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Varaha Purana 18.5 — Adhyaya 18, Shloka 5

The Origin of Fire and the Liturgical Names of Agni

महातपा उवाच । योगसाध्यः स्वरूपेण आत्मा नारायणात्मकः । सर्वज्ञः क्रीडतस्तस्य भोगेच्छा चात्मनात्मनि । क्षोभितेऽभून्महाभूते एतच्छब्दं तदद्भुतम् ॥ १८.५ ॥

mahātapā uvāca | yogasādhyaḥ svarūpeṇa ātmā nārāyaṇātmakaḥ | sarvajñaḥ krīḍatas tasya bhogecchā cātmanātmani | kṣobhite 'bhūn mahābhūte etacchabdaṃ tad adbhutam || 18.5 ||

మహాతపా అన్నారు—యోగసాధ్యమైన ఆత్మ స్వరూపతః నారాయణాత్మకమే. సర్వజ్ఞుడైనప్పటికీ క్రీడించుచుండగా ఆత్మలోనే ఆత్మపట్ల భోగేచ్ఛ ఉద్భవించింది. మహాభూతం క్షోభించగా ఆ అద్భుతమైన ‘ఏతచ్’ అనే శబ్దం జన్మించింది।

महातपाःMahātapā (the great ascetic)
महातपाः:
Karta (कर्ता/Subject)
TypeNoun
Rootमहातपस् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; समासः महा+तपस् (कर्मधारयः)
उवाचsaid
उवाच:
Kriya (क्रिया/Verbal action)
TypeVerb
Rootवच् (धातु)
Formलिट्-लकार (Perfect), प्रथम-पुरुष, एकवचन; परस्मैपद
योगसाध्यःattainable by yoga
योगसाध्यः:
Visheshana (विशेषण/Qualifier)
TypeAdjective
Rootयोग (प्रातिपदिक) + साध्य (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; समासः योगेन साध्यः (तृतीया-तत्पुरुषः) विशेषणम् (आत्मा इति)
स्वरूपेणby (his) own nature/form
स्वरूपेण:
Karana (करण/Instrument)
TypeNoun
Rootस्वरूप (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया-विभक्ति (3rd/Instrumental), एकवचन; समासः स्व+रूप (कर्मधारयः)
आत्माthe Self
आत्मा:
Karta (कर्ता/Subject)
TypeNoun
Rootआत्मन् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन
नारायणात्मकःof the nature of Nārāyaṇa
नारायणात्मकः:
Visheshana (विशेषण/Qualifier)
TypeAdjective
Rootनारायण (प्रातिपदिक) + आत्मक (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; समासः नारायणः आत्मा यस्य/नारायण-आत्मकः (तत्पुरुषः; ‘having the nature of Nārāyaṇa’) विशेषणम् (आत्मा)
सर्वज्ञःomniscient
सर्वज्ञः:
Visheshana (विशेषण/Qualifier)
TypeAdjective
Rootसर्वज्ञ (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; बहुव्रीहिः (सर्वं जानाति इति) विशेषणम् (आत्मा)
क्रीडतःof (him) who is playing/sporting
क्रीडतः:
Sambandha (सम्बन्ध/Genitive relation)
TypeVerb
Rootक्रीड् (धातु)
Formकृदन्तः—शतृ-प्रत्ययान्त वर्तमान-कृदन्त (present active participle), पुंलिङ्ग, षष्ठी-विभक्ति, एकवचन; (तस्य इति सह)
तस्यof him
तस्य:
Sambandha (सम्बन्ध/Genitive relation)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग, षष्ठी-विभक्ति, एकवचन; सर्वनाम
भोगेच्छाdesire for enjoyment
भोगेच्छा:
Karta (कर्ता/Subject)
TypeNoun
Rootभोग (प्रातिपदिक) + इच्छा (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, एकवचन; समासः भोगस्य इच्छा (षष्ठी-तत्पुरुषः)
and
:
Sambandha (सम्बन्ध/Connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयार्थक-अव्यय (and)
आत्मनाby the self
आत्मना:
Karana (करण/Instrument)
TypeNoun
Rootआत्मन् (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति, एकवचन
आत्मनिin the self
आत्मनि:
Adhikarana (अधिकरण/Location)
TypeNoun
Rootआत्मन् (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी-विभक्ति, एकवचन
क्षोभितेwhen/where (it was) agitated
क्षोभिते:
Adhikarana (अधिकरण/Location)
TypeAdjective
Rootक्षोभित (प्रातिपदिक; क्त-प्रत्ययान्त from क्षुभ् धातु)
Formनपुंसकलिङ्ग/पुंलिङ्ग, सप्तमी-विभक्ति, एकवचन; क्त-कृदन्त विशेषणम् (महाभूते)
अभूत्arose; became
अभूत्:
Kriya (क्रिया/Verbal action)
TypeVerb
Rootभू (धातु)
Formलुङ्-लकार (Aorist), प्रथम-पुरुष, एकवचन; परस्मैपद
महाभूतेin the great element (mahābhūta)
महाभूते:
Adhikarana (अधिकरण/Location)
TypeNoun
Rootमहाभूत (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी-विभक्ति, एकवचन; समासः महा+भूत (कर्मधारयः)
एतत्-शब्दम्the word ‘etat’
एतत्-शब्दम्:
Karma (कर्म/Object)
TypeNoun
Rootएतत् (सर्वनाम-प्रातिपदिक) + शब्द (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति, एकवचन; समासः एतत्-शब्दः (कर्मधारयः: ‘the word “etat”’)
तत्that
तत्:
Karta (कर्ता/Subject)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया-विभक्ति, एकवचन; सर्वनाम
अद्भुतम्wonderful; marvelous
अद्भुतम्:
Visheshana (विशेषण/Qualifier)
TypeAdjective
Rootअद्भुत (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया-विभक्ति, एकवचन; विशेषणम् (तत् इति)

Mahātapā

Varaha Avatara Context: {"is_varaha_focus":false,"aspect_highlighted":"None","boar_form_detail":"None","earth_interaction":"None"}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"curious (listener implied)","key_question":"None"}

Mathura Mandala: {"is_mathura_related":false,"specific_site":"None","parikrama_context":"None","krishna_connection":"Foreshadows Vaiṣṇava ontology (Nārāyaṇa as Ātman) that later supports Kṛṣṇa as svayaṃ-bhagavān in other traditions, but no explicit Mathurā/Kṛṣṇa marker here."}

Dharma Shastra: {"has_dharma_rule":false,"topic":"None","instruction_summary":"Metaphysical account of manifestation (līlā, desire-for-experience, emergence of śabda) rather than normative dharma.","karmic_consequence":"None"}

Vrata Mahatmya: {"has_vrata":false,"vrata_name":"None","tithi_month":"None","promised_fruit":"None"}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"Yajña-Varāha metaphysics: the Self is Nārāyaṇa in essence; creation begins as līlā (play) and as vibration/śabda. The utterance ‘etac’ signals the first differentiation—language as the bridge from undivided consciousness to manifest elements.","yajna_varaha_imagery":"Not anatomical; conceptual mapping: śabda as the first ‘oblation’/vibration initiating the cosmic rite; omniscience + play parallels the Lord’s voluntary assumption of forms (including Varāha) for cosmic restoration.","vedantic_connection":"Close to Vedāntic themes: Ātman-Brahman identity colored by Vaiṣṇava theism (Ātman as Nārāyaṇa); līlā as non-compulsive causality; śabda as creative principle (śabda-brahman resonance)."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"Vedāntic cosmology (Purāṇic idiom)","core_concept":"The realized Self is Nārāyaṇa in essence; manifestation proceeds through līlā and the arising of desire-for-experience, with śabda as a creative trigger.","practical_application":"In yoga and contemplation, trace experience back to the witnessing Self; treat the world as līlā—engage ethically without bondage, and use mantra/śabda as a disciplined doorway to the source."}

Subject Matter: ["Cosmology","Philosophy (Ātman and līlā)","Yoga","Ontology of sound/word (śabda)"]

Primary Rasa: adbhuta

Secondary Rasa: śānta

Type: cosmological/ontological

Related Themes: Sets up elemental transformation narrative continued in 18.18.6; Responds to Bhu Devī’s request for ‘rahasya’ (18.18.4) by giving first-principles origin logic

Visual Art Cues: {"scene_description":"A metaphysical teaching scene: Mahātapā explaining that the yogically realized Self is Nārāyaṇa, and that from divine play arises desire and the first wondrous word ‘etac’.","item_prompts":["sage Mahātapā teaching posture","subtle Nārāyaṇa presence (blue aura, conch/disc as faint symbols)","abstract sound glyph ‘etac’ emerging as luminous syllables","cosmic waters/void backdrop","haloed silence turning into vibration ripples"],"kerala_mural_prompt":"Kerala mural, sage in foreground, behind him a stylized cosmic ocean and a blue Nārāyaṇa aura; luminous Sanskrit syllables forming ‘etac’ as golden-white script.","tanjore_prompt":"Tanjore, gold-leaf aura for Nārāyaṇa essence; embossed glowing syllables; ornate but minimal background to emphasize metaphysical emergence.","mysore_prompt":"Mysore, refined linework; soft gradients showing vibration waves; subtle iconography for Nārāyaṇa without crowding the scene.","pahari_prompt":"Pahari miniature, poetic abstraction: sage under a tree with a cosmic sky panel showing ripples and a small Viṣṇu-form in clouds; delicate calligraphic ‘etac’."}

Audio Atmosphere: {"recitation_mood":"mystical-contemplative","suggested_raga":"Darbari Kanada","pace":"slow","voice_tone":"deep, resonant, slightly hushed on ‘etac’"}

C
Classical Literature
P
Purāṇic Studies
V
Vaiṣṇavism
S
Sanskrit Philology
Y
Yoga Philosophy

FAQs

It reflects a Purāṇic synthesis of yogic soteriology with Vaiṣṇava metaphysics, presenting the Self as realizable through yoga and described in Nārāyaṇa-centric terms—typical of medieval Sanskrit theological-philosophical discourse.

No geographic location is named in this verse; the content is primarily philosophical and cosmological.

Rather than a direct moral rule, the verse conveys a philosophical instruction: self-knowledge through yoga is framed as realizing the Self’s essential nature, while desires and experiential engagement are described as arising within the domain of play (krīḍā/līlā).

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