the purification of the Brahman-portion
ब्रह्मांशशुद्ध्यर्थम्:
Prayojana (प्रयोजन/हेतु)
TypeNoun
Rootब्रह्म-अंश-शुद्धि-अर्थ (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति (Accusative), एकवचन; समासः तत्पुरुषः—‘ब्रह्मांशस्य शुद्ध्यर्थम्’ (purpose)
मूलाङ्गम्the root-limb / principal part
मूलाङ्गम्:
Karma (कर्म)
TypeNoun
Rootमूल-अङ्ग (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति (Accusative), एकवचन; समासः कर्मधारयः—‘मूलं अङ्गम्’
ब्रह्मभिःwith Brahman-mantras / with brahma-elements
ब्रह्मभिः:
Karana (करण)
TypeNoun
Rootब्रह्मन् (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया-विभक्ति (Instrumental), बहुवचन
क्रमात्in sequence
क्रमात्:
Kriya-visheshaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootक्रम (प्रातिपदिक)
Formअव्ययीभाव-निबद्ध प्रयोगः; पञ्चमी-एकवचनरूपेण अव्ययवत् (ablatival adverb) ‘in order/stepwise’

Lord Agni (in dialogue with Sage Vasiṣṭha)

Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Mantra","practical_application":"Tattva-nyāsa and śuddhi in pūjā: anointing tattva-devatās and purifying brahma-aṃśas before further consecration.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Tattvādhipa-mūrti Abhyaṅga and Brahmāṃśa-śuddhi via Mūlāṅga","lookup_keywords":["tattvādhipa","mūrti-aṃśa","ghṛta-abhyaṅga","brahmāṃśa-śuddhi","mūlāṅga-nyāsa"],"quick_summary":"Anoint the presiding deities of the tattvas (and their aṃśas) with ghṛta etc., then purify the brahma-portions by sequentially consecrating the mūlāṅga with brahma-mantras/deities."}

Concept: Śuddhi and aṃśa-bheda: ritual purity is established by honoring tattva-level presiding powers and purifying brahma-aṃśas through ordered nyāsa.

Application: Use krama (sequence) and appropriate upacāras (like ghṛta-abhyaṅga) to stabilize mantra-devatā installation before proceeding to higher limbs/parts of the rite.

Khanda Section: Puja-vidhi (Mantra–Murti–Nyasa and purification rites)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A ritualist anoints subtle tattva-deities represented as small icons/yantras with ghee, then performs sequential mūlāṅga consecration with brahma-mantras in a sanctified pūjā space.","kerala_mural_prompt":"Kerala temple mural style, priest performing tattva-nyāsa, small yantras and devatā icons arranged in a mandala, ghee anointing, warm earthy palette, sacred lamps, stylized lotus motifs","tanjore_prompt":"Tanjore painting, central ritual altar with gold-leaf highlights, copper vessels and ghee, miniature devatā icons for tattvas, priest in traditional attire, ornate arch framing, rich reds and greens","mysore_prompt":"Mysore painting style, instructional clarity: labeled sequence of mūlāṅga consecration steps, priest touching limbs/points in order, delicate lines, muted colors, clean composition","mughal_miniature_prompt":"Mughal miniature, indoor shrine scene with detailed textiles, priest applying ghee to small icons, attendants holding vessels, fine architectural borders, precise ornamentation"}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Bhairav","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: मूर्तीः + मूर्तीशान् → मूर्तीर्मूर्तीशान् (रेफ-संधि); मूर्तीशान् + च → मूर्तीशांश् च (श्च-पूर्वसन्धि); ब्रह्मांश + शुद्ध्यर्थम् → ब्रह्मांशशुद्ध्यर्थम्; मूल + अङ्गम् → मूलाङ्गम्; घृत + आदिभिः → घृतादिभिः

Related Themes: Agni Purana 92 (Pūjā-vidhi: nyāsa, śuddhi, pratiṣṭhā context)

T
Tattva (cosmic principles)
M
Murti (deity form/icon)
G
Ghrita (ghee)
B
Brahma (as Brahma-mantras/Brahma-deities)

FAQs

It teaches a puja-vidhi step: anointing the tattva-presiding deities/forms with ghee etc., followed by ordered (kramāt) purification/consecration of the mūlāṅga using Brahma-mantras/deities.

Beyond narrative theology, it preserves practical liturgical technology—tattva-based worship, murti-part consecration, and mantra-sequencing—showing the Agni Purana as a manual of applied ritual science.

By purifying the “Brahma-portions” and consecrating the foundational limb in proper sequence, the rite aims at inner and outer śuddhi (purity), making worship efficacious and reducing ritual fault (doṣa) while accruing merit (puṇya).