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Varaha Purana 36.11: Adhyaya 36, Shloka 11

Account of the Maṇija Kings and a Hymn to Govinda Leading to Liberation

वृन्दावनं च राजा असौ तपोऽर्थं गतवान् प्रभुः । तत्र गोविन्दनामानं हरिं स्तोतुमथारभत् ॥ ३६.११ ॥

Sanskrit recitationVaraha Purana 36.11

vṛndāvanaṃ ca rājā asau tapo’rthaṃ gatavān prabhuḥ | tatra govindanāmānaṃ hariṃ stotum athārabhat || 36.11 ||

ఆ రాజు, ప్రభువైనవాడు, తపస్సు నిమిత్తం వృందావనానికి వెళ్లెను; అక్కడ గోవిందనామధారియైన హరిని స్తుతించుట ప్రారంభించెను.

वृन्दावनम्Vṛndāvana (forest/place)
वृन्दावनम्:
Karma (कर्म)
TypeNoun
Rootवृन्दावन (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति (कर्म), एकवचन; Neuter, Accusative, Singular
and
:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
राजाthe king
राजा:
Karta (कर्ता)
TypeNoun
Rootराजन् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; Masculine, Nominative, Singular
असौthat (he)
असौ:
Karta (कर्ता)
TypeNoun
Rootअसद्/अदस् (सर्वनाम-प्रातिपदिक)
Formसर्वनाम, पुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; Pronoun, Masculine, Nominative, Singular
तपः-अर्थम्for the sake of austerity
तपः-अर्थम्:
Prayojana (प्रयोजन/उद्देश्य)
TypeNoun
Rootतपस् (प्रातिपदिक) + अर्थ (प्रातिपदिक)
Formषष्ठी-तत्पुरुष (तपसः अर्थः); नपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन; Neuter, Accusative, Singular (purpose)
गतवान्having gone
गतवान्:
Karta (कर्ता)
TypeVerb
Rootगम् (धातु)
Formक्तवतु-प्रत्ययान्त कृदन्त (past active participle); पुंलिङ्ग, प्रथमा, एकवचन; Masculine, Nominative, Singular; ‘having gone’
प्रभुःthe lord/master
प्रभुः:
Karta (कर्ता)
TypeNoun
Rootप्रभु (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; Masculine, Nominative, Singular
तत्रthere
तत्र:
Adhikarana (अधिकरण)
TypeIndeclinable
Rootतत्र (अव्यय)
Formदेशवाचक-अव्यय (locative adverb)
गोविन्द-नामानम्named Govinda
गोविन्द-नामानम्:
Visheshana (विशेषण)
TypeAdjective
Rootगोविन्द (प्रातिपदिक) + नामन् (प्रातिपदिक)
Formषष्ठी-तत्पुरुष (गोविन्दस्य नाम); पुंलिङ्ग, द्वितीया-विभक्ति, एकवचन; Masculine, Accusative, Singular; qualifying ‘हरिम्’
हरिम्Hari (Viṣṇu/Kṛṣṇa)
हरिम्:
Karma (कर्म)
TypeNoun
Rootहरि (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति, एकवचन; Masculine, Accusative, Singular
स्तोतुम्to praise
स्तोतुम्:
Prayojana (प्रयोजन/उद्देश्य)
TypeVerb
Rootस्तु (धातु)
Formतुमुन्-प्रत्ययान्त (infinitive); ‘to praise’
अथthen
अथ:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootअथ (अव्यय)
Formअनन्तरार्थक-अव्यय (then/now)
आरभत्began
आरभत्:
Kriya (क्रिया)
TypeVerb
Rootआ-रभ् (धातु)
Formलङ्-लकार (Imperfect, past), परस्मैपद; प्रथमपुरुष, एकवचन; 3rd person singular; ‘began’

Varāha (default dialogue framework; speaker not explicit in excerpt)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":true,"specific_site":"Vṛndāvana","parikrama_context":"Implicit: going to Vṛndāvana for tapas aligns with tīrtha-sevana and (later tradition) Vraja-parikramā, though circumambulation is not explicitly stated.","krishna_connection":"Explicit: Govinda-nāman Hari indicates Vraja-Kṛṣṇa identity and foreshadows/affirms Kṛṣṇa-līlā sanctity of Vṛndāvana."}

Dharma Shastra: {"has_dharma_rule":false,"instruction_summary":"Narrative model: a king undertakes tapas at a tīrtha and begins stotra to Govinda; exemplary conduct rather than codified rule.","karmic_consequence":"Implied: tapas + stuti in Vṛndāvana yields spiritual purification and proximity to Hari (bhakti-siddhi)."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"The cosmic Hari becomes locally intimate as Govinda in Vṛndāvana: the Purāṇic move from metaphysical laya to place-based bhakti, showing the same Absolute approachable through nāma and stotra.","yajna_varaha_imagery":"Implicit: stotra as vāg-yajña (sacrifice of speech); Vṛndāvana as living altar where devotion replaces external ritual complexity.","vedantic_connection":"Nondual culmination (‘brahma-bhūta’) is harmonized with personal devotion (Govinda-stuti), suggesting jñāna fulfilled in bhakti rather than opposed to it."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"Bhakti-yoga integrated with tapas","core_concept":"Renunciation is not mere withdrawal; it flowers into praise of Govinda—devotion as the heart of austerity.","practical_application":"Undertake disciplined practice (tapas) while anchoring the mind in nāma-stuti; visit sacred places to intensify remembrance, but keep devotion primary."}

Subject Matter: ["Sacred Geography","Devotional Literature","Kingship and Austerity","Heritage Sites"]

Primary Rasa: bhakti

Secondary Rasa: śānta

Type: Sacred forest (vana) / tīrtha-kṣetra

Related Themes: Varāha Purāṇa 36.36.9-10 (from Brahmavidyā and yoga-laya to Govinda-stuti)

Visual Art Cues: {"scene_description":"A royal ascetic arrives in the lush forest of Vṛndāvana, sits beneath a kadamba or vaṭa tree, and begins singing hymns to Hari as Govinda; the atmosphere is devotional and pastoral.","item_prompts":["forest of Vṛndāvana with kadamba/tamāla trees","the king in simple ascetic garb (or royal turned renunciate)","japa-mālā or palm-leaf hymn text","distant hint of Govinda—flute, peacock feather, or four-armed Hari icon","cows and gentle riverbank suggestion (Yamunā nearby, if desired)"],"kerala_mural_prompt":"Kerala mural: dense stylized Vṛndāvana foliage; ascetic-king in prayer; Govinda/Hari appearing as a radiant presence; warm greens and reds with ornate borders.","tanjore_prompt":"Tanjore: Govinda as central deity with gold-leaf halo; devotee-king at lower corner singing; ornate arch; rich jewel tones; subtle forest motifs around the frame.","mysore_prompt":"Mysore: elegant Vṛndāvana grove with detailed leaves; devotee in kīrtana posture; soft divine glow suggesting Govinda’s presence.","pahari_prompt":"Pahari: idyllic Vraja forest with cows; the devotee-king under a tree singing; Govinda hinted as a distant flute-bearing figure; delicate pastel sky."}

Audio Atmosphere: {"recitation_mood":"Devotional, forest-serene","suggested_raga":"Rāga Vṛndāvani Sārang (or Rāga Khamāj for stuti warmth)","pace":"Medium-slow, lyrical","voice_tone":"Tender, reverent, gently musical"}

C
Classical Sanskrit Literature
P
Purāṇic Narrative
V
Vaiṣṇavism
C
Cultural Geography

FAQs

It reflects a common Purāṇic narrative motif in which a ruler undertakes tapas at a culturally significant site, linking political authority with ascetic discipline and textualized sacred geography.

Vṛndāvana is named; in modern scholarship it is identified with the Vṛndāvan/Vrindavan region in the Braj area (Uttar Pradesh, India), prominent in Vaiṣṇava cultural history.

The verse foregrounds disciplined self-cultivation (tapas) and reflective praise as practices associated with exemplary leadership, framed within a sacred-geographic setting.

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