Maṇḍala–Pūjā–Homa Krama
Maṇḍala Worship and Homa Sequence for the Disciple
महेश्वरं तथोत्सृज्य कृत्वान्यां च कलामिमाम् । शांत्यतीतां कलां नीत्वा तद्व्याप्तिमवलोकयेत्
maheśvaraṃ tathotsṛjya kṛtvānyāṃ ca kalāmimām | śāṃtyatītāṃ kalāṃ nītvā tadvyāptimavalokayet
మహేశ్వరుని కూడా విషయరూపంగా విడిచి, ఈ ఇతర ధ్యానకలాను నిర్మించి; ‘శాంతి’ స్థాయిని దాటి అతీతకలాలో చైతన్యాన్ని నడిపి, ఆ తత్త్వపు సర్వవ్యాప్తిని దర్శించాలి.
Suta Goswami (narrating the Vāyavīya teachings to the sages at Naimiṣāraṇya)
Tattva Level: pati
Shiva Form: Sadāśiva
Role: teaching
It points to a higher Shaiva contemplation where even the refined concept of “Lord as an object” is relinquished, and awareness is led beyond tranquil absorption into recognition of Shiva’s all-pervasive reality (vyāpti), supporting liberation through direct insight.
It implies a progression: Saguna supports (like Linga worship and form-based devotion) stabilize the mind, but the seeker is then guided beyond form-concepts toward the subtler recognition of Shiva as the omnipresent Pati, not limited to any single object.
A meditative practice of inner withdrawal and refinement of contemplation: moving from object-focused dhyāna on Maheśvara to subtler, non-objectifying awareness, culminating in perceiving Shiva’s pervasion everywhere; this pairs well with japa of the Panchākṣarī and steady breath-mind discipline.