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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 39

Adhyāya 88 — निर्वाणदीक्षाकथनं

Teaching of the Nirvāṇa-Initiation

पूरकं कुम्भकं कृत्वा व्यादाय वदनं मनाक् शनैर् उदीरयन् मूलं कृत्वा शिष्यात्मनो लयं

pūrakaṃ kumbhakaṃ kṛtvā vyādāya vadanaṃ manāk śanair udīrayan mūlaṃ kṛtvā śiṣyātmano layaṃ

เมื่อทำปูรกะและกุมภกะแล้ว แง้มปากเล็กน้อย และค่อย ๆ เปล่งลมหายใจออก. โดยตั้ง “มูละ” เป็นฐาน จงทำให้ภาวะอัตตาของศิษย์เกิดลยะ คือหลอมรวมเข้าสู่สมาธิที่มุ่งหมาย.

पूरकम्inhalation (pūraka)
पूरकम्:
Karma (कर्म)
TypeNoun
Rootपूरक (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन
कुम्भकम्retention (kumbhaka)
कुम्भकम्:
Karma (कर्म)
TypeNoun
Rootकुम्भक (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन
कृत्वाhaving done
कृत्वा:
Kriya (क्रिया; पूर्वकर्म)
TypeVerb
Root√कृ (धातु)
Formक्त्वा-प्रत्यय (gerund)
व्यादायhaving opened
व्यादाय:
Kriya (क्रिया; पूर्वकर्म)
TypeVerb
Rootवि + आ + √दा (धातु)
Formक्त्वा-प्रत्यय (gerund); 'having opened wide'
वदनम्mouth
वदनम्:
Karma (कर्म)
TypeNoun
Rootवदन (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन
मनाक्slightly
मनाक्:
Kriya-visheshana (क्रियाविशेषण)
TypeIndeclinable
Rootमनाक् (अव्यय)
Formअल्पार्थक क्रियाविशेषण (adverb)
शनैःslowly
शनैः:
Kriya-visheshana (क्रियाविशेषण)
TypeIndeclinable
Rootशनैः (अव्यय)
Formक्रियाविशेषण अव्यय (adverb: 'slowly/gradually')
उदीरयन्raising/uttering
उदीरयन्:
Karta (कर्ता)
TypeVerb
Rootउद् + √ईर्/√ईरय् (धातु)
Formशतृ-प्रत्यय वर्तमान कृदन्त (present active participle), पुंलिङ्ग, प्रथमा, एकवचन; 'raising/uttering'
मूलम्the root/base
मूलम्:
Karma (कर्म)
TypeNoun
Rootमूल (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन; object with udīrayan/kṛtvā
कृत्वाhaving made
कृत्वा:
Kriya (क्रिया; पूर्वकर्म)
TypeVerb
Root√कृ (धातु)
Formक्त्वा-प्रत्यय (gerund)
शिष्य-आत्मनःof the disciple's self
शिष्य-आत्मनः:
Sambandha (सम्बन्ध)
TypeNoun
Rootशिष्य (प्रातिपदिक) + आत्मन् (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी, एकवचन; genitive: 'of the disciple's self'
लयम्dissolution/absorption
लयम्:
Karma (कर्म)
TypeNoun
Rootलय (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, एकवचन; object (to be effected)

Lord Agni (instructing the sage Vasiṣṭha; practical yoga instruction conveyed in the Purāṇic dialogue)

Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Mantra","practical_application":"Prāṇāyāma-guided mantra-sādhana: after pūraka and kumbhaka, exhale slowly with slight mouth opening; stabilize practice at the mūla (root) to induce laya/absorption in the practitioner (here framed as śiṣya).","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Pūraka–kumbhaka–recaka with mūla-basis for laya in mantra-sādhana","lookup_keywords":["puraka","kumbhaka","recaka","mula","laya"],"quick_summary":"Perform inhalation and retention, then release the breath slowly with controlled mouth opening; anchor attention at the root (mūla) to lead the mind toward dissolution/absorption."}

Concept: Breath regulation is a direct lever for mental laya; ‘mūla’ functions as the stabilizing base (root-center/root-support) for dissolving individuated fluctuation.

Application: Use slow recaka after kumbhaka to lengthen attention-span; keep awareness rooted (mūla) to prevent dispersion and deepen absorption.

Khanda Section: Yoga-pranayama and Mantra-sadhana (Hatha/Raja-yoga practical instruction)

Primary Rasa: shanta

Visual Art Cues: {"scene_description":"A teacher guiding a seated disciple in prāṇāyāma: inhale, hold, then slow exhale with slightly open mouth; a highlighted ‘mūla’ point at the base with a steady glow indicating the anchor for laya.","kerala_mural_prompt":"Kerala mural, guru and śiṣya seated facing, stylized breath-stream shown as pale ribbon exiting gently, subtle glow at mūla region, calm temple interior with oil lamps, earthy reds/ochres.","tanjore_prompt":"Tanjore painting, guru instructing disciple, gold-leaf accents on breath-stream and mūla glow, ornate cushions, devotional yet technical posture depiction, rich textile patterns.","mysore_prompt":"Mysore style, stepwise instructional panel: icons for pūraka, kumbhaka, slow recaka; disciple with slightly open mouth; clear emphasis on mūla anchor point, neat lines and soft palette.","mughal_miniature_prompt":"Mughal miniature, intimate studio scene: master demonstrating controlled exhalation, disciple mirroring, fine depiction of subtle breath as faint white line, annotated margins in calligraphy, delicate architectural framing."}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Ahir Bhairav","pace":"slow","voice_tone":"instructional"}

Sandhi Resolution Notes: शनैर् → शनैः (visarga before vowel/consonant in recitation); शिष्यात्मनो → शिष्य-आत्मनः (genitive tatpuruṣa).

Related Themes: Agni Purana 88.35 (pūraka–kumbhaka and mouth-opening cue); Agni Purana 88 (laya stages around nāda)

A
Agni
P
Prāṇāyāma
P
Pūraka
K
Kumbhaka
L
Laya
M
Mūla (root/base)

FAQs

It teaches a precise prāṇāyāma sequence—pūraka (inhalation), kumbhaka (retention), then slow exhalation with the mouth slightly opened—combined with a ‘mūla’ (root/base) focus to support meditative absorption (laya).

Beyond myth and ritual, the Agni Purāṇa preserves applied yogic physiology—named breath-techniques and their meditative purpose—showing its wide scope as a compendium of practical disciplines (yoga/vidyā) alongside other sciences.

Regulated breath and root-based concentration are presented as a means to steady the mind and dissolve egoic individuality into contemplative absorption, supporting purification and inward liberation-oriented practice.