Shloka 112
Brahmā’s Puṣkara Sacrifice: Ṛtvij System, Sāvitrī’s Reconciliation, Tīrtha-Catalogue, Śrāddha & Initiation Rites, and Vrata Fruits
इति स्तुतिं मे भगवन्ह्यनंत जुषस्व भक्तस्य विशेषतश्च । समाधियुक्तस्य विशुद्धचेतसस्त्वद्भावभावैकमनोनुगस्य
iti stutiṃ me bhagavanhyanaṃta juṣasva bhaktasya viśeṣataśca | samādhiyuktasya viśuddhacetasastvadbhāvabhāvaikamanonugasya
హే భగవన్ అనంతా! నా ఈ స్తుతిని స్వీకరించుము—ప్రత్యేకంగా నీ భక్తుడైన నన్ను. నేను సమాధియుక్తుడను, విశుద్ధచిత్తుడను, నీ భావధ్యానానికే ఏకాగ్రమనస్సు కలవాడను.
A devotee addressing Lord Ananta (Vishnu)
Concept: The Lord accepts praise offered with purified mind, samādhi, and single-minded devotion; inner absorption is the heart of worship.
Application: Offer daily prayer with a few minutes of quiet attention; reduce mental scattering; dedicate speech and thought as stuti rather than self-display.
Primary Rasa: shanta
Secondary Rasa: shringara
Visual Art Cues: {"scene_description":"A devotee kneels before Lord Ananta: the infinite serpent-bed unfurls like a cosmic horizon, and Viṣṇu’s presence is felt as calm, endless depth. The devotee’s eyes are half-closed in samādhi, hands folded; from his heart rises a stream of luminous Sanskrit syllables that become lotus petals drifting toward the Lord, who inclines slightly as if ‘accepting’ the hymn.","primary_figures":["Lord Ananta (Śeṣa)","Viṣṇu/Nārāyaṇa (implied or seated upon Ananta)","samādhi-yukta devotee"],"setting":"Cosmic ocean or a sanctum that opens into infinity, blending temple intimacy with boundless space","lighting_mood":"temple lamp-lit","color_palette":["deep ocean blue","lamp-flame amber","conch white","emerald green","gold leaf"],"tanjore_prompt":"Tanjore painting style: Viṣṇu seated on Ananta with lavish gold-leaf halo and embossed serpent hoods, devotee kneeling with folded hands, luminous mantra-petals rising, rich reds and greens, gem-studded ornaments, ornate prabhāvali arch and temple lamps.","pahari_prompt":"Pahari miniature style: serene cosmic-ocean scene with gentle waves, Ananta’s coils stylized elegantly, Viṣṇu calm and approachable, devotee in meditative posture, soft blues and warm lamp-glow, delicate facial refinement and lyrical atmosphere.","kerala_mural_prompt":"Kerala mural style: bold outlines, Ananta’s multiple hoods forming a decorative canopy, Viṣṇu with characteristic large eyes and stylized ornaments, devotee in samādhi, warm red-yellow-green palette with rhythmic lamp motifs and mantra bands.","pichwai_prompt":"Pichwai cloth painting style: central Viṣṇu-Ananta devotional icon framed by lotus and tulasi borders, deep indigo background with gold highlights, floating lotus petals shaped like Sanskrit syllables, intricate floral patterns and symmetrical temple-lamp motifs."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Desh","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["temple bells (soft)","tanpura drone","conch shell (opening)","gentle water ambience"]}
Sandhi Resolution Notes: bhagavanhyanaṃta = bhagavan hi ananta; viśeṣataśca = viśeṣataḥ ca; viśuddhacetasastvadbhāvabhāvaikamanonugasya = viśuddha-cetasaḥ tvad-bhāva-bhāva-eka-mano-anugasya
FAQs
It expresses humble surrender and intimate devotion: the speaker asks the Lord (Ananta) to accept the hymn as an offering, emphasizing purity of mind and single-pointed contemplation of the Lord’s being.
The verse presents samādhi not as a separate goal but as a devotional absorption—samādhi-yuktaḥ with a viśuddha-cetas—where the mind becomes one-pointed in the contemplation of the Lord (tvad-bhāva).
It suggests that praise and prayer become most meaningful when paired with sincerity, inner purification, and focused remembrance—offering devotion with a steady, undistracted mind.