Maṅgalācaraṇa, Naimiṣāraṇya-Sabhā, Sūta-Āhvāna, and Narada Purāṇa-Māhātmya
उच्छिष्टदेशे वक्तार आख्यानमिदमुत्तमम् । पच्यन्ते नरके घोरे यावदाभूतसंप्लवम् ॥ ७१ ॥
ucchiṣṭadeśe vaktāra ākhyānamidamuttamam | pacyante narake ghore yāvadābhūtasaṃplavam || 71 ||
అపవిత్ర స్థలంలో ఈ ఉత్తమాఖ్యానాన్ని పఠించే వారు, సమస్తభూతప్రళయం వరకు ఘోర నరకంలో కాల్చబడుతారు।
Suta (narrator) relaying the scripture’s phala-śruti / recitation injunction
Vrata: none
Primary Rasa: bhayanaka
Secondary Rasa: raudra
It emphasizes śauca (ritual purity) and reverence: sacred Purāṇic discourse should be delivered in a clean, fit place, otherwise the act becomes a dharmic offense with severe karmic consequences.
Bhakti is not only emotion but disciplined worship; honoring the setting of śravaṇa and kīrtana protects the sanctity of the narrative and aligns the devotee with dharma.
It reflects kalpa/ācāra principles (ritual procedure and conduct): rules about purity of place (deśa-śauca) for recitation and listening to sacred texts.