Chapter 116 — गयायात्राविधिः (Gayā-yātrā-vidhiḥ) | The Procedure for the Gayā Pilgrimage
नित्यशुद्धं बुद्धियुक्तं सत्यं ब्रह्म नमाम्यहम् आनन्दमद्वयं देवं देवदानववन्दितम्
nityaśuddhaṃ buddhiyuktaṃ satyaṃ brahma namāmyaham ānandamadvayaṃ devaṃ devadānavavanditam
ข้าพเจ้าขอนอบน้อมแด่พรหมันผู้จริง ผู้บริสุทธิ์นิรันดร์และประกอบด้วยปัญญาอันสมบูรณ์ พระผู้เป็นเจ้าอันไม่เป็นสอง มีสภาวะแห่งความปีติ ซึ่งทั้งเทวะและทานวะต่างสักการะ.
Lord Agni (narrating a stotra within the Agni Purana’s discourse)
Vidya Category: {"primary_vidya":"Philosophy","secondary_vidya":"Stotra","practical_application":"Devotional-recitative contemplation of non-dual Brahman characterized by purity, truth, intelligence, and bliss; used to steady the mind in advaita-oriented bhakti.","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Description","entry_title":"Advaya-Ānanda Brahman (Ever-pure, True, Intelligent)","lookup_keywords":["nitya-shuddha","satyam-brahma","advaya","ananda","stotra"],"quick_summary":"Brahman is praised as eternally pure, true, and perfectly intelligent, non-dual and blissful—worthy of reverence even by gods and daityas—serving as a compact contemplative definition for recitation."}
Alamkara Type: Guṇānukīrtana (enumeration of attributes)
Concept: Advaya (non-dual) Brahman as satya (truth) and ānanda-svarūpa (bliss-nature), nitya-śuddha (ever pure), buddhi-yukta (perfect consciousness/intelligence).
Application: Use as nididhyāsana: repeat the epithets slowly, contemplate their meaning, and dissolve dualistic fear/hostility (even ‘deva–dānava’ opposition) into non-dual awareness.
Khanda Section: Stotra / Brahma-Vishnu-Tattva (Philosophical Praise and Devotional Recitation)
Primary Rasa: shanta
Secondary Rasa: bhakti
Visual Art Cues: {"scene_description":"An abstract, radiant Brahman presence—formless light—while devas and dānavas alike stand with folded hands in symmetrical reverence, indicating universality of worship.","kerala_mural_prompt":"Kerala mural, two groups (devas and dānavas) in traditional attire mirroring each other in anjali, centered by a luminous formless mandala representing advaya Brahman, deep saturated colors and temple-style borders.","tanjore_prompt":"Tanjore painting, central gold radiance/mandala as Brahman, flanked by devas and dānavas offering worship, heavy gold foil and embossed ornaments, rich maroons and greens.","mysore_prompt":"Mysore painting, balanced composition showing devas and dānavas in reverence before a symbolic light-form, fine linework, soft palette, emphasis on philosophical symbolism over narrative action.","mughal_miniature_prompt":"Mughal miniature, court-like assembly of celestial and asura figures respectfully gathered around a central glowing void/light, intricate garments and faces, delicate shading, refined symmetry."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Shankarabharanam","pace":"slow","voice_tone":"devotional"}
Sandhi Resolution Notes: नमाम्यहम् = नमामि + अहम् (इ + अ → य); आनन्दमद्वयं = आनन्दम् + अद्वयम् (म् + अ → म); देवदानववन्दितम् = देव + दानव + वन्दितम्.
Related Themes: Agni Purana: Brahman/Vishnu-tattva stotras; moksha-dharma sections on advaita
It imparts stotra-vidyā: a precise contemplative formula for worship—meditating on Brahman as eternally pure (nityaśuddha), truth (satyam), and non-dual bliss (ānandam advayam) while offering namaskāra.
Alongside ritual, polity, medicine, and arts, the Agni Purana preserves Vedāntic theology through stotras—summarizing metaphysical doctrine (Brahman as satya, śuddha, advaya, ānanda) in a liturgical, recitable form.
Bowing to Brahman as the non-dual truth is presented as a purifying act: it refines buddhi (discernment), dissolves dualistic grasping, and supports liberation-oriented merit through devotion aligned with right knowledge.