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Varaha Purana 137.54: Adhyaya 137, Shloka 54

The Tale of the Vulture and the She-Jackal: The Māhātmya of the Saukarava Sacred Field

न सुप्ताया व्रतं किञ्चिद्दृश्यते धर्मसंचयः ॥ न च विष्णुकृतं कर्म न चैवेश्वरचोदितम्

Sanskrit recitationVaraha Purana 137.54

na suptāyā vrataṃ kiñcid dṛśyate dharmasaṃcayaḥ || na ca viṣṇukṛtaṃ karma na caiveśvaracoditam

నిద్రలో ఉన్నవాడికి (అలక్ష్యుడికి) ఏ వ్రతమూ ధర్మసంచయంగా కనిపించదు; అది విష్ణువునకు అర్పించిన కర్మ కాదు, ప్రభువు ఆజ్ఞతో చేసినదీ కాదు.

nanot
na:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootna (अव्यय)
FormAvyaya, negation particle (निषेध)
suptāyāḥof a sleeping (woman/person)
suptāyāḥ:
Sambandha (सम्बन्ध)
TypeAdjective
Rootsuptā (कृदन्त; √svap स्वप्)
FormPast active participle (क्तवतु/क्त; here adjectival 'suptā'), Feminine, Genitive (षष्ठी 6), Singular (एकवचन)
vratamvow/observance
vratam:
Karta (कर्ता)
TypeNoun
Rootvrata (प्रातिपदिक)
FormNeuter, Nominative (प्रथमा 1), Singular (एकवचन)
kiñcitanything/any (at all)
kiñcit:
Karta (कर्ता)
TypeNoun
Rootkiñcit (सर्वनाम/अव्यय-प्रातिपदिक)
FormNeuter, Nominative (प्रथमा 1), Singular (एकवचन); indefinite pronoun
dṛśyateis seen/appears
dṛśyate:
Kriya (क्रिया)
TypeVerb
Root√dṛś (धातु)
FormLaṭ (लट्, present), Ātmanepada, 3rd person (प्रथमपुरुष), Singular (एकवचन); passive-like sense 'is seen/appears'
dharma-saṃcayaḥaccumulation of merit/dharma
dharma-saṃcayaḥ:
Karta (कर्ता)
TypeNoun
Rootdharma + saṃcaya (प्रातिपदिक)
FormTatpuruṣa (तत्पुरुष) compound; Masculine, Nominative (प्रथमा 1), Singular (एकवचन)
nanot
na:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootna (अव्यय)
FormAvyaya, negation particle
caand
ca:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootca (अव्यय)
FormAvyaya, conjunction
viṣṇu-kṛtamdone by Vishnu
viṣṇu-kṛtam:
Karta (कर्ता)
TypeAdjective
Rootviṣṇu + kṛta (कृदन्त; √kṛ कृ)
FormTatpuruṣa (तत्पुरुष) compound; Past passive participle (क्त) used adjectivally; Neuter, Nominative (प्रथमा 1), Singular (एकवचन); qualifying karma
karmaact/deed
karma:
Karta (कर्ता)
TypeNoun
Rootkarman (प्रातिपदिक)
FormNeuter, Nominative (प्रथमा 1), Singular (एकवचन)
nanot
na:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootna (अव्यय)
FormAvyaya, negation particle
caand
ca:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootca (अव्यय)
FormAvyaya, conjunction
evaindeed/just
eva:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rooteva (अव्यय)
FormAvyaya, emphatic particle (अवधारण)
īśvara-coditamenjoined/impelled by the Lord
īśvara-coditam:
Karta (कर्ता)
TypeAdjective
Rootīśvara + codita (कृदन्त; √cud चुद्)
FormTatpuruṣa compound; Past passive participle (क्त) used adjectivally; Neuter, Nominative (प्रथमा 1), Singular (एकवचन); qualifying (implied) karma

Varāha (default speaker framework; explicit speaker not stated in fragment)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"observer","bhu_devi_state":"attentive; witnessing a courtly exchange","key_question":"What counsel or petition is being delivered to the king through this offering?"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"ethics of offering and speech","core_concept":"Dāna/arpana and respectful address to authority as social dharma; objects can mediate petitions and truth-telling.","practical_application":"Offer gifts with clean intent and speak truthfully yet respectfully in assemblies; let material offerings support righteous counsel."}

Subject Matter: ["Ethics"]

Primary Rasa: śṛṅgāra

Secondary Rasa: adbhuta

Type: courtly space

Related Themes: Narrative episodes in Varāha Purāṇa where gifts/ornaments trigger dharma instruction or royal decisions (generic internal pattern)

Visual Art Cues: {"scene_description":"A beautiful woman with auspicious eyes lifts a jeweled ornament and offers it toward the narrator/recipient; she then turns to address the king seated on a throne with attendants.","item_prompts":["woman holding ornament (necklace/armlet)","king on throne","court attendants","gesture of offering","jewelry sparkle","palace pillars/curtains"],"kerala_mural_prompt":"Kerala mural: stylized palace interior, elongated eyes, ornate jewelry; the woman mid-gesture offering the ornament, king in regal posture, saturated colors.","tanjore_prompt":"Tanjore: heavy gold-leaf emphasis on jewelry and throne, rich brocade costumes, frontal iconic composition with court symmetry.","mysore_prompt":"Mysore: elegant court painting, fine shading on faces, detailed textiles; subtle narrative moment of offering and speech.","pahari_prompt":"Pahari: lyrical palace scene with delicate lines, expressive faces, patterned carpets; the ornament rendered as a bright focal point."}

Audio Atmosphere: {"recitation_mood":"narrative, poised","suggested_raga":"Khamaj","pace":"medium","voice_tone":"storytelling clarity with gentle emphasis on action verbs (‘samuttārya…nivedayāmāsa…provāca’)"}

C
Classical Literature
V
Vaishnavism
D
Dharma Literature
R
Ritual Studies

FAQs

It reflects a broader Sanskrit normative theme: ritual efficacy depends on conscious intention/attention, helping scholars compare Purāṇic vrata-discourse with Dharmaśāstra and later devotional manuals.

No location is mentioned; the verse addresses conduct and validity of observance.

The verse underscores mindful participation: mechanical or inattentive observance is framed as lacking dharmic accumulation.

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