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Varaha Purana 144.70: Adhyaya 144, Shloka 70

The Māhātmya of Someśvara and Related Liṅgas: The Liberation-Field of Triveṇī and the Śālagrāma Sacred Landscape

प्राप्यामिति परं भावं ज्ञात्वा देवो महेश्वरः ॥ सुन्दरं त्वपरं रूपं धृत्वा दृष्टिसुखावहम् ॥

Sanskrit recitationVaraha Purana 144.70

prāpyāmīti paraṃ bhāvaṃ jñātvā devo maheśvaraḥ || sundaraṃ tv aparaṃ rūpaṃ dhṛtvā dṛṣṭisukhāvaham ||

అతని పరమ భావం—‘నేను (అటువంటి కుమారుణ్ని) పొందుతాను’—అని తెలిసికొని దేవుడు మహేశ్వరుడు చూపుకు ఆనందం కలిగించే మరో అందమైన రూపాన్ని ధరించాడు.

प्राप्यामिI will obtain / I obtain
प्राप्यामि:
Kriyā (क्रिया)
TypeVerb
Rootप्राप् (धातु)
Formलट् (Present), उत्तमपुरुष (1st person), एकवचन; परस्मैपद
इतिthus
इति:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootइति (अव्यय)
Formउद्धरण/वाक्यसमाप्तिसूचक अव्यय (quotative particle)
परम्supreme
परम्:
Karma (कर्म)
TypeAdjective
Rootपर (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (Accusative), एकवचन; विशेषण
भावम्state/condition
भावम्:
Karma (कर्म)
TypeNoun
Rootभाव (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (Accusative), एकवचन
ज्ञात्वाhaving known
ज्ञात्वा:
Kriyā (क्रिया)
TypeVerb
Rootज्ञा (धातु)
Formक्त्वान्त अव्यय (Gerund/Absolutive)
देवःthe god
देवः:
Karta (कर्ता)
TypeNoun
Rootदेव (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (Nominative), एकवचन
महेश्वरःMaheshvara (Great Lord)
महेश्वरः:
Karta (कर्ता)
TypeNoun
Rootमहा + ईश्वर (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (Nominative), एकवचन; षष्ठी-तत्पुरुष/कर्मधारयार्थे (महान् ईश्वरः)
सुन्दरम्beautiful
सुन्दरम्:
Karma (कर्म)
TypeAdjective
Rootसुन्दर (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (Accusative), एकवचन; विशेषण
तुbut/indeed
तु:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्यय; विरोध/विशेषार्थक निपात (adversative/emphatic particle)
अपरम्other/different
अपरम्:
Karma (कर्म)
TypeAdjective
Rootअपर (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (Accusative), एकवचन; विशेषण
रूपम्form
रूपम्:
Karma (कर्म)
TypeNoun
Rootरूप (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (Accusative), एकवचन
धृत्वाhaving assumed/held
धृत्वा:
Kriyā (क्रिया)
TypeVerb
Rootधृ (धातु)
Formक्त्वान्त अव्यय (Gerund/Absolutive)
दृष्टि-सुख-आवहम्bringing delight to the sight
दृष्टि-सुख-आवहम्:
Karma (कर्म)
TypeAdjective
Rootदृष्टि (प्रातिपदिक) + सुख (प्रातिपदिक) + आवह (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (Accusative), एकवचन; उपपद-तत्पुरुष (दृष्ट्याः सुखम् आवहति इति)

Varāha

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"curious; anticipatory as the divine response unfolds"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"theology of divine omniscience and līlā","core_concept":"The deity knows the devotee’s inner intention and may respond through a chosen form (rūpa) that is both pleasing and purposeful.","practical_application":"Cultivate sincerity in inner intention; interpret ‘beautiful’ or unexpected turns in life as potential divine pedagogy rather than mere chance."}

Subject Matter: ["Cosmology","Ethics"]

Primary Rasa: adbhuta

Secondary Rasa: shringara

Type: hermitage / sacred narrative space

Related Themes: Varāha Purāṇa 144.76 (the sage’s intention for a son equal to the Lord)

Visual Art Cues: {"scene_description":"Maheśvara, having understood the sage’s intention, takes on a captivating, beautiful form that delights the eyes—suggesting a theophany approaching the ascetic.","item_prompts":["Śiva/Maheśvara transforming or appearing in a new form","radiant beauty (tejas, halo)","sage in the foreground/background in tapas posture","visual contrast: austere hermitage vs luminous divine arrival"],"kerala_mural_prompt":"Kerala mural style: depict Śiva’s alternate beautiful form with serene face, elaborate crown, and glowing aura; the ascetic shown in restraint; emphasize divine radiance against earthy hermitage tones.","tanjore_prompt":"Tanjore style: brilliant gold-leaf halo and ornaments for Maheśvara’s beautiful form; temple-like arch framing; ascetic smaller, emphasizing divine splendor and ‘dṛṣṭi-sukha’.","mysore_prompt":"Mysore style: elegant, naturalistic proportions; soft luminous shading on the divine form; quiet hermitage details; focus on the moment of appearance.","pahari_prompt":"Pahari style: gentle, romanticized landscape; Śiva’s beautiful form in flowing garments; delicate facial expressions; narrative intimacy between deity and ascetic."}

Audio Atmosphere: {"recitation_mood":"wonder-filled, gently luminous","suggested_raga":"Hamsadhwani","pace":"medium","voice_tone":"bright, uplifted, lingering on ‘सुन्दरं… रूपं’"}

C
Classical Literature
P
Purāṇic Studies
N
Narrative Theology
M
Mythic Motifs

FAQs

It showcases a widespread Purāṇic narrative motif: a deity responds to ascetic intent by adopting a specific form, structuring the next stage of the story.

No explicit place-name occurs here; the verse focuses on narrative action (assumption of form) rather than topography.

The verse highlights intentionality (bhāva) as consequential and depicts responsiveness to disciplined striving, framed through narrative causality rather than prescriptive command.

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