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Agni Purana — Agneya-vidya, Shloka 20

Dīkṣāvidhi-kathana

Explanation of the Rite of Initiation

इति विज्ञाप्य देवेशं सम्प्रविश्य पशूंस्ततः धारणाभिस्तु संशोध्य पूर्वज्ज्वलनादिना

iti vijñāpya deveśaṃ sampraviśya paśūṃstataḥ dhāraṇābhistu saṃśodhya pūrvajjvalanādinā

ครั้นกราบทูลต่อพระผู้เป็นใหญ่แห่งเทพทั้งปวงแล้ว จึงเข้าไปยังหมู่สัตว์บูชา จากนั้นให้ชำระให้บริสุทธิ์ด้วยธารณา (การกำหนดจิตตามมนต์) โดยเริ่มจากพิธีจุดไฟก่อนหน้าและกรรมวิธีที่เกี่ยวเนื่อง

itithus
iti:
Vākyaprayojaka (वाक्य-सम्बन्ध)
TypeIndeclinable
Rootiti (अव्यय)
FormAvyaya; quotative particle
vijñāpyahaving petitioned/informed
vijñāpya:
Pūrvakāla-kriyā (पूर्वकालक्रिया)
TypeVerb
Rootvi-jñap (धातु)
FormAbsolutive/Gerund (ल्यबन्त/य), having informed/requested
deveśamthe Lord of gods
deveśam:
Karma (कर्म)
TypeNoun
Rootdeveśa (प्रातिपदिक)
FormPuṃliṅga (पुंलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन)
sampraviśyahaving entered
sampraviśya:
Pūrvakāla-kriyā (पूर्वकालक्रिया)
TypeVerb
Rootsam-pra-viś (धातु)
FormAbsolutive/Gerund (ल्यबन्त/य), having entered
paśūnthe beings (bound souls)
paśūn:
Karma (कर्म)
TypeNoun
Rootpaśu (प्रातिपदिक)
FormPuṃliṅga (पुंलिङ्ग), Accusative (2nd/द्वितीया), Plural (बहुवचन)
tataḥthen/thereafter
tataḥ:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Roottataḥ (अव्यय)
FormAvyaya; adverb (क्रम/अपादानार्थक)
dhāraṇābhiḥwith (mantric/meditative) dhāraṇās
dhāraṇābhiḥ:
Karaṇa (करण)
TypeNoun
Rootdhāraṇā (प्रातिपदिक)
FormStrīliṅga (स्त्रीलिङ्ग), Instrumental (3rd/तृतीया), Plural (बहुवचन)
tubut/indeed
tu:
Sambandha (सम्बन्ध)
TypeIndeclinable
Roottu (अव्यय)
FormAvyaya; particle (विरोध/अन्वय)
saṃśodhyahaving purified
saṃśodhya:
Pūrvakāla-kriyā (पूर्वकालक्रिया)
TypeVerb
Rootsam-śudh (धातु)
FormAbsolutive/Gerund (ल्यबन्त/य), having purified/cleansed
pūrva-jvalana-ādināby the earlier burning etc. (rites)
pūrva-jvalana-ādinā:
Karaṇa (करण)
TypeNoun
Rootpūrva (प्रातिपदिक) + jvalana (प्रातिपदिक) + ādi (प्रातिपदिक)
FormPuṃliṅga (पुंलिङ्ग), Instrumental (3rd/तृतीया), Singular (एकवचन); tatpuruṣa: pūrvaṃ jvalanaṃ (and others) → 'by the prior burning etc.'

Lord Agni (traditionally instructing Sage Vasiṣṭha)

Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Mantra","practical_application":"Ritual purification of paśu via dhāraṇā (mantric visualization/fixation) and preparatory fire/ignition rite; used to sanctify offerings/participants before the next procedural step.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Paśu-śodhana by dhāraṇā and pūrvajvalana (pre-kindling rite)","lookup_keywords":["dhāraṇā","paśu-śodhana","pūrvajvalana","saṃśodhana","prayoga"],"quick_summary":"After formally addressing the deity, the officiant approaches the animals and purifies them through prescribed dhāraṇās, beginning with the preliminary kindling/ignition rite and its associated steps."}

Concept: Dhāraṇā as operative ritual cognition: purity is produced by disciplined attention joined to mantra and fire.

Application: In any mantra-prayoga, stabilize attention (dhāraṇā), perform preparatory purifications, and only then proceed to transformative rites to avoid ritual ‘aśuddhi’.

Khanda Section: Puja-vidhi (Ritual Procedure / Mantra-Tantra Prayoga)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"The officiant enters the enclosure of animals, performs focused dhāraṇā with hand gestures and mantra, while a nearby fire is kindled as the preliminary purification rite.","kerala_mural_prompt":"Kerala mural, ritual enclosure with stylized fire altar glowing, priest in concentrated posture (dhāraṇā), animals arranged calmly, sacred smoke patterns, warm ochres and deep greens, atmosphere of controlled sanctity.","tanjore_prompt":"Tanjore painting, bright fire altar with gold accents, priest performing mantra with rosary/hand mudrā, animals to the side, ornate borders, emphasis on the sanctifying flame.","mysore_prompt":"Mysore style, instructional depiction: fire-kindling step shown clearly, priest’s dhāraṇā posture, minimal but precise implements (homa-kunda, ladle, water pot), clean composition for procedural clarity.","mughal_miniature_prompt":"Mughal miniature, detailed sacrificial pen with attendants, small fire altar being lit, priest in focused stance, naturalistic animals, fine textiles and architectural framing."}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Bhairavi","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: Resolved: paśūṃstataḥ = paśūn + tataḥ; dhāraṇābhistu = dhāraṇābhiḥ + tu; pūrvajjvalanādinā = pūrva + jvalana + ādinā (with gemination j+j).

Related Themes: Agni Purana 27 (continuation of paśu-related pūjā-vidhi); Agni Purana mantra-tantra prayoga sections (elsewhere)

D
Deveśa
P
Paśu (sacrificial animals)
D
Dhāraṇā (ritual concentration/visualization)
J
Jvalana (kindling/ignition rite)

FAQs

It prescribes the procedural sequence: after formally informing Deveśa, the officiant enters the enclosure of the sacrificial animals and performs their purification using dhāraṇā-based ritual focus/visualization, starting from the earlier kindling (jvalana) and connected rites.

It exemplifies the text’s manual-like coverage of ritual engineering—linking deity-invocation protocol (vijñāpana), staged movement within the ritual space (sampraveśa), and technical purification methods (dhāraṇā + jvalana-ādi), showing the Agni Purana’s breadth beyond narrative into applied liturgy.

The verse frames purification as both procedural and spiritual: correct notification to the divine authority and dhāraṇā-guided cleansing are meant to remove ritual impurity (aśuddhi), ensuring the act is dharmically valid and spiritually efficacious.