Shloka 68
Adhyaya 23 — Ashvatara’s Vow for Madalasa and the Bestowal of Musical Science by Sarasvati
भक्षिते तु ततस्तस्मिन् भवतो मध्यमात्फणात् ।
समुत्पत्स्यति कल्याणी तथारूपा यथामृता ॥
bhakṣite tu tatas tasmin bhavato madhyamāt phaṇāt | samutpatsyati kalyāṇī tathārūpā yathāmṛtā ||
ఆ పిండాన్ని భుజించిన తరువాత, నీ మధ్య ఫణం నుండి ఆ శుభాంగి స్త్రీ మరణకాలంలో ఉన్న రూపంతోనే ఉద్భవించును।
{ "primaryRasa": "adbhuta", "secondaryRasa": "bhakti", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
FAQs
The narrative asserts that dharmic rites, when sanctified by īśvara’s sanction, can reverse misfortune; it reinforces faith in śrāddha as a bridge between visible and invisible worlds.
Ānucarita; it is an episode illustrating the power of ritual and grace rather than a structural cosmological account.
Emergence from the ‘hood’ suggests kundalinī/serpent symbolism: from the central point (madhyama) arises renewed śakti (kalyāṇī), i.e., awakened transformative power.