Kapilādipūjāvidhāna — Procedure for Worship Beginning with Kapilā
अमृतोपस्तरणमसि प्राणाहुतीस्ततो ददेत् प्राणाय स्वाहापानाय समानाय ततस् तथा
amṛtopastaraṇamasi prāṇāhutīstato dadet prāṇāya svāhāpānāya samānāya tatas tathā
กล่าวว่า “ท่านเป็นอุปัสตระณะ (เครื่องรอง/เครื่องคลุม) แห่งอมฤต” แล้วจึงถวายปราณาหุติ คือ “สวาหาแด่ปราณะ”, “สวาหาแด่อปานะ” และต่อไปตามลำดับ “สวาหาแด่สมานะ”.
Lord Agni (in instruction to Sage Vasiṣṭha, Agni Purāṇa’s primary teaching frame)
Vidya Category: {"primary_vidya":"Mantra","secondary_vidya":"Vrata","practical_application":"Prāṇāhuti (inner oblation) sequence: recite the amṛta-upastaraṇa formula, then offer to Prāṇa, Apāna, and Samāna with svāhā—used as a pre/post-meal sanctification and prāṇa-regulation rite.","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Mantra","entry_title":"Amṛtopastaraṇa & Prāṇa–Apāna–Samāna svāhā-prāṇāhuti","lookup_keywords":["amṛtopastaraṇa","prāṇāhuti","prāṇa","apāna","samāna"],"quick_summary":"The verse supplies a mantra-cue (‘amṛtopastaraṇam asi’) and the svāhā offerings to key vital airs, framing digestion and life-breath as recipients of inner yajña."}
Dosha: Tridosha
Concept: Antaryāga: converting external yajña logic into inner discipline where prāṇa is the देवता and svāhā is the act of surrender.
Application: Use mantra to anchor attention and reduce impulsive consumption; cultivate reverence for bodily processes as sacred.
Khanda Section: Puja-vidhi (Prāṇāhuti / Ācamana and inner-offering rite)
Primary Rasa: bhakti
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"A meditative practitioner visualizes a luminous ‘nectar-covering’ over food, then offers three inner oblations labeled Prāṇa, Apāna, Samāna into a subtle inner fire, each accompanied by ‘svāhā’.","kerala_mural_prompt":"Kerala mural, symbolic nectar veil over a food bowl, yogi in padmāsana, three flame-offerings at the navel with labels prāṇa/apāna/samāna, svāhā glyphs, ornate floral borders","tanjore_prompt":"Tanjore, gold-highlighted nectar aura around the offering, three small golden flames with inscriptions, devotee’s hands in offering gesture, rich textiles and temple arch framing","mysore_prompt":"Mysore painting, instructional visualization: nectar-covering shown as translucent layer, three sequential offerings with clear captions, calm palette and precise lines","mughal_miniature_prompt":"Mughal miniature, refined interior with a seated ascetic, delicate translucent wash indicating ‘amṛta’ covering, three labeled offerings, elegant calligraphy of svāhā"}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhairavi","pace":"slow","voice_tone":"devotional"}
Sandhi Resolution Notes: अमृतोपस्तरणमसि → अमृतोपस्तरणम् + असि; स्वाहापानाय → स्वाहा + अपानाय (आ + अ संधि).
Related Themes: Agni Purana 77.21–77.22 (upa-prāṇa offerings); Agni Purana 77.24 (Udāna/Vyāna and cullaka)
It teaches the prāṇāhuti procedure—an internalized offering where oblations are ritually dedicated with “svāhā” to specific vital currents (Prāṇa, Apāna, Samāna) after invoking “amṛtopastaraṇam asi.”
By preserving a precise, step-based worship micro-ritual (mantra + sequence + targets of offering), it exemplifies the Agni Purāṇa’s catalog-like coverage of practical rites alongside its many other domains.
Dedicating offerings to the vital breaths is a purification and harmonization practice, aligning bodily life-forces with sacrificial intention, thereby supporting inner sanctity and merit (puṇya) in worship.