Aindra stuti: Indra as the collectively ‘fashioned’ and manifest power who conquers battles and grants sovereignty through soma-inspired praise
चर्षणीधृतं मघवानमुक्थ्या3मिन्द्रं गिरो बृहतीरभ्यनूषत वावृधानं पुरुहूतं सुवृक्तिभिरमर्त्यं जरमाणं दिवेदिवे
carṣaṇīdhṛtaṃ maghavānamukthyā3mindraṃ giro bṛhatīrabhyanūṣata vāvṛdhānaṃ puruhūtaṃ suvṛktibhiramartyaṃ jaramāṇaṃ divedive
carṣaṇīdhṛtaṃ1 maghavānam2 ukthyā3m indraṃ1 giro2 bṛhatīr3 abhyanūṣata1 vāvṛdhānaṃ2 puruhūtaṃ3 suvṛktibhir1 amartyaṃ2 jaramāṇaṃ3 dive-dive1
మనుష్యులచే ధృతుడైన, దానశీలుడైన, ఉక్థార్హుడైన ఇంద్రునికి మహత్తర (బృహతీ) గీతస్తోత్రాలు ఆలపించబడ్డాయి. ఆయన వృద్ధిమానుడు, పురుహూతుడు, సువృక్తులతో స్తుతింపబడినవాడు—అమర్త్యుడు, జరాతీతుడు/అవినాశి—ప్రతిదినం, దినదినం.
carṣaṇī-dhṛtam | maghavānam | ukthyam | indram | giraḥ | bṛhatīḥ | abhyanūṣata | vāvṛdhānam | puru-hūtam | su-vṛktibhiḥ | amartyam | jaramāṇam | dive-dive
Aindra (generic/unspecified in input)
{ "prastava": "(stobha prelude)", "udgitha": "carṣaṇīdhṛtaṃ maghavānam ukthyam indraṃ ...", "pratihara": "(response, often around epithets like puruhūta)", "upadrava": "... suvṛktibhir amartyaṃ jaramāṇaṃ ...", "nidhana": "dive-dive (extended close)", "structure_notes": "Epithets can be distributed so the udgītha carries main praise, while upadrava/nidhana seal the ‘daily renewal’ motif.", "singer_assignments": "Standard three-priest distribution; nidhana chorus particularly effective on ‘dive-dive’." }
{ "gloss_summary": "ukthya is connected with uktha/śastra-recitation; complementarity of uktha and sāman is implied; vāvṛdhāna indicates the deity increases in manifested power through repeated praise; dive-dive ties to continual daily invocation.", "ritual_interpretation": "Marks the coordinated functioning of śastra and stotra in Soma; repeated performance strengthens the rite’s efficacy across days/pressings.", "theological_insight": "Divine ‘increase’ is experiential manifestation conditioned by correct, repeated praise; immortality/endurance signify the deity’s unwearied responsiveness.", "etymology_highlights": "ukthya: ‘fit for uktha’; puruhūta: ‘called much/many times’; suvṛkti: ‘well-turned speech’." }