Previous Verse
Next Verse

Varaha Purana 144.36: Adhyaya 144, Shloka 36

The Māhātmya of Someśvara and Related Liṅgas: The Liberation-Field of Triveṇī and the Śālagrāma Sacred Landscape

गण्डक्यापि पुरा तप्तं वर्षाणामयुतं विधो ॥ शीर्णपर्णाशनं कृत्वा वायुभक्षा अप्यनन्तरम् ॥

Sanskrit recitationVaraha Purana 144.36

gaṇḍakyāpi purā taptaṁ varṣāṇām ayutaṁ vidho || śīrṇaparṇāśanaṁ kṛtvā vāyubhakṣā apy anantaram ||

ఓ మునివర్యా, గండకీ కూడా పూర్వకాలంలో పదివేల సంవత్సరాలు తపస్సు చేసింది. మొదట ఎండిన ఆకులు భక్షించి, ఆ తరువాత కేవలం వాయువునే ఆహారంగా చేసుకుంది.

गण्डक्याby/with Gaṇḍakī
गण्डक्या:
Karana (करणम्)
TypeNoun
Rootगण्डकी (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया (3rd/तृतीया), एकवचन
अपिalso/even
अपि:
Sambandha (सम्बन्धः)
TypeIndeclinable
Rootअपि (अव्यय)
Formअव्यय (particle: also/even)
पुराformerly
पुरा:
Kala-adhikarana (कालाधिकरणम्)
TypeIndeclinable
Rootपुरा (अव्यय)
Formअव्यय (adverb of time: formerly)
तप्तम्performed austerity / did penance
तप्तम्:
Kriya (क्रिया)
TypeVerb
Root√तप् (धातु) (कृदन्त)
Formभूतकृत् (क्त), नपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; ‘taptam’ = performed austerity/was heated (context: तपः कृतम्)
वर्षाणाम्of years
वर्षाणाम्:
Sambandha (सम्बन्धः)
TypeNoun
Rootवर्ष (प्रातिपदिक)
Formनपुंसकलिङ्ग, षष्ठी (6th/षष्ठी), बहुवचन
अयुतम्ten thousand
अयुतम्:
Karma (कर्म)
TypeNoun
Rootअयुत (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd), एकवचन; संख्यावाचक (numeral)
विधोO Vidhu (O lord)
विधो:
Sambodhana (सम्बोधनम्)
TypeNoun
Rootविधु (प्रातिपदिक)
Formपुंलिङ्ग, सम्बोधन (8th), एकवचन; ‘vidho’ (O moon-like one / O lord)
शीर्ण-पर्ण-आशनम्eating of withered leaves
शीर्ण-पर्ण-आशनम्:
Karma (कर्म)
TypeNoun
Rootशीर्ण (कृदन्त/प्रातिपदिक) + पर्ण (प्रातिपदिक) + आशन (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd), एकवचन; कर्मधारय/तत्पुरुष-समासः (withered-leaf-eating)
कृत्वाhaving done
कृत्वा:
Purvakala-kriya (पूर्वकालक्रिया)
TypeIndeclinable
Root√कृ (धातु) (कृदन्त)
Formक्त्वान्त (absolutive/gerund), अव्ययभावः
वायु-भक्षाः(those) living on air
वायु-भक्षाः:
Karta (कर्ता)
TypeNoun
Rootवायु (प्रातिपदिक) + भक्ष (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), बहुवचन; षष्ठी-तत्पुरुष (vāyoḥ bhakṣāḥ) ‘air-eaters’
अपिalso
अपि:
Sambandha (सम्बन्धः)
TypeIndeclinable
Rootअपि (अव्यय)
Formअव्यय (particle: also/even)
अनन्तरम्afterwards
अनन्तरम्:
Kala-adhikarana (कालाधिकरणम्)
TypeIndeclinable
Rootअनन्तर (प्रातिपदिक/अव्ययप्राय)
Formअव्यय (adverb: afterwards/next)

Varāha (default framework)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"Tapas is exemplified through progressive austerity—first leaf-subsistence, then vāyu-bhakṣaṇa—held up as an ethical ideal of restraint and endurance.","karmic_consequence":"Such sustained tapas accrues extraordinary puṇya and divine favor; neglect of restraint implies continued bondage to sense-driven saṃsāra (implied)."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"sadhana","core_concept":"Indriya-nigraha and gradual renunciation (āhāra-saṃyama) as a means to spiritual potency.","practical_application":"Adopt measured disciplines—simplify diet, cultivate steadiness, and align personal austerity with non-harm and ecological restraint."}

Subject Matter: ["Ethics","Heritage Sites","Ecology"]

Primary Rasa: adbhuta

Secondary Rasa: shanta

Type: river/holy landscape

Related Themes: Varāha Purāṇa 144.41-44 (divine approval and boon sequence)

Visual Art Cues: {"scene_description":"A solitary female ascetic (Gaṇḍakī) in a forested riverbank setting, first gathering withered leaves, later seated in deep meditation sustained only by breath.","item_prompts":["riverbank with flowing Gaṇḍakī","withered leaves in a small bowl","matted hair and simple bark/cloth","austere posture (padmāsana)","subtle aura of tapas (heat shimmer)","minimal wildlife observing quietly"],"kerala_mural_prompt":"Kerala mural style: earthy greens and ochres; serene ascetic woman by a sacred river, stylized foliage, calm facial expression, minimal ornament, soft halo indicating tapas.","tanjore_prompt":"Tanjore style: central ascetic figure with embossed aureole; river suggested with decorative bands; gold highlights for the sanctity of tapas; restrained palette despite ornate framing.","mysore_prompt":"Mysore style: delicate linework; quiet river landscape; nuanced expression of endurance; soft shading; emphasis on contemplative stillness.","pahari_prompt":"Pahari style: Himalayan-like river valley; lyrical trees and rocks; small-scale figure in meditation; cool tones conveying śānta with a hint of adbhuta."}

Audio Atmosphere: {"recitation_mood":"austere and contemplative","suggested_raga":"Bhairav","pace":"slow","voice_tone":"grave, steady, restrained"}

C
Classical Literature
V
Vaishnavism
A
Ascetic Traditions
E
Ecological Ethics

FAQs

It preserves a standard Purāṇic ascetic topos—extreme tapas measured in vast time—used to authorize the sanctity of a place or figure within a tīrtha narrative.

Gaṇḍakī is associated in Sanskrit literature with the Gaṇḍak River region (linked to Śālagrāma traditions in later reception), though the verse itself foregrounds the ascetic figure/place-name rather than a cartographic detail.

The verse highlights discipline and restraint as formative virtues; in heritage terms, it frames landscapes as shaped by remembered practices of self-limitation rather than extraction.

Ask anything about this verse

Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.

Not sure where to start?

A free Google sign-in keeps your chat saved across web and the app.

Read Varaha Purana in the Vedapath app

Scan the QR code to open this directly in the app, with word-by-word meanings, Sanskrit recitation where available, and more.

Continue reading in the Vedapath app

Open in App