HomeVaraha PuranaAdhyaya 82Shloka 13
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Varaha Purana 82.13 — Adhyaya 82, Shloka 13

The Descent of the Rivers: The Sky-Gaṅgā and Her Fourfold Division

कृष्णवर्णाः पुरुषा महाबलिनः।

kṛṣṇavarṇāḥ puruṣā mahābalinaḥ.

అక్కడి పురుషులు కృష్ణవర్ణులు, మహాబలవంతులు.

कृष्ण-वर्णाःblack-colored
कृष्ण-वर्णाः:
Karta (कर्ता/Subject)
TypeAdjective
Rootकृष्ण (प्रातिपदिक) + वर्ण (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; विशेषण (adjective)
पुरुषाःmen/persons
पुरुषाः:
Karta (कर्ता/Subject)
TypeNoun
Rootपुरुष (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन
महाबलिनःvery strong/mighty
महाबलिनः:
Karta (कर्ता/Subject)
TypeAdjective
Rootमहा (प्रातिपदिक) + बलिन् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; विशेषण (adjective)

Varāha

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"guṇa-karma locality notion (descriptive, not prescriptive)","core_concept":"Embodiment and environment are portrayed as correlated; strength and complexion are markers of regional identity in Purāṇic imagination.","practical_application":"Read such descriptions as cosmographic characterization (world-building) rather than as dharma injunction; cultivate non-derogatory, contextual interpretation."}

Subject Matter: ["Geography","Cultural Description"]

Primary Rasa: vira

Secondary Rasa: adbhuta

Type: ethnographic/cultural description within cosmic geography

Related Themes: Varāha Purāṇa 82.12 (Ketumālā janapadas)

Visual Art Cues: {"scene_description":"A tableau of Ketumālā men—dark-complexioned, powerfully built—set against the backdrop of their region, illustrating vigor and regional identity.","item_prompts":["group of strong men with dark complexion","athletic physiques","regional landscape backdrop","weapons optional but not required (to suggest strength)","Varāha as distant narrator or inset"],"kerala_mural_prompt":"Kerala mural: stylized robust figures with strong outlines, earthy tones, minimal realism, framed by decorative foliage and landscape bands.","tanjore_prompt":"Tanjore: iconic strong figures with ornate attire, gold accents on borders and ornaments, symmetrical grouping under a title cartouche.","mysore_prompt":"Mysore: refined anatomy, gentle shading, dignified expressions, balanced composition with landscape depth.","pahari_prompt":"Pahari: lively miniature scene with rhythmic poses, crisp outlines, bright garments against mountain/forest setting, narrative label of region."}

Audio Atmosphere: {"recitation_mood":"firm, descriptive","suggested_raga":"Bhairavi","pace":"medium","voice_tone":"grounded, slightly emphatic on ‘mahābalinaḥ’"}

C
Classical Literature
A
Ancient Geography
E
Ethnographic Notes

FAQs

It exemplifies Purāṇic ethnographic shorthand—brief physical and social descriptors used to characterize populations within cosmographic regions.

The description pertains to the inhabitants of the region under discussion (linked nearby to Ketumālā), within a Purāṇic cosmographic map.

No explicit ethical instruction is given; it is a descriptive characterization rather than a prescriptive teaching.

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