HomeVaraha PuranaAdhyaya 137Shloka 142
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Varaha Purana 137.142 — Adhyaya 137, Shloka 142

The Tale of the Vulture and the She-Jackal: The Māhātmya of the Saukarava Sacred Field

प्रवृत्ते चान्धकारे तु यत्र कश्चिन्न दृश्यते॥ सोमेन च विना भूमिर्दृश्यते चन्द्रसप्रभा॥

pravṛtte cāndhakāre tu yatra kaścin na dṛśyate || somena ca vinā bhūmir dṛśyate candrasaprabhā ||

అంధకారం వ్యాపించినప్పుడు, ఏదీ కనిపించని చోట కూడా, సోముడు (చంద్రుడు) లేకపోయినా భూమి చంద్రసమ ప్రకాశంతో కనిపిస్తుంది.

pravṛttewhen (it is) set in / having arisen
pravṛtte:
Adhikaraṇa (अधिकरण)
TypeAdjective
Rootpravṛtta (कृदन्त; √vṛt प्रवृत्त)
FormSaptamī (7th/सप्तमी), Ekavacana (singular/एकवचन), Napuṃsaka (neuter/नपुंसकलिङ्ग); past passive participle used adjectivally; locative absolute sense with andhakāre
caand
ca:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootca (अव्यय)
FormConjunction/particle (समुच्चय/अन्वय)
andhakārein darkness
andhakāre:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootandhakāra (प्रातिपदिक)
FormSaptamī (7th/सप्तमी), Ekavacana, Puṃliṅga (masculine/पुंलिङ्ग)
tubut/indeed
tu:
Sambandha (सम्बन्ध)
TypeIndeclinable
Roottu (अव्यय)
FormParticle (निपात), contrast/emphasis
yatrawhere
yatra:
Adhikaraṇa (अधिकरण)
TypeIndeclinable
Rootyatra (अव्यय)
FormAdverb (देशवाचक अव्यय)
kaścitsomeone/anything (at all)
kaścit:
Karta (कर्ता)
TypeNoun
Rootkaścit (सर्वनाम-प्रातिपदिक)
FormPrathamā (1st/प्रथमा), Ekavacana, Puṃliṅga; indefinite pronoun
nanot
na:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootna (अव्यय)
FormNegation particle (निषेध निपात)
dṛśyateis seen/appears
dṛśyate:
Kriyā (क्रिया)
TypeVerb
Root√dṛś (धातु)
FormLaṭ (present/लट्), Prathama-puruṣa (3rd/प्रथमपुरुष), Ekavacana; Ātmanepada; passive sense (कर्मणि प्रयोग)
somenaby Soma / by the Moon
somena:
Karaṇa (करण)
TypeNoun
Rootsoma (प्रातिपदिक)
FormTṛtīyā (3rd/तृतीया), Ekavacana, Puṃliṅga
caand
ca:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootca (अव्यय)
FormConjunction/particle (समुच्चय)
vināwithout
vinā:
Apādāna (अपादान)
TypeIndeclinable
Rootvinā (अव्यय)
FormPrepositional indeclinable (उपपद-अव्यय) governing instrumental/ablative; here with instrumental
bhūmiḥthe earth
bhūmiḥ:
Karta (कर्ता)
TypeNoun
Rootbhūmi (प्रातिपदिक)
FormPrathamā (1st/प्रथमा), Ekavacana, Strīliṅga (feminine/स्त्रीलिङ्ग)
dṛśyateis seen/appears
dṛśyate:
Kriyā (क्रिया)
TypeVerb
Root√dṛś (धातु)
FormLaṭ (present/लट्), Prathama-puruṣa, Ekavacana; Ātmanepada; passive sense (कर्मणि)
candrasaprabhāhaving moon-like radiance
candrasaprabhā:
Karta-anvaya (विशेषण; कर्तृसम्बन्ध)
TypeAdjective
Rootcandra + sa-prabhā (प्रातिपदिक; चन्द्र + सप्रभा)
FormPrathamā (1st/प्रथमा), Ekavacana, Strīliṅga; tatpuruṣa: candra-sadṛśī prabhā yasyāḥ (moon-like radiance); agrees with bhūmiḥ

Varāha (default speaker framework; explicit speaker not given in this pāda)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"observer","bhu_devi_state":"wonder-struck","key_question":"How can the Earth appear with moonlike radiance even when the Moon is absent, especially in deep darkness?"}

Mathura Mandala: {"is_mathura_related":true,"specific_site":"Unspecified luminous locality within the described sacred geography (a ‘place where darkness has set in’)","parikrama_context":"Implied as a marvel-site encountered in sacred travel; a phenomenological marker that guides pilgrims’ recognition of a locale.","krishna_connection":"Indirect: Mathurā landscape later celebrated for divine light/tejas; no explicit Kṛṣṇa reference."}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"Earth’s intrinsic tejas (or tīrtha-tejas) is portrayed as independent of ordinary luminaries, hinting that sacred space participates in a higher order of light (brahma-tejas) beyond sensory causes.","yajna_varaha_imagery":"Not explicit to Varāha’s body; imagery centers on ‘bhūmi’ shining like the moon without the moon—suggesting a self-luminous sanctity akin to ritual ‘tejas’ generated by tapas/yajña.","vedantic_connection":"Echoes the idea that consciousness/light is not dependent on external objects; sacred radiance as a sign of subtle reality (tejas) underlying gross perception."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"cosmological phenomenology","core_concept":"Not all perception is explained by ordinary causes; tīrtha-tejas (or subtle light) can manifest as a sign of sanctity and divine presence.","practical_application":"Approach sacred places with attentiveness to subtle signs; cultivate inner ‘light’ through purity and contemplation rather than relying only on external proofs."}

Subject Matter: ["Cosmology","Heritage Sites","Sacred Geography"]

Primary Rasa: adbhuta

Secondary Rasa: śānta

Type: marvel-site/phenomenal tīrtha-zone

Related Themes: Varāha Purāṇa tīrtha descriptions that use marvels (adbhuta-lakṣaṇa) as identifiers

Visual Art Cues: {"scene_description":"A night scene of near-total darkness where no forms are visible, yet the Earth/ground glows with a soft, moonlike sheen despite the Moon’s absence.","item_prompts":["starless dark sky","no visible moon","glowing ground/earth plane","silhouetted trees/rocks barely seen","pilgrim/observer figure reacting in awe"],"kerala_mural_prompt":"Kerala mural: deep indigo background, stylized luminous earth band in pale silver/white, minimal silhouettes; emphasis on mystical contrast.","tanjore_prompt":"Tanjore: dark enamel-like background with embossed silver-gold glow on the ground; decorative border; minimal figures to highlight the miracle.","mysore_prompt":"Mysore: nuanced chiaroscuro, soft gradated glow on earth, delicate detailing of faint outlines.","pahari_prompt":"Pahari: poetic night landscape with a gentle luminous wash over the ground; sparse figures; emphasis on quiet wonder."}

Audio Atmosphere: {"recitation_mood":"mysterious and contemplative","suggested_raga":"Malkauns","pace":"slow","voice_tone":"hushed, resonant, with a slight lift on ‘candra-saprabhā’ to convey wonder"}

C
Classical Literature
P
Purāṇic Studies
A
Ancient Geography
E
Environmental Imaginaries

FAQs

It exemplifies a common Purāṇic narrative technique: describing extraordinary sensory phenomena to mark a landscape as culturally significant (kṣetra/tīrtha), aiding the text’s function as a geo-cultural archive.

No explicit toponym appears in this fragment; it functions as a descriptive preface to a site-specific marvel that is named later in the surrounding verses.

Implicitly, it promotes attentiveness to culturally valued landscapes by framing them as worthy of observation, memory, and preservation.

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