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Varaha Purana 200.7 — Adhyaya 200, Shloka 7

Description of the Forms of Infernal Torments

Naraka Yātanās

मुच्यते च मृतस्तत्र मारकास्तत्र दुर्लभाः ॥ शब्दे स्पर्शे तथा रूपे रसे गन्धे तु पञ्चमे ॥

mucyate ca mṛtas tatra mārakās tatra durlabhāḥ || śabde sparśe tathā rūpe rase gandhe tu pañcame ||

అక్కడ మరణించినా విముక్తి కలగదు; అక్కడ మరణదూతలు దుర్లభులు. శబ్దం, స్పర్శ, రూపం, రసం మరియు ఐదవది గంధం ద్వారా దుఃఖం అనుభవించబడుతుంది.

मुच्यतेis freed, is released
मुच्यते:
Kriya (क्रिया/Verb)
TypeVerb
Rootमुच् (धातु)
Formलट्-लकार (Present), प्रथमपुरुष (3rd person), एकवचन; आत्मनेपद; कर्मणि/भावे (is released)
and
:
Sambandha (सम्बन्ध/Connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयार्थक-अव्यय (conjunction)
मृतःdead (person)
मृतः:
Karta (कर्ता/Subject)
TypeAdjective
Rootमृत (कृदन्त; √मृ)
Formभूतकृदन्त (past participle), पुंलिङ्ग, प्रथमा (1st/Nominative), एकवचन; विशेष्य-रूपे (one who is dead)
तत्रthere
तत्र:
Adhikarana (अधिकरण/Location)
TypeIndeclinable
Rootतत्र (अव्यय)
Formदेशवाचक-अव्यय (locative adverb)
मारकाःkillers, slayers
मारकाः:
Karta (कर्ता/Subject)
TypeNoun
Rootमारक (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन
तत्रthere
तत्र:
Adhikarana (अधिकरण/Location)
TypeIndeclinable
Rootतत्र (अव्यय)
Formदेशवाचक-अव्यय (locative adverb)
दुर्लभाःrare, hard to find
दुर्लभाः:
Visheshana (विशेषण/Qualifier)
TypeAdjective
Rootदुर्लभ (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; विशेषण (qualifying मारकाः)
शब्देin sound
शब्दे:
Adhikarana (अधिकरण/Domain)
TypeNoun
Rootशब्द (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी (7th/Locative), एकवचन
स्पर्शेin touch
स्पर्शे:
Adhikarana (अधिकरण/Domain)
TypeNoun
Rootस्पर्श (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी (7th/Locative), एकवचन
तथाlikewise, also
तथा:
Sambandha (सम्बन्ध/Connector)
TypeIndeclinable
Rootतथा (अव्यय)
Formप्रकारवाचक-अव्यय (adverb: likewise)
रूपेin form/appearance
रूपे:
Adhikarana (अधिकरण/Domain)
TypeNoun
Rootरूप (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th/Locative), एकवचन
रसेin taste
रसे:
Adhikarana (अधिकरण/Domain)
TypeNoun
Rootरस (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी (7th/Locative), एकवचन
गन्धेin smell
गन्धे:
Adhikarana (अधिकरण/Domain)
TypeNoun
Rootगन्ध (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी (7th/Locative), एकवचन
तुbut, indeed
तु:
Sambandha (सम्बन्ध/Discourse)
TypeIndeclinable
Rootतु (अव्यय)
Formविरोध/विशेषार्थक-अव्यय (particle: but/indeed)
पञ्चमेin the fifth (sense)
पञ्चमे:
Adhikarana (अधिकरण/Domain)
TypeAdjective
Rootपञ्चम (प्रातिपदिक)
Formपुं/नपुंसक, सप्तमी (7th/Locative), एकवचन; क्रमवाचक-विशेषण (in the fifth)

Ṛṣiputra

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"The embodied being’s bondage persists through the five sense-objects (śabda–sparśa–rūpa–rasa–gandha); mere ‘death’ in a realm does not itself grant release.","karmic_consequence":"Attachment to sense-objects sustains saṃsāric experience and suffering; dispassion toward them supports liberation-oriented progress."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"Sāṃkhya/Vedānta-adjacent psychology","core_concept":"Experience is mediated by the five tanmātra/viṣaya streams; liberation is not automatic by death but by severing identification and craving.","practical_application":"Cultivate indriya-nigraha (sense-restraint), viveka (discernment), and vairāgya toward sensory pleasures."}

Subject Matter: ["Cosmology","Ethics","Philosophy of Mind"]

Primary Rasa: bhayanaka

Secondary Rasa: vairagya

Type: otherworld/afterlife landscape

Related Themes: Varāha Purāṇa, ch. 200 (naraka/afterlife and indriya-based suffering sequence)

Visual Art Cues: {"scene_description":"A bleak infernal expanse where ‘release’ is absent; the being is assailed by sensory torments—sound, touch, form, taste, smell—suggested as oppressive forces.","item_prompts":["five sense-objects as personified tormentors","dark horizon with oppressive atmosphere","figures clutching ears/skin/eyes/tongue/nose","subtle iconographic labels for śabda-sparśa-rūpa-rasa-gandha"],"kerala_mural_prompt":"Kerala mural style, infernal landscape with stylized personifications of the five sense-objects surrounding a suffering jīva, bold outlines, earthy reds and blacks, minimal background architecture.","tanjore_prompt":"Tanjore style, central suffering figure with five surrounding symbolic emblems (ear/skin/eye/tongue/nose motifs), heavy gold ornament on emblems, dark lacquered background.","mysore_prompt":"Mysore painting style, refined linework showing allegorical five-sense tormentors, subdued palette, delicate shading, sparse infernal setting.","pahari_prompt":"Pahari miniature style, narrative panel with five labeled sense-objects as attackers, cool mountainous palette inverted into smoky greys, fine detailing of expressions."}

Audio Atmosphere: {"recitation_mood":"grave, admonitory","suggested_raga":"Bhairavi","pace":"medium-slow","voice_tone":"low, steady, didactic"}

C
Classical Literature
P
Purāṇic Studies
S
Sāṃkhya-Adjacent Concepts (Indriyas)

FAQs

It links afterlife suffering to sensory modalities, echoing broader Indic theories of perception (indriyas and sense-objects) in a Purāṇic narrative register.

None; the focus is phenomenological (sense-experience) rather than geographic.

It warns that consequences are inescapable and pervade all channels of experience, strengthening the deterrent function of the passage.

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