Chapter 64 — कूपादिप्रतिष्ठाकथनं
The Account of the Consecration of Wells and Other Water-Works
चरुं यवमयं हुत्वा शान्तितोयं समाचरेत् सेचयेन्मूर्ध्नि देवं तु सजीवकरणं चरेत्
caruṃ yavamayaṃ hutvā śāntitoyaṃ samācaret secayenmūrdhni devaṃ tu sajīvakaraṇaṃ caret
เมื่อบูชาคารุที่ปรุงจากข้าวบาร์เลย์ลงในไฟแล้ว พึงประกอบพิธีด้วย “ศานติ-โตยะ” คือ น้ำแห่งความสงบ จากนั้นพรมลงบนเศียรของเทวรูป และกระทำพิธีสชีวกะระณะเพื่อการฟื้นชีวิตตามคัมภีร์.
Lord Agni (in dialogue, instructing sage Vasiṣṭha)
Vidya Category: {"primary_vidya":"Puja-vidhi","secondary_vidya":"Mantra","practical_application":"Shanti-karma abhisheka sequence: offer barley-caru in agni, prepare and apply śānti-toya by sprinkling on the deity’s head to restore/confirm ritual ‘aliveness’ (sajīvakaraṇa) of the installed image or kalasha.","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Śānti-toya Abhiṣeka and Sajīvakaraṇa after Yava-caru Homa","lookup_keywords":["caru","yava","śānti-toya","abhisheka","sajīvakaraṇa"],"quick_summary":"After a barley-caru offering, consecrated ‘peace-water’ is applied to the deity’s head as a revivifying/animating rite, stabilizing auspiciousness and ritual efficacy."}
Concept: Ritual ‘life’ (jīvatva) of the deity’s presence is maintained/renewed through properly sequenced homa and sanctified water application.
Application: Use sajīvakaraṇa when re-installing, after interruption/defilement, or when restoring continuity of daily worship.
Khanda Section: Puja-vidhi (Shanti-karma and Abhisheka rites)
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"A fire-altar with barley-caru being offered; a priest then sprinkles consecrated śānti-water onto the deity’s head, signifying revivification.","kerala_mural_prompt":"Kerala temple mural style: priest at homa-kuṇḍa offering yava-caru, then abhiṣeka sprinkling on a serene deity in garbhagṛha, warm ochres and reds, stylized flames and water droplets, sacred calm.","tanjore_prompt":"Tanjore painting: central deity with ornate arch, priest performing mūrdhābhiṣeka with śānti-toya, gold-leaf highlights on vessels and halo, small homa-kuṇḍa with barley offering at side.","mysore_prompt":"Mysore painting: instructional composition showing sequence—(1) yava-caru homa (2) śānti-toya preparation (3) sprinkling on deity’s head—fine linework, soft colors, labeled ritual implements.","mughal_miniature_prompt":"Mughal miniature: detailed ritual chamber with homa fire, attendants holding water-pot, priest sprinkling water on idol’s head, delicate textiles, precise vessels, subdued palette with fine detailing."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Śrī","pace":"medium","voice_tone":"instructional"}
Sandhi Resolution Notes: सेचयेन्मूर्ध्नि = सेचयेत् + मूर्ध्नि; शान्तितोयं = शान्ति + तोयम्; सजीवकरणं = स + जीवकरणम् (तत्पुरुषार्थ)
Related Themes: Agni Purāṇa: prāṇa-pratiṣṭhā and abhiṣeka sections within pūjā-vidhi corpus; Agni Purāṇa: śānti-karma and homa-vidhi passages
It teaches a śānti-kriyā sequence: offer barley-caru into fire, prepare/empower śānti-toya, then sprinkle it on the deity’s crown as the operative step for sajīvakaraṇa (ritual re-energizing/revivification).
It preserves procedural temple-ritual technology—specific materials (barley-caru), ritual media (consecrated water), and a named rite (sajīvakaraṇa)—showing the text’s practical coverage beyond mythology into liturgy and image-ritual maintenance.
The śānti-toya sprinkling functions as pacification and purification, intended to restore auspiciousness and ritual efficacy to the deity’s installed presence, supporting merit through correct worship and removal of inauspicious influences.