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Varaha Purana 127.55 — Adhyaya 127, Shloka 55

Description of the Brāhmaṇa Initiation Procedure

Dīkṣā-sūtra

तिस्रः प्रदक्षिणाः कृत्वा देवं भागवतं गुरुम् ॥ गुरुपादौ तु संगृह्य इमं मन्त्रमुदीरयेत् ॥

tisraḥ pradakṣiṇāḥ kṛtvā devaṁ bhāgavataṁ gurum || gurupādau tu saṅgṛhya imaṁ mantram udīrayet

భగవద్భక్తుడైన గురువును మూడు ప్రదక్షిణలు చేసి, తరువాత గురుపాదాలను పట్టుకొని ఈ మంత్రాన్ని ఉచ్చరించాలి।

तिस्रःthree
तिस्रः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootत्रि (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, बहुवचन; Numeral adjective; Nominative plural (1st)
प्रदक्षिणाःcircumambulations
प्रदक्षिणाः:
Karma (कर्म)
TypeNoun
Rootप्रदक्षिणा (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया-विभक्ति, बहुवचन; Accusative plural (2nd)
कृत्वाhaving done
कृत्वा:
Kriyā (क्रिया)
TypeVerb
Rootकृ (धातु)
Formक्त्वा-प्रत्ययान्त अव्यय-भाव (Gerund/Absolutive); पूर्वकालिक क्रिया; having done
देवम्the god
देवम्:
Karma (कर्म)
TypeNoun
Rootदेव (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति, एकवचन; Accusative singular (2nd)
भागवतम्devoted to Bhagavān / Vaiṣṇava
भागवतम्:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootभागवत (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति, एकवचन; Accusative singular (2nd); विशेषण
गुरुम्the teacher
गुरुम्:
Karma (कर्म)
TypeNoun
Rootगुरु (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति, एकवचन; Accusative singular (2nd)
गुरुपादौthe teacher’s feet
गुरुपादौ:
Karma (कर्म)
TypeNoun
Rootगुरु (प्रातिपदिक) + पाद (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति, द्विवचन; षष्ठी-तत्पुरुष (गुरोः पादौ); Accusative dual (2nd)
तुthen/but
तु:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootतु (अव्यय)
Formनिपात (particle), विरोध/अनन्तरार्थ; but/then
संगृह्यhaving held
संगृह्य:
Kriyā (क्रिया)
TypeVerb
Rootसम् + ग्रह् (धातु)
Formल्यप्-प्रत्ययान्त अव्यय-भाव (Gerund); having grasped/held
इमम्this
इमम्:
Karma (कर्म)
TypeNoun
Rootइदम् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति, एकवचन; Pronoun; Accusative singular (2nd)
मन्त्रम्mantra
मन्त्रम्:
Karma (कर्म)
TypeNoun
Rootमन्त्र (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति, एकवचन; Accusative singular (2nd)
उदीरयेत्should recite/utter
उदीरयेत्:
Kriyā (क्रिया)
TypeVerb
Rootउद् + ईर् (धातु)
Formविधिलिङ्-लकार (Optative), प्रथमपुरुष, एकवचन; परस्मैपद; should utter/recite

Varāha (default, speaker not explicit in fragment)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false,"parikrama_context":"Three pradakṣiṇās around the guru as a ritual circumambulation within initiation procedure (not Mathurā-parikramā)."}

Dharma Shastra: {"has_dharma_rule":true,"topic":"varnashrama","instruction_summary":"In initiation etiquette, perform three circumambulations of the Bhāgavata-guru, then grasp the guru’s feet and recite the prescribed mantra.","karmic_consequence":"Observance yields guru-prasāda and eligibility for further rite; neglect implies ritual defect (doṣa) and loss of auspiciousness in dīkṣā."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"ācāra (discipline) and bhakti-ethics","core_concept":"Spiritual authority is approached through humility: pradakṣiṇā and pāda-grahaṇa embody surrender to the guru as conduit of Bhagavat’s grace.","practical_application":"Before receiving instruction/mantra, perform respectful circumambulation and offer physical gesture of reverence; cultivate non-egoic receptivity."}

Subject Matter: ["Ritual Practice","Ethics"]

Primary Rasa: śānta

Secondary Rasa: bhakti

Type: ritual space

Related Themes: Varāha Purāṇa 127.62–65 (mantra and dīkṣā procedure continuation)

Visual Art Cues: {"scene_description":"A disciple completes three clockwise circumambulations around a seated Bhāgavata-guru, then kneels to clasp the guru’s feet, preparing to recite a mantra.","item_prompts":["seated guru on āsana","disciple mid-pradakṣiṇā (threefold indicated)","disciple touching/holding guru’s feet","simple maṇḍala/altar space","rosary or palm-leaf manuscript near guru"],"kerala_mural_prompt":"Kerala mural style: warm ochres/greens, stylized guru with serene face on āsana, disciple in añjali then pāda-grahaṇa, clear clockwise motion cues around them, minimal background with temple-lamp motifs.","tanjore_prompt":"Tanjore: central guru with ornate halo and gold-leaf accents, disciple at feet, three small gold arcs around to signify pradakṣiṇā, rich textiles and jeweled borders.","mysore_prompt":"Mysore painting: delicate linework, soft pastel palette, detailed garments, subtle architectural niche indicating āśrama, disciple’s movement shown by repeated faint silhouettes.","pahari_prompt":"Pahari: lyrical hillside-āśrama setting, flat planes of color, guru under a canopy, disciple circling with rhythmic repetition, emphasis on devotional intimacy."}

Audio Atmosphere: {"recitation_mood":"reverential and procedural","suggested_raga":"Śrī","pace":"medium-slow","voice_tone":"clear, instructive, gently solemn"}

C
Classical Literature
V
Vaishnavism
I
Initiation Rites
R
Ritual Studies

FAQs

It documents a formalized etiquette of initiation contexts—circumambulation and respectful approach to the teacher—useful for reconstructing medieval Hindu ritual pedagogy.

No location is specified; the instruction is procedural rather than place-based.

Respectful conduct toward the teacher (guru) is emphasized as integral to learning and ritual transmission.

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