Previous Verse
Next Verse

Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 34

Chapter 92 — प्रतिष्ठाविधिकथनम्

Narration of the Consecration / Installation Procedure

आसां पद्मो महापद्मः शङ्खो ऽथ मकरस् तथा समुद्रश्चेति पञ्चामी निधिकुम्भाः क्रमाधः

āsāṃ padmo mahāpadmaḥ śaṅkho 'tha makaras tathā samudraśceti pañcāmī nidhikumbhāḥ kramādhaḥ

ในหมวดนี้มี (นามแห่ง) หม้อทรัพย์คือ ปัทมะ มหาปัทมะ ศังขะ มกร และสมุทร—นับเป็นนিধิกุมภะหมวดที่ห้า โดยเรียงลำดับไว้เบื้องล่างตามครรลอง।

āsāmof these (fem.)
āsām:
Sambandha (सम्बन्ध/Genitive)
TypeNoun
Rootidam (सर्वनाम-प्रातिपदिक)
Formस्त्रीलिङ्ग (feminine), षष्ठी (Genitive, 6th), बहुवचन (plural); सर्वनाम (pronoun)
padmaḥPadma
padmaḥ:
Karta (कर्ता)
TypeNoun
Rootpadma (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; नाम
mahā-padmaḥMahāpadma
mahā-padmaḥ:
Karta (कर्ता)
TypeNoun
Rootmahā-padma (प्रातिपदिक; mahā+padma)
Formपुंलिङ्ग, प्रथमा, एकवचन; समासः—कर्मधारय: ‘great Padma’; नाम
śaṅkhaḥŚaṅkha
śaṅkhaḥ:
Karta (कर्ता)
TypeNoun
Rootśaṅkha (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; नाम
athathen/and
atha:
Sambandha-bodhaka (सम्बन्धबोधक)
TypeIndeclinable
Rootatha (अव्यय)
Formअव्यय; अनुक्रम/समुच्चयार्थक (then/and)
makaraḥMakara
makaraḥ:
Karta (कर्ता)
TypeNoun
Rootmakara (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; नाम
tathāalso
tathā:
Sambandha-bodhaka (सम्बन्धबोधक)
TypeIndeclinable
Roottathā (अव्यय)
Formअव्यय; समुच्चय/तुल्यार्थक (also/likewise)
samudraḥSamudra
samudraḥ:
Karta (कर्ता)
TypeNoun
Rootsamudra (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; नाम
caand
ca:
Sambandha-bodhaka (सम्बन्धबोधक)
TypeIndeclinable
Rootca (अव्यय)
Formअव्यय; समुच्चयार्थक (conjunction ‘and’)
itithus
iti:
Vākyārtha-paryavasāna (वाक्यार्थ-पर्यवसान)
TypeIndeclinable
Rootiti (अव्यय)
Formअव्यय; उद्धरण/समाप्त्यर्थक (quotative ‘thus’)
pañcamīthe fifth
pañcamī:
Karta (कर्ता)
TypeNoun
Rootpañcamī (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; क्रमवाचक (ordinal)
nidhi-kumbhāḥtreasure-jars (nidhis)
nidhi-kumbhāḥ:
Karta (कर्ता)
TypeNoun
Rootnidhi-kumbha (प्रातिपदिक; nidhi+kumbha)
Formपुंलिङ्ग, प्रथमा, बहुवचन; समासः—तत्पुरुष: ‘treasure-jars’
kramātin sequence
kramāt:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootkrama (प्रातिपदिक)
Formअव्ययीभाव/तद्धितान्त-प्रयोगवत्; पञ्चमी-एकवचनरूपेण अव्ययार्थ (ablative used adverbially): ‘in order/successively’
adhaḥbelow/downwards
adhaḥ:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootadhaḥ (अव्यय)
Formअव्यय; देशवाचक (adverb of place)

Lord Agni (in dialogue with Sage Vasiṣṭha, the standard Agni Purāṇa frame)

Vidya Category: {"primary_vidya":"Cosmology","secondary_vidya":"Arthashastra","practical_application":"Royal prosperity lore: identifying and ritually invoking/guarding the nidhis (treasure-vessels) as auspicious supports for wealth, sovereignty, and temple endowments.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"List","entry_title":"Nidhi-Kumbha Names (Fifth Set): Padma–Samudra","lookup_keywords":["Nidhi","Padma","Mahāpadma","Śaṅkha","Makara"],"quick_summary":"Enumerates a specific ordered set of five nidhis (treasure-jars), used in prosperity symbolism, guardianship lists, and cosmological catalogues."}

Concept: Auspicious order (krama) and naming as a means to systematize prosperity symbols within cosmology and royal ideology.

Application: Use the list for ritual placement (kumbha-sthāpana), treasury symbolism, or iconographic planning in temples/palaces.

Khanda Section: Nidhi-lakshana (Treasures and their enumeration within Puranic cosmology/royal prosperity lore)

Primary Rasa: adbhuta

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"Five labeled treasure-jars arranged in order—Padma, Mahāpadma, Śaṅkha, Makara, Samudra—each with its emblem (lotus, conch, makara, ocean waves) in a cosmological/royal treasury tableau.","kerala_mural_prompt":"Kerala mural, row of ornate kumbhas with lotus and conch motifs, makara-headed ornamentation, ocean-wave band for Samudra, flat composition, temple decorative aesthetic","tanjore_prompt":"Tanjore painting, five gilded treasure pots with heavy gold work, lotus and conch emblems in relief, makara motif, deep red/green background, auspicious kolam-like border","mysore_prompt":"Mysore painting, instructional diagram feel: five kumbhas neatly labeled, delicate shading, clear icon symbols (padma, śaṅkha, makara, waves), clean margins like a manuscript plate","mughal_miniature_prompt":"Mughal miniature, royal treasury scene with five ceremonial jars on a carpet, attendants pointing to each, detailed textiles, subtle inscriptions, ocean motif painted as a miniature vignette"}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":null,"pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: śaṅkho 'tha = śaṅkhaḥ atha; samudraśceti = samudraḥ ca iti.

Related Themes: Agni Purana 92 (Nidhi-lakṣaṇa passages)

P
Padma (Nidhi)
M
Mahāpadma (Nidhi)
Ś
Śaṅkha (Nidhi)
M
Makara (Nidhi)
S
Samudra (Nidhi)

FAQs

It imparts nidhi-vidyā in the sense of a formal enumeration: it names a specific set of five nidhis (treasure-repositories) and indicates their position in an ordered listing.

By cataloguing named nidhis and arranging them systematically, the text preserves a technical taxonomy of prosperity/treasury concepts alongside its many other domains (ritual, polity, architecture, medicine, and poetics).

Remembering and reciting ordered sacred catalogues of auspicious entities (like nidhis) is traditionally treated as prosperity-invoking and merit-supporting, aligning wealth with dharmic order rather than mere acquisition.