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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 7

Chapter 47 — शालग्रामादिपूजाकथनं

Teaching the Worship of Śālagrāma and Related Sacred Forms

ऋगादिवेदान् प्रागादौ आधारानन्तकं भुवं पीठं पद्मं चार्कचन्द्रवह्न्याख्यं मण्डलत्रयं

ṛgādivedān prāgādau ādhārānantakaṃ bhuvaṃ pīṭhaṃ padmaṃ cārkacandravahnyākhyaṃ maṇḍalatrayaṃ

ในเบื้องต้น เริ่มจากด้านทิศตะวันออก พึงวางฤคเวทและเวทอื่น ๆ จากนั้นสถาปนาอาธาร-อนันตกะเป็นฐานรองรับ ชั้นภู (พื้นดิน), ปีฐะ (แท่น), ปัทมะ (ดอกบัว) และมณฑลสามที่เรียกว่า อรกะ (สุริยะ), จันทร (จันทร์) และวหฺนิ (ไฟ)

ऋक्-आदि-वेदान्the Vedas beginning with Ṛg
ऋक्-आदि-वेदान्:
Karma (कर्म/Object)
TypeNoun
Rootऋक् (प्रातिपदिक) + आदि (प्रातिपदिक) + वेद (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd case), बहुवचन; तत्पुरुषः (ऋगादयः वेदाः)
प्राक्-आदौat the beginning/first
प्राक्-आदौ:
Kala-adhikarana (कालाधिकरण/Temporal)
TypeIndeclinable
Rootप्राक् (अव्यय/प्रातिपदिक) + आदि (प्रातिपदिक)
Formअव्ययीभावसमासः; अव्यय; ‘at the beginning, first’ (adverbial)
आधार-अनन्तकम्the support called Anantaka
आधार-अनन्तकम्:
Karma (कर्म/Object)
TypeNoun
Rootआधार (प्रातिपदिक) + अनन्तक (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd case), एकवचन; कर्मधारयः (आधाररूपम् अनन्तकम्)
भुवम्the earth/ground
भुवम्:
Karma (कर्म/Object)
TypeNoun
Rootभुव्/भुवन (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (2nd case), एकवचन
पीठम्the pedestal/seat
पीठम्:
Karma (कर्म/Object)
TypeNoun
Rootपीठ (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd case), एकवचन
पद्मम्the lotus
पद्मम्:
Karma (कर्म/Object)
TypeNoun
Rootपद्म (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd case), एकवचन
and
:
Samuccaya (समुच्चय/Connector)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चयबोधक (conjunction)
अर्क-चन्द्र-वह्नि-आख्यम्named ‘sun, moon, and fire’
अर्क-चन्द्र-वह्नि-आख्यम्:
Visheshana (विशेषण/Qualifier)
TypeAdjective
Rootअर्क (प्रातिपदिक) + चन्द्र (प्रातिपदिक) + वह्नि (प्रातिपदिक) + आख्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd case), एकवचन; विशेषण; तत्पुरुषः (‘अर्कचन्द्रवह्नि’ इति आख्यं)
मण्डल-त्रयम्the triad of circles/maṇḍalas
मण्डल-त्रयम्:
Karma (कर्म/Object)
TypeNoun
Rootमण्डल (प्रातिपदिक) + त्रय (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd case), एकवचन; द्विगुसमासः (त्रीणि मण्डलानि)

Lord Agni (traditionally instructing sage Vasiṣṭha in the Agni Purana’s ritual-technical sections)

Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Vastu","practical_application":"Mandala/pīṭha construction sequence: place Ṛg and other Vedas from the east, then establish layered supports (Ādhāra-Anantaka, Bhū, pīṭha, padma) and three mandalas (Sun, Moon, Fire) as the ritual cosmogram foundation for pūjā.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Pīṭha-krama: Veda-nyāsa and Arka–Candra–Vahni Maṇḍala-traya","lookup_keywords":["veda nyāsa east","ādhāra-anantaka","bhū layer","pīṭha padma","arka candra vahni mandala"],"quick_summary":"Construct the worship-seat by a layered cosmological layout: install the Vedas directionally, then the foundational supports and lotus-seat, culminating in three mandalas (Sun, Moon, Fire) that stabilize the ritual universe."}

Concept: Ritual knowledge maps Veda and cosmos onto a constructed seat; worship is grounded in ordered supports (ādhāra) and elemental luminaries.

Application: When preparing a pūjā-āsana/maṇḍala, follow the prescribed layering to avoid ‘asiddhi’ (ritual non-attainment) due to faulty foundation.

Khanda Section: Puja-vidhi (Mandala & Pitha construction; Vedic foundations in ritual layout)

Primary Rasa: adbhuta

Secondary Rasa: śānta

Visual Art Cues: {"scene_description":"A stepwise cosmological diagram: east-marked placement of four Vedas, then a layered base labeled Ādhāra-Anantaka, Bhū, pīṭha, padma, and three mandalas—Sun, Moon, Fire—stacked or arranged concentrically.","kerala_mural_prompt":"Kerala mural, sacred geometry with labeled layers, Ananta as a coiled serpent base beneath the platform, lotus-seat above, three glowing discs for Sun, Moon, Fire, strong east-direction marker","tanjore_prompt":"Tanjore painting, gold-embellished lotus pedestal, Sun/Moon/Fire discs with radiant halos, Ananta base rendered richly, Veda symbols placed at the perimeter starting east","mysore_prompt":"Mysore style, instructional cutaway showing stacked layers (ādhāra, bhū, pīṭha, padma) and the three mandalas, neat annotations, calm palette","mughal_miniature_prompt":"Mughal miniature, artisan-priest drawing a mandala on cloth with compass and pigments, layered cosmogram visible, Sun/Moon/Fire medallions finely detailed"}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Ahir Bhairav","pace":"slow","voice_tone":"instructional"}

Sandhi Resolution Notes: प्रागादौ = प्राक् + आदौ; चार्कचन्द्रवह्न्याख्यं = च + अर्क + चन्द्र + वह्नि + आख्यम् (वह्नि + आख्यम् → वह्न्याख्यम्).

Related Themes: Agni Purana 47 (maṇḍala/pīṭha/nyāsa instructions)

Ṛgveda
V
Vedas
Ā
Ādhāra-Anantaka
B
Bhū (earth-plane)
P
Pīṭha
P
Padma
A
Arka (Sun)
C
Candra (Moon)
V
Vahni (Fire)

FAQs

It prescribes the ritual-architectural sequence for constructing/placing the foundational layers (ādhāra, bhū, pīṭha, padma) and establishing three specific maṇḍalas—Sun, Moon, and Fire—starting from the eastern orientation, along with Vedic placement.

Beyond mythic narration, it gives procedural, technical instructions for worship-diagram (maṇḍala/yantra) layout and sacred platform design—showing the Agni Purana’s coverage of applied ritual science alongside theology.

Correctly establishing the pīṭha-padma and the Sun–Moon–Fire maṇḍalas is treated as a means to align worship with cosmic order (ṛta), enhancing purity and efficacy of rites and thereby increasing religious merit (puṇya).