शब्दब्रह्मतनुवर्णनम् — Description of the Form of Śabda-Brahman
टादिपंचाक्षरं पादास्तादिपंचाक्षरं तथा । पकार उदरं तस्य फकारः पार्श्व उच्यते
ṭādipaṃcākṣaraṃ pādāstādipaṃcākṣaraṃ tathā | pakāra udaraṃ tasya phakāraḥ pārśva ucyate
‘ట’తో ప్రారంభమయ్యే ఐదు అక్షరాలు పాదాలలో; అలాగే ‘త’తో ప్రారంభమయ్యే ఐదు అక్షరాలు కూడా. ‘ప’ అక్షరం ఆయన ఉదరం, ‘ఫ’ అక్షరం ఆయన పార్శ్వమని చెప్పబడింది.
Suta Goswami
Tattva Level: pati
Shiva Form: Tatpuruṣa
Type: kavaca
Role: nurturing
Cosmic Event: Stabilization (sthiti) motif: installing syllables in feet/abdomen suggests grounding the mantra-deity in the sādhaka’s embodied field.
It teaches mantra-śarīra-bhāvanā (visualizing the mantra as Shiva’s living form): placing syllable-groups on limbs sanctifies the practitioner’s body as a fit vessel for Shiva’s grace, aligning the finite self (paśu) toward Pati (Shiva).
Nyāsa supports saguna-upāsanā by giving the devotee a concrete, embodied way to approach Shiva—treating the mantra as Shiva’s manifested form and the worshipper’s body as a temple, complementing Linga worship and mantra-japa.
Perform kara-nyāsa/anga-nyāsa (placing designated syllables on specific limbs) before japa of Shiva-mantras; then continue with steady repetition and inner visualization of Shiva pervading the body.